National Organization for Women presents, "Women Work Transformation" (title drawn from segment title card). Group of women discussing the imbalance of public support for mass media entertainment over the performing arts, and their experiences as artists. (0:4:15) Robin Chilstrom and Izetta Smith sing and perform theatrical dance. (0:09:07) Discussion continues, talking about the cultural significance about working as professional artists. (0:11:12) Susan Banyas and Melinda Lambert perform interpretive dance to string-instrument recording. (0:15:13) Discussion continues, with one group member talking about artistic expression. (0:15:58) Kate Campeau plays piano and sings protest song about female sterilization. (0:19:51) Discussion continues, emphasizing the use of music as a tool to convey ideas and share experiences. (0:20:22) Group musical performance, partially overlayed with voice narration, ending abruptly. (0:21:23) Musical performance by Naomi L. Bear and Ursa Minor Choir about violence against women.

Credits: "Women Who Throw Stones and Live in Glass Houses." Written by Diane Nowick; Performed by Robin Chilstrom and Izetta Smith. "Fields." Choreographed and performed by Susan Banyas and Melinda Lambert. "Sterilized." Composed and performed by Kate Campeau. "I am the River." Composed by Naomi L. Bear; Performed by the Ursa Minor Choir. Produced by, Elaine Velazquez.

All segments are part of "Women Alive!" program (title drawn from segment title card). "Four Men in Oregon." Four separate interviews with men of varying employment types and backgrounds, all taking place in Eugene, Oregon. Interviewees are Rick Myers, a folk singer from San Francisco; Jim Swan, a teacher at the University of Oregon; Mike McMullen, a businessman from Eugene; and Dave Burwell, forester and logger. Questions are asked off-camera, while interviewees respond to questions relating to themes of masculinity, men and women in the workforce, men's societal and familial roles, and emotional expectations. Segment 2: (0:14:58) Sylvia Porter, columnist and author, talks about evolving roles and equality of women in the workforce. Discusses familial and economic changes as more women are continually entering the workforce. Segment 3: (0:18:02) As program ends, the musical group Novella Nelson performs.

"Women Alive!" credits: Directed by Roger Englander; Produced by Joan Shigekawa; Coordinating Producer, Jacqueline Donnet; Associate Producer, Janet Klein; Art Direction, Marsha Louis Eck; Production Manager, Mona Kligman. "Four Men from Oregon" Produced by Vic Losick; Camera, Duke McDonough; Sound, Tom Cohen; Assistant Camera, Jim Fehrman; Film Editor, Howard Milkin; Assistant Editors, Peri Muldofsky and Bobby Brooks. "Women Alive!" staff: Production Assistant, Ann Sellew; Researchers, Susan Baskin and Barbara Grace; Production Secretary, Shelley Taylor Huis; Title Design by Irene Trivas; Music Supervision, John Adams; Engineering Supervisor, Andy Setos; Videotape Editor, Glenn Jordan; Associate Director Judi Elterman; Lighting Designer, Danny Franks; Audio, Vicki Weger; Technical Director, Robert Kafarski; Executive Producer, Ronnie M. Eldridge. Musicians for Novella Nelson; Bob Cunningham, Leopoldo Fleming and Linda Twine. Produced in collaboration with Ms. Magazine.

First three minutes: Performance by musical group Special K in progress. Segment 1: "Attitudes towards the Handicapped," hosted by PSU instructor Doris Workman, who taught the course "Barriers: Communicating with the Disabled," with three guests Dave Parker, Penny Marquat, and Scott Lay, each of whom have a physical disability. The segment is a candid conversation about stereotypes and attitudes that society has about people who are disabled. Segment 2: (0:45:05) Musical group Ela, in-studio at Portland Cable Access studios at 5345 SE Foster Rd, originally taped 1983. with Alan J Nohlgren (saxophone, flute, piccolo), William Thomas (trap drums), Janice Scroggins (piano), Brian Davis (congas, percussion), Scott Wardinsky (congas), Nick Gefroh (timbales), Lester McFarland (bass). Rough-cut to credits, some of which are obscured by overlayed text. Final 1.5 minutes is a satirical promo for TVAP about television addiction.

Segment 1 credits: Producer, John Hills; Director, K. Major-McDowale; Floor Director, Les Miller; Technical Director, Dave Michaud; Camera Operators, Rebecca Singer and John Seigendall; Audio, Ken Darby and Bob Flug; Video, Steve Ward; Electronic Graphics, Catherine Ann Adams. Moderator, Doris Workman; Guests, Dave Parker, Penny Marquat, Scott Lay.

Segment 2 credits: Victor Hortaleza (could not see credited role); Lighting, Ellen Hansen and Tony Cassera; Set Design, TVAP crew; Electronic Graphics, Linda Hawkins; Patchwork, Grant Remington. Funding provided in part by the National Endowment for the Arts.

Hour long program of Portland Music Television (PMTV). Interviews with musicians and footage from live performances. Identified bands include: Wild Dogs, The Glory Seekers, The Usual Suspects, Ed and the Boats, The Rats (musicians include Fred and Toody Cole of Dead Moon).

Credits: Performances by, Wild Dogs, The Glory Seekers, The Usual Suspects, Ed and the Boats, The Rats; Produced and Directed by Frank Fayssoux; Technical Director, Stan Hintz; Cameras, Tony Cassera, John Hills, Ray Walson; Floor Director, Frank Mahoney; Lights and Sets, everybody; Audio, John Gamon; Video, Dan Sackett; Electronic Graphics, Scott "Torch" Thompson.

Segment 1: NW Esperanto update September 1983, hosted by Ginny Stewart with guest Jim Deer, Vice President, Portland Esperanto Society. Music by Marty Deer, "Rosmaren" and "Autumn Fields." Segment 2: (0:15:30) "Just a Jam" with musicians Art Alexander on piano, Mark Hoffmeister on bass, Jay Harris on drums, James Pitune (?) on guitar. Second song, "Ladies I have Known." Segment 3: (0:27:15) Institute for Professional and Managerial Women. Two representatives of IFPMW, Penny Harrington from Portland Police Department and Angel Pilato from Tektronix, discuss their career trajectories, promotions, and upcoming conference. Hosted by Rosie Hamilton. Tape ends abruptly during credits.

Segment 1 credits: Moderator, Ginny Stewart; Special Guest, Jim Deer; Children, Amanda Stewart and Joshua Stewart; Music, Marty Deer "Rosmaren" and "Autumn Fields"; Producer, Marty Deer; Camera, Linda Stewart and Marty Deer; Field Audio, Marty Deer and Linda Stewart; Studio Audio, Wayne Alora; Editor, Marty Deer; Assistant Editor, Wayne Alora; Titles, Marty Deer.

Segment 2 credits: Musicians Art Alexander on piano, Mark Hoffmeister on bass, Jay Harris on drums, James Pitune (?) on guitar. Songs, "Just a Jam," and "Ladies I have Known."

Segment 3 credits: Directed by James Apilado Esq; Technical Director, Mike Moulton; Floor Director, Brian Gygi; Cameras, Hunter Clarke and Mike Roydon; Audio, Stan Hintz.