Transcript. Barbara Bernstein discusses how she came to Portland from the East Coast, her work for birth control, the women's music movement, and her work in radio, particularly at KBOO in Portland, Oregon.

Session 1. Barbara Bernstein discusses how she came to Portland from the East Coast, her work for birth control, the women's music movement, and her work in radio, particularly at KBOO in Portland, Oregon.

Transcript. Paul Fukui, Operations Manager of the Q Center in Portland, OR, discusses his work with the Q Center and his life as an artist.

Session 1. Paul Fukui, Operations Manager of the Q Center in Portland, OR, discusses his work with the Q Center and his life as an artist.

Transcript. Besant discusses her involvement in the earliest incarnation of the vocal group The Dyketones; coming out in her early thirties (to herself & to her family); her commitment to Women In the Wilderness (aka Keep Listening); her life with her partner, Marcia; and the community at the Mountain Moving Cafe in the 1980s.

Session 2. Besant discusses her involvement in the earliest incarnation of the vocal group The Dyketones; coming out in her early thirties (to herself & to her family); her commitment to Women In the Wilderness (aka Keep Listening); her life with her partner, Marcia; and the community at the Mountain Moving Cafe in the 1980s.

Transcript. Hawes discusses his involvement (since the mid-1980s) with the Rosetown Ramblers, a Portland chapter of the Gay & Lesbian Square Dancing Association.

Session 1. Hawes discusses his involvement (since the mid-1980s) with the Rosetown Ramblers, a Portland chapter of the Gay & Lesbian Square Dancing Association.

Transcript. Philips discusses his involvement (since the 1980s) with the Rosetown Ramblers, a gay & lesbian square dancing club and with the leather & S/M community.

Session 1. Philips discusses his involvement (since the 1980s) with the Rosetown Ramblers, a gay & lesbian square dancing club and with the leather & S/M community.

Transcript. Jones discusses racism within the gay community and the fight for greater inclusiveness within LGBT organizations. He discusses his experiences as a black gay man in Portland.

Session 1. Jones discusses racism within the gay community and the fight for greater inclusiveness within LGBT organizations. He discusses his experiences as a black gay man in Portland.

The grave of William H. Moreland covered in floral arrangements. Death date listed on the headstone as June 11, 1903.

Portrait of a man in a suit and tie. He may be standing in front of the Multnomah Hotel Pharmacy in Portland. The name “Amundson” is written on the negative and is visible on the left side of the image.

Portrait of a woman, Amelia Anderson, standing at the top of the steps to the Marshall Street Community Center. A sign on the building reads: “Marshall Community Center / Miss Amelia M. Anderson / Director / Kindergarten / 9 to 11 A. M. daily / Boys and Girls Clubs / Americanization classes / Christian Endeavor / 6:30 P. M. Sunday.”

Portrait of a woman, Amelia Anderson, outside the Marshall Street Community Center in Portland, where she served as director. The name “Amelia Anderson” is written on the negative and is visible on the right side of the photograph. Image note: Light leak on negative.

Portrait of a man facing to the left. He is wearing a jacket and tie, and has a button pinned on his lapel. The name “P. S. Arkwright” is written on the negative and is visible on the left side of the image. See related image Nos. 371N0061 and 371N1704.

Portrait of a man wearing a hat, jacket, and tie. A button is pinned to his lapel. The words “Twenty-First,”, “Portland Oregon” and “P. S. Arkwright” are visible on the button. The name “Preston A. Arkwright [sic]” is written on the negative. See related image Nos. 371N0060 and 371N1704.

Portrait of a man at Union Station in Portland. He is standing next a train car with the number 4 on the side. He is wearing a hat, glasses, overcoat, collared shirt and tie. The Union Station clock tower is visible in the background. Written on the negative are the name “Bister” and the text “NY Central,” possibly referring to the New York Central Railroad Company.

Portrait of a man wearing a hat, overcoat, collared shirt, and tie. He is looking slightly left and is holding a cigarette. A cropped version of this photograph was published on Page 1 of the Oregon Journal on Wednesday, April 6, 1932, under the headline “Ol’ Bill’s Pap.” The photograph had the following caption: “Captain Bruce Bairnsfather, noted British cartoonist and creator of Ol’ Bill, lovable war character, who lectures at the Town club tonight.” The photograph accompanied a story about Bairnsfather and Ol’ Bill, headlined “Ol’ Bill, Famed Warrior, Here With Creator.” Image note: The name “Bruce Bairnsfather” is written on the negative and is visible at the top of the image.

Portrait of a man, British cartoonist Bruce Bairnsfather, wearing a hat, overcoat, collared shirt, and tie. He is holding a cigarette. A similar photograph, image No. 371N0328, was published on Page 1 of the Oregon Journal on Wednesday, April 6, 1932. The photograph accompanied a story with the headline “Ol’ Bill, Famed Warrior, Here With Creator.” Image note: The name “Bruce Brainsfather [sic]” is written on the negative and is visible at the top of the image.

Head and shoulders portrait of W. J. Babe, deputy vice president of the Brotherhood of Railroad Trainmen, standing outside the Imperial Hotel in Portland. He is facing to the right and is wearing a hat and suit. The photograph was taken on Saturday, April 10, 1920, when Babe was in Portland to assist in resolving a strike by railway switchmen. The Journal published a different photo of Babe, image No. 376G0375, and coverage the strike on the front page of the April 10 city edition. See additional related image No. 376G0376. Image note: The text “W. J. Babe” is written on the negative and is faintly visible on the right side of the image.

Full-length portrait of two men, both wearing suits, hats, and ties, standing on the sidewalk outside the Imperial Hotel in Portland on Saturday, April 10, 1920. That day, a nearly identical photograph, image No. 376G0376, was published on the front page of the Oregon Journal city edition under the headline “Union Officials Here to Combat Strike.” The photograph had the following caption: “Two prominent officials of the trainmen’s organizations, who are in Portland doing their best to bring about a speedy settlement of the ‘rebel’ strike which has broken out among the switchmen. They are: Left, W. J. Babe, national deputy vice president of the Brotherhood of Railway [sic] Trainmen, and right, F. D. Hobbs, general chairman of the Brotherhood of Railway Trainmen of the O-W. R & N. [Oregon-Washington Railroad and Navigation Company] system, photographed by The Journal staff photographer today at their headquarters in the Imperial hotel.” The photograph accompanied a story headlined “Brotherhood Official Says Use Lever Act To Defeat Radicals.” The story was one of four front-page articles about the strike, which was occurring in cities around the United States. See additional related image No. 376G0374. Image note: On the negative, the name “W. J. Babe” is written above the man at left, and the name “Hobb [sic]” is written above the man at right.

Full-length portrait of two men, both wearing suits, hats, and ties, standing on the sidewalk outside the Imperial Hotel in Portland on Saturday, April 10, 1920. That day, a cropped version of this photograph was published on the front page of the Oregon Journal city edition under the headline “Union Officials Here to Combat Strike.” The photograph had the following caption: “Two prominent officials of the trainmen’s organizations, who are in Portland doing their best to bring about a speedy settlement of the ‘rebel’ strike which has broken out among the switchmen. They are: Left, W. J. Babe, national deputy vice president of the Brotherhood of Railway [sic] Trainmen, and right, F. D. Hobbs, general chairman of the Brotherhood of Railway Trainmen of the O-W. R & N. [Oregon-Washington Railroad and Navigation Company] system, photographed by The Journal staff photographer today at their headquarters in the Imperial hotel.” The photograph accompanied a story headlined “Brotherhood Official Says Use Lever Act To Defeat Radicals.” The story was one of four front-page articles about the strike, which was occurring in cities around the United States. See related image Nos. 376G0374 and 376G0374. Image note: On the negative, the name “W. J. Babe” is written above the man at left, and the name “Hobb [sic]” is written above the man at right.

Head and shoulders portrait of a smiling man, composer Charles Wakefield Cadman, facing front. He is outdoors at Union Station in Portland and is wearing an overcoat and scarf. The photograph was taken on January 20, 1927, when Cadman arrived in Portland on a trip to plan that year’s Rose Festival pageant, of which he served as director general. The Oregon Journal published a similar photograph, image No. 371N0394, on Page 18 that day, along with a story headlined “Composer Here to Work on Rose Festival Music.” See additional related image Nos. 371N0135 and 371N0136. Image note: The name “Cadman” is written on the negative and is visible on the left side of the image.

Head and shoulders portrait of composer Charles Wakefield Cadman facing right. He is outdoors at Union Station in Portland and is wearing a hat, scarf, and overcoat. A cropped version of this photograph, along with image No. 371N0135, was published on Page 18 of the Oregon Journal on January 20, 1927, the day Cadman arrived in Portland on a trip to plan that year’s Rose Festival pageant, of which he served as director general. The photographs were published under the headline “Getting Ready for June’s Roses.” See additional related image Nos. 371N0396 and 371N0393. Image note: The name “Cadman” is written on the negative and is visible on the right side of the image.

Three-quarters portrait of three men standing in a row outside the Journal Building (now known as the Jackson Tower) in Portland. The text “Calders” is written on the negative and is visible on the right side of the image.