Photograph of a statue of Joseph carrying baby Jesus, who is holding a cross. The statue is in the nave of an unidentified church; also see image No. 371N4202.

Portrait of an artist in a smock and beret, sitting at sculptor’s table and working on a sculpture of a Blackfoot man. A cropped version of this photograph, along with image Nos. 371N2894 and 371N2895, was published on Page 3 of the Oregon Journal’s Sunday magazine on August 13, 1933. The photographs accompanied an article about Voisin, titled “Adventures of a Sculptor Among the Blackfeet Indians of Montana.” This photograph had the following caption: “Adrien Voisin, Portland sculptor, with a figure of Two-Guns-White Calf, the model of the Indian head on the buffalo nickel.” Also see image Nos. 371N2896, 371N2897, 371N2902, and 371N2903.

Photograph of three unidentified artists. At left is a woman standing at an easel, drawing a male figure. In the center is a man sculpting a bust. At right is a man sculpting a bas-relief.

Photograph of a sculpture by Adrien Voisin that depicts a seated Native American man with an animal skull in his lap. A cropped version of this photograph, along with image Nos. 371N2565 and 371N2895, was published on Page 3 of the Oregon Journal Sunday magazine on August 13, 1933. The photographs accompanied an article about Voisin, titled “Adventures of a Sculptor Among the Blackfeet Indians of Montana.” This photograph had the following caption: “The Lost Buffalo Trail, depicting an old Indian pondering on the past glories of his tribe.” Also see image Nos. 371N2896, 371N2897, 371N2902, and 371N2903.

Photograph, taken from the side, of a sculpture of a woman with braided hair. The bust was sculpted by Adrien Voisin. A cropped version of this photograph, along with image Nos. 371N2565 and 371N2894, was published on Page 3 of the Oregon Journal Sunday magazine on August 13, 1933. The photographs accompanied an article about Voisin, titled “Adventures of a Sculptor Among the Blackfeet Indians of Montana.” The caption for this photograph identified the bust as Ma-Mein-E-Ma of the Blackfoot people. Also see image Nos. 371N2896, 371N2897, 371N2902, and 371N2903.

Photograph of a sculpture of Native American man wearing a feathered headdress. The figure is looking upward. The sculpture is probably the work of artist Adrien Voisin; see image Nos. 371N2565, 371N2894, 371N2895, 371N2897, 371N2902, and 371N2903.

Photograph of a sculpture of a nude male figure with braided hair and upraised arms. The figure is looking upward and appears to be holding something in one hand. The sculpture is probably the work of artist Adrien Voisin; see image Nos. 371N2565, 371N2894, 371N2895, 371N2896, 371N2902, and 371N2903.

Photograph showing a bronze statue, “Coming of the White Man,” depicting Chief Multnomah and a younger man looking toward the Columbia River gap. The figure of Chief Multnomah stands with his arms crossed, while the younger man holds a branch aloft, gesturing toward the river and approaching white men. The statue is located in Portland’s Washington Park. The family of former Portland Mayor David Thompson gave the money for the statue, which was sculpted by Hermon Atkins MacNeil and completed in 1904. A cropped version of this photograph was one of 13 that were published on Page 1, Section 2, of the Oregon Journal on Sunday, March 10, 1929. The photographs were part of a “motorlog” describing a car trip around Portland to view public art. The spread included photographs of the statues and the car driven on the trip; a map of the route; and a story, headlined “Memorials Grace City / Notable Works of Art Adorn Parks and Plazas of Portland, as Motorlog Shows.” The photographs were published under their own headline and subheading: “Portland’s Statues Viewed Via Motor / Delightful Drive in Reo Flying Cloud over Route that Includes Locations of Twelve of Portland’s Art Treasures.” The tour began and ended at the Journal Building at Southwest Broadway and Yamhill in downtown Portland. “Coming of the White Man” was stop number 6 on the trip. See related image Nos. 371N5421, 371N5422, 371N5461, 371N2899, 371N2900, and 371N2901, which were also part of the spread.

Photograph of a bronze statue of Joan of Arc on a horse. The figure is wearing armor and is holding a flag in one upraised arm. The statue is a casting of a sculpture in Paris by by Emmanuel Fremiet. The statue was a gift to the city from Henry Waldo Coe, who commissioned it as a monument to American forces who served in World War I, and it was placed in Coe Circle, at the intersection of what is now NE Cesar Chavez Boulevard and NE Glisan Street. The statue was dedicated on May 30, 1935. A cropped version of this photograph was one of 13 that were published on Page 1, Section 2, of the Oregon Journal on Sunday, March 10, 1929. The photographs were part of a “motorlog” describing a car trip around Portland to view public art. The spread included photographs of the statues and the car driven on the trip; a map of the route; and a story, headlined “Memorials Grace City / Notable Works of Art Adorn Parks and Plazas of Portland, as Motorlog Shows.” The photographs were published under their own headline and subheading: “Portland’s Statues Viewed Via Motor / Delightful Drive in Reo Flying Cloud over Route that Includes Locations of Twelve of Portland’s Art Treasures.” The tour began and ended at the Journal Building at Southwest Broadway and Yamhill in downtown Portland. The Joan of Arc statue was stop number 10 on the trip. See related image Nos. 371N5421, 371N5422, 371N5461, 371N2898, 371N2899, and 371N2901, which were also part of the spread.

Photograph of a bronze statue of a man holding a rifle. The figure stands atop a pillar that bears the following words in uppercase letters: “Erected by the citizens of Oregon to the dead of the Second Oregon United States Volunteer Infantry / Anno Domini MDCCCCIV.” On the round base below the pillar are the words “First in Guam / First in Philippines.” The sculpture was made by Douglas Tilden and placed in Lownsdale Square in Portland, on Southwest 4th Avenue between Southwest Main Street and Southwest Salmon Street. The statue was dedicated on May 30, 1906. A cropped version of this photograph was one of 13 that were published on Page 1, Section 2, of the Oregon Journal on Sunday, March 10, 1929. The photographs were part of a “motorlog” describing a car trip around Portland to view public art. The spread included photographs of the statues and the car driven on the trip; a map of the route; and a story, headlined “Memorials Grace City / Notable Works of Art Adorn Parks and Plazas of Portland, as Motorlog Shows.” The photographs were published under their own headline and subheading: “Portland’s Statues Viewed Via Motor / Delightful Drive in Reo Flying Cloud over Route that Includes Locations of Twelve of Portland’s Art Treasures.” The tour began and ended at the Journal Building at Southwest Broadway and Yamhill in downtown Portland. The Spanish-American War memorial was stop number 1 on the trip. See related image Nos. 371N5421, 371N5422, 371N5461, 371N2898, 371N2899, and 371N2900, which were also part of the spread. Image note: Light leak on negative.

Photograph of a bust of a Blackfoot man. The bust was made by sculptor Adrien Voisin. Carved at the base of the bust is the following text: “SU-QUE-O-SIS-CON / Blackfeet / A Voisin Sculptor / MONTANA 1929.” Also see image Nos. 371N2565, 371N2894, 371N2895, 371N2896, 371N2897, and 371N2903.

Photograph of a bust of a Blackfoot man. The bust was made by sculptor Adrien Voisin. Carved at the base of the bust is the following text: “MA-KA / Blackfeet / A Voisin Sculptor / MONTANA 1929.” Also see image Nos. 371N2565, 371N2894, 371N2895, 371N2896, 371N2897, and 371N2902.

Photograph, taken from one corner, of a bust of John McLoughlin. The name “McLoughlin” is written on the negative and is visible on the left side of the image.

Photograph, taken from the front, of a bust of John McLoughlin. The name “McLoughlin” is written on the negative and is faintly visible on the left side of the image.

Half-length portrait of an unidentified sculptor standing in front of a bas-relief of a boy and girl in profile, eating at a table. The man is facing to the right and is holding a tool to the surface of the sculpture.

Photograph showing the Shemanski Fountain in Portland’s South Park Blocks between Southwest Main Street and Southwest Salmon Street. The Masonic Temple (now the Mark Building of the Portland Art Museum) is partially visible in the background. A cropped version of this photograph was one of 13 that were published on Page 1, Section 2, of the Oregon Journal on Sunday, March 10, 1929. The photographs were part of a “motorlog” describing a car trip around Portland to view public art. The spread included photographs of the statues and the car driven on the trip; a map of the route; and a story, headlined “Memorials Grace City / Notable Works of Art Adorn Parks and Plazas of Portland, as Motorlog Shows.” The photographs were published under their own headline and subheading: “Portland’s Statues Viewed Via Motor / Delightful Drive in Reo Flying Cloud over Route that Includes Locations of Twelve of Portland’s Art Treasures.” The tour began and ended at the Journal Building at Southwest Broadway and Yamhill in downtown Portland. The Shemanski Fountain was stop number 5 on the trip. See related image Nos. 371N5422, 371N5461, 371N2898, 371N2899, 371N2900, and 371N2901, which were also part of the spread.

Photograph showing the memorial to Portland Fire Chief David Campbell and the surrounding buildings, occupied by automotive businesses. The monument features a bronze bas-relief of Campbell set into a limestone base above a fountain. The memorial is between Southwest Alder Street and Southwest 18th and 19th avenues. Campbell was killed on June 26, 1911, while fighting a fire at the Union Oil distribution plant. A cropped version of this photograph was one of 13 that were published on Page 1, Section 2, of the Oregon Journal on Sunday, March 10, 1929. The photographs were part of a “motorlog” describing a car trip around Portland to view public art. The spread included photographs of the statues and the car driven on the trip; a map of the route; and a story, headlined “Memorials Grace City / Notable Works of Art Adorn Parks and Plazas of Portland, as Motorlog Shows.” The photographs were published under their own headline and subheading: “Portland’s Statues Viewed Via Motor / Delightful Drive in Reo Flying Cloud over Route that Includes Locations of Twelve of Portland’s Art Treasures.” The tour began and ended at the Journal Building at Southwest Broadway and Yamhill in downtown Portland. The Campbell memorial was stop number 8 on the trip. See related image Nos. 371N5421, 371N5461, 371N2898, 371N2899, 371N2900, and 371N2901, which were also part of the spread.

Photograph showing the David P. Thompson fountain on Southwest Main Street in Portland between Southwest 3rd and Southwest 4th Avenues. The fountain features a sculpture of an elk on a pedestal at the center of a basin. A cropped version of this photograph was one of 13 that were published on Page 1, Section 2, of the Oregon Journal on Sunday, March 10, 1929. The photographs were part of a “motorlog” describing a car trip around Portland to view public art. The spread included photographs of the statues and the car driven on the trip; a map of the route; and a story, headlined “Memorials Grace City / Notable Works of Art Adorn Parks and Plazas of Portland, as Motorlog Shows.” The photographs were published under their own headline and subheading: “Portland’s Statues Viewed Via Motor / Delightful Drive in Reo Flying Cloud over Route that Includes Locations of Twelve of Portland’s Art Treasures.” The tour began and ended at the Journal Building at Southwest Broadway and Yamhill in downtown Portland. The elk fountain was stop number 2 on the trip. See related image Nos. 371N5421, 371N5422, 371N2898, 371N2899, 371N2900, and 371N2901, which were also part of the spread.

Photograph showing a sculpted tympanum, “The Last Judgment” by Gislebertus, displayed above a doorway in a room where sculpted capitals are displayed. The sculptures are probably reproductions at an unidentified museum. A label below the tympanum reads “Cathedrale D'Autun,” referring to the Cathedral of Saint Lazarus of Autun in Paris, France, where the original sculpture is located.

Photograph, taken from the side, showing a statue depicting a cowboy riding a bucking bronco. The text “Procter Jackson Statue” and the number 159 are written on the negative and are visible in the upper right corner of the image. “Procter” may be a reference to sculptor Alexander Phimister Procter.

Photograph showing a crowd of seated people at the memorial to Portland Fire Chief David Campbell during the monument’s unveiling on Thursday, June 28, 1928. The memorial is between Southwest Alder Street and Southwest 18th and 19th avenues. Campbell was killed on June 26, 1911, while fighting a fire at the Union Oil distribution plant. A cropped version of this photograph was published on Page 2 of the Oregon Journal on Friday, June 29, 1928, under the headline “Statue Unveiled to City’s Firemen Dead.” The photograph had the following caption: “Cenotaph’s formal presentation to the city marks exact hour of 17 years ago when Fire Chief David Campbell was buried. This memorial at 19th and Washington streets [sic], is a tribute to him and all firemen who have died in line of duty.” The photograph accompanied a story headlined “Myrtyred [sic] Chief Honored; Statue to Him Unveiled.”

Photograph showing an arbor and a sculpture in a garden. The statue may be a small fountain or birdbath. It consists of a pedestal topped by a bowl. In the center of a bowl is a statue of a child standing on a rock and carrying a fish. In the background, a building is partially visible.

Photograph showing a fountain and garden at the M. Lloyd Frank estate, Fir Acres, on Palatine Hill in Portland. The fountain consists of a fish sculpture at the center of a pool of stone blocks. Plants border the fountain on all sides. In the background is a wide path between two large garden beds. An unidentified person is working in the garden at center left.. The grounds are now part of Lewis & Clark College.

Engraving and dedication on the Skidmore Fountain, at S.W. 1st and Ankeny in Portland. Two decorative lion heads move water into a smaller lower pool, which can be seen in front of a larger pool of water. Buildings and a laundry vehicle can be seen in the background (negative 7 of 8).

Photograph showing Skidmore Fountain, at S.W. 1st and Ankeny in Portland. Two robed figures with raised arms hold a bowl from which water cascades into a lower pool. In the background are several brick buildings. One of the buildings has a sign reading “Pacific Tent & Awning Co.” while another says “Janitor Supplies” (negative 8 of 8).

Two women in hats looks at a sculpture on pedestal block. The sculpture appears to be in the shape of a cow, and is likely made of clay (negative 7 of 11).

Sculpture busts of Oregon pioneers at the home of David Campbell, most likely in Portland (negative 16 of 16).