Video tour of Isaka Shamsud-Din's art studio [Video 07]

Identity elements

Reference code

SR1760_S01P7

Name and location of repository

Level of description

Item

Title

Video tour of Isaka Shamsud-Din's art studio [Video 07]

Date(s)

  • 2018-10-03 (Creation)

Extent

MTS; 00:16:12

Name of creator

Biographical history

Isaka Shamsud-Din was born in Atlanta, Texas, in 1940, to Isaac Allen and Geneva Allen. He became an artist, educator, and activist, working for much of his career in Portland, Oregon. His work focuses on the experiences and histories of African Americans and peoples of the African diaspora. Shamsud-Din first lived in the Portland area in 1947, when his family moved to Vanport, Oregon. After the flood that destroyed Vanport in 1948, his family briefly moved to Ohio, but then returned to Portland. He began studying art as a teenager, attending the Museum Art School in Portland and the University of Kansas. He also studied art at Portland State University, and during that time, he painted his first murals. During the 1960s, he became involved with the Student Nonviolent Coordinating Committee in Arkansas. He later returned to education as a teacher, first at San Francisco State University in California, and also at Portland State University. His work during the time period of 1966 to 1976 was done under the name Isaac X. Nommo. He served as artist-in-residence at Reed College, and held the same role at several other educational institutions throughout the 1970s. He also served as director of the Albina Mural Project in Portland. In the 1990s, he returned to PSU as a student, earning a bachelor's degree in 1999 and then a master's degree in 2001.

Content and structure elements

Scope and content

Video 7. This video tour of Isaka Shamsud-Din's art studio in Portland, Oregon, was conducted on October 3, 2018. The tour was recorded by P. C. Peri, and Milo Reed was also present. Shamsud-Din shows some of his paintings, drawings, and murals, and talks about the inspiration for and meaning behind each work.

System of arrangement

Conditions of access and use elements

Conditions governing access

Copyright for this interview is held by the Oregon Historical Society. Use is allowed according to the following statement: Creative Commons - BY-NC-SA, http://creativecommons.org/licenses/by-nc-sa/4.0/

Physical access

Technical access

Conditions governing reproduction

Languages of the material

  • English

Scripts of the material

Language and script notes

Finding aids

Acquisition and appraisal elements

Custodial history

Immediate source of acquisition

Appraisal, destruction and scheduling information

Accruals

Related materials elements

Existence and location of originals

Existence and location of copies

Related archival materials

Related descriptions

Notes element

Specialized notes

Alternative identifier(s)

Description control element

Rules or conventions

Sources used

Access points

Place access points

Name access points

Genre access points

Digital object metadata

Digital object (Master) rights area

Digital object (Reference) rights area

Digital object (Thumbnail) rights area

Accession area