Segment 1: "Out of Work," Part 1, "To Have and Have Not." First in a series that explores joblessness and homelessness in Portland. Most interviews on location. Segment 2: "Portland High Life." Guest and call-in show "about the world of entertainment in the Portland area." Produced in the studios of Portland Cable Access, 5345 SE Foster Road, Portland, OR 97206.

Segment 1 credits: Written, directed, produced and hosted by Frank Fayssoux; Executive Producer Cathy Adams; Associate Producer Ken Darby; Camera, Ken Darby; Additional Camera Work, John Seigendall and Peter Lesueur; Character Generator, Roy "Dusty" Nicholas; Edited by Frank Fayssoux with assistance from PCA staff. Equipment and Support, TVAP, Liz Lynch; Coordinator, PCA and Liberty Cable. Cast: Frank Fayssoux; Blackie, Hobo Tramp; John Stone, Oregon Employment Division; John Lee, Baloney Joe's; Teresa Brothers, Pacific Northwest Bell; Sr. Marjorie Ille, Rich Hotel Manager; Charles Hamilton, Rich Hotel Resident; Michael Stoops, Burnside Community Council; Cathy Adams, Burnside Bridge; Marvin Welt, Youth Job Developer, City of Portland.

Segment 2 credits: Host, Steve Brown; Guests, Sue Preece and James Brown, Jr.; Producer, Steve Brown; Director, Stan Hintz; Technical Director, John Hills; Floor Director, Frank Fayssoux; Video, Ken Darby; Audio, Ron Cummings; Camera Operators, Cecilia Goodnight and Dan Sackett; Lights and Set, Dan Sackett, John Hills and Ron Cummings; Electronic Graphics, Steve Ward. Music by Don Latarski.

Hour long program of Portland Music Television (PMTV). Interviews with musicians and footage from live performances. Identified bands include: Wild Dogs, The Glory Seekers, The Usual Suspects, Ed and the Boats, The Rats (musicians include Fred and Toody Cole of Dead Moon).

Credits: Performances by, Wild Dogs, The Glory Seekers, The Usual Suspects, Ed and the Boats, The Rats; Produced and Directed by Frank Fayssoux; Technical Director, Stan Hintz; Cameras, Tony Cassera, John Hills, Ray Walson; Floor Director, Frank Mahoney; Lights and Sets, everybody; Audio, John Gamon; Video, Dan Sackett; Electronic Graphics, Scott "Torch" Thompson.

First three minutes: Performance by musical group Special K in progress. Segment 1: "Attitudes towards the Handicapped," hosted by PSU instructor Doris Workman, who taught the course "Barriers: Communicating with the Disabled," with three guests Dave Parker, Penny Marquat, and Scott Lay, each of whom have a physical disability. The segment is a candid conversation about stereotypes and attitudes that society has about people who are disabled. Segment 2: (0:45:05) Musical group Ela, in-studio at Portland Cable Access studios at 5345 SE Foster Rd, originally taped 1983. with Alan J Nohlgren (saxophone, flute, piccolo), William Thomas (trap drums), Janice Scroggins (piano), Brian Davis (congas, percussion), Scott Wardinsky (congas), Nick Gefroh (timbales), Lester McFarland (bass). Rough-cut to credits, some of which are obscured by overlayed text. Final 1.5 minutes is a satirical promo for TVAP about television addiction.

Segment 1 credits: Producer, John Hills; Director, K. Major-McDowale; Floor Director, Les Miller; Technical Director, Dave Michaud; Camera Operators, Rebecca Singer and John Seigendall; Audio, Ken Darby and Bob Flug; Video, Steve Ward; Electronic Graphics, Catherine Ann Adams. Moderator, Doris Workman; Guests, Dave Parker, Penny Marquat, Scott Lay.

Segment 2 credits: Victor Hortaleza (could not see credited role); Lighting, Ellen Hansen and Tony Cassera; Set Design, TVAP crew; Electronic Graphics, Linda Hawkins; Patchwork, Grant Remington. Funding provided in part by the National Endowment for the Arts.

The Latest on Federal Cable Legislation with Connie Brand. Discussion between Dave Maier, attorney representing Portland Cable Access; Bob Flug, former director of TVAP, then board member of TVAP and Portland Cable Access; and hosted by Connie Brand, board member of TVAP. Topic is the H.R.4103, the Cable Franchise Policy and Communications Act of 1984, and specifically how some of the provisions within the bill might impact funding for public access channels under the Rogers Cable franchise in Portland. (0:22:06) Main segment is followed by a TVAP promotional video with clips from different TVAP programs and an original song by Portland band The Dots. Ends with a short announcement for an apprentice and training opportunity.

Segment 1 credits: Host, Connie Brand; Guests, Bob Flug and Dave Maier; Producer, Connie Brand; Director, Ellen Hansen; Switcher, Terry Soliz; Technical Director, Dave Michaud; Floor Director, Linda Lewis; Audio, Melody Fahey; Video, Ellery Nelson; Cameras, Kristy Major-McDowall, Ray Larson; Lighting and Set Design, Bubbles O'Toole, Virginia Bruce; C.G., Stan Hintz.

Segment 1: "Aguila," a Spanish-language program hosted by Roberto Ruiz. Guest Manuel Gonzalez, a producer of Spanish-language public access programs in Fresno, California, discusses cable access programming as educational tool. (0:20:35) Musical performance intermission, (0:25:12) followed by interview with Raymundo Marin discussing the Starlight Parade. (0:36:54) Interstitial Buttons and Bows. Segment 2: (0:39:08) In-studio performance by musical group, Ela.

Segment 1 credits: Host, Roberto Ruiz; Guests, Raymundo Marin and Manuel Gonzalez; Director, Manuel Gonzalez; Technical Director, Stan Hintz; Floor Director, Ed Ash; Cameras, Margaret Clark and Maria Alanis; Audio, Jim Apalado; Video, Ron Cummings and Liz Lynch; Character Generator, Carolyn Brucel.

Segment 2 credits: Ela group members: Alan J. Nohlgren, saxophone, flute and piccolo; William Thomas, trap drums; Janice Scroggins, piano; Brian Davis, congas, percussion; Scott Wardinsky, congas; Nick Gefron, timbales; Lester McFarland, bass; Thara Memory, guest artist. Studio Crew: Produced by Linda Lewis and Ellen Hansen; Director, Ellen Hansen; Technical Director, Linda Lewis; Floor Director, Stan Hintz; Audio, Peter Lesueur and Ed Spencer; Video Carolyn Bruce; Camera Operators, Diana Wyatt, Dan Halvorson and Victor Hortaleza; Lighting, Ellen Hansen and Tony Cassera; Set Design, TVAP crew; Electronic Graphics, Linda Hawkins; Patchwork, Grant Rimington.

Segment 1: "Cold that Kills," (title drawn from segment title card), hosted by James Wygant. Guests include Frank Heyl, a survival instructor/consultant, and Keith West, a mountain climber, who discuss survival skills during extreme weather conditions and when mountain climbing. Segment 2: (0:31:25) Episode of the series "Ahora Mismo" hosted by Roberto Ruiz. Introduction is in both Spanish and English, with the rest of the episode in English. Topic is the 1986 Cinco de Mayo festival in Portland that took place May 2,3, and 4. Guests Mike Lynch and Patty Laumand, members of the Portland Guadalajara Sister City Association, discuss the festival and other related events. Segment includes footage taken during festival. Music by Pa'Lante, Ritmo Tropical, Poly Chavez, Sus Coronados. Directed and edited by Theresa Soliz.

Segment 1 credits: Host, James Wygant; Guests, Frank Heyl and Keith West; Producer, Liz Lynch; Director, Ray Larson; Technical Director, Stan Hintz; Cameras, Terry Soliz, Barbara Affleck and Scott Thompson; Audio/Video, John Hills; Lights and Set, James Wygant; Electronic Titles, Liz Lynch.

Segment 2 credits: Host, Roberto Ruiz; Guests, Mike Lynch and Patty Laumand; Producer, Roberto Ruiz; Director/Editor, Theresa Soliz; Switcher, Dave Michaud; Audio, Stan Hintz; VTR Operator, John Hills; First Assistants, Joselito Romero and Peter Piazza; Cameras, Ray Larson, Scott Thompson, Theresa Soliz; Floor Director, Mitch Burgess; Electronic Graphics, Theresa Soliz; Studio Lights and Set, Maria Alanis and Theresa Soliz. Music by Pa'Lante, Ritmo Tropicale, Poly Chavez, and Sus Coronados.

Segment 1: "Conversations on Creativity" with host Frances Costikyan. She talks with Ann Sullivan, a long-time staff writer for the Oregonian, about her life, upbringing, and her work as a woman journalist. (0:30:10) Interstitial is a fundraising pledge request from TVAP Director Liz Lynch, (0:34:36) followed by a short video called "A Walk through the Forest with TVAP" by Stan Hintz, mainly shots of nature, trees, and streams. Segment 2: (0:36:42) "Kids-TV and Other Works by Young People" discussion with Kids-TV Producer, David Bryant, and Anne Bell, the Education Coordinator of the Northwest Film and Video Center / Northwest Film Study Center (now Northwest Film Center). Bell discusses several initiatives by the Center and shows clips from "Kids-TV," a program produced during the Artquake Festival downtown, and "The Columbia River Gorge: A Natural History," a stop-motion and live action film produced at Cleveland High School as part of a biology class through the Filmmakers in Schools program.

Segment 1 credits: Written, directed, produced and hosted by Frank Fayssoux; Executive Producer Cathy Adams; Associate Producer Ken Darby; Camera, Ken Darby; Additional Camera Work, John Seigendall and Peter Lesueur; Character Generator, Roy "Dusty" Nicholas; Edited by Frank Fayssoux with assistance from PCA staff. Equipment and Support, TVAP, Liz Lynch; Coordinator, PCA and Liberty Cable. Cast: Frank Fayssoux; Blackie, Hobo Tramp; John Stone, Oregon Employment Division; John Lee, Baloney Joe's; Teresa Brothers, Pacific Northwest Bell; Sr. Marjorie Ille, Rich Hotel Manager; Charles Hamilton, Rich Hotel Resident; Michael Stoops, Burnside Community Council; Cathy Adams, Burnside Bridge; Marvin Welt, Youth Job Developer, City of Portland.

Segment 2 credits: Host, Steve Brown; Guests, Sue Preece and James Brown, Jr.; Producer, Steve Brown; Director, Stan Hintz; Technical Director, John Hills; Floor Director, Frank Fayssoux; Video, Ken Darby; Audio, Ron Cummings; Camera Operators, Cecilia Goodnight and Dan Sackett; Lights and Set, Dan Sackett, John Hills and Ron Cummings; Electronic Graphics, Steve Ward. Music by Don Latarski.

Pasasaun identifies himself as Brule Sioux from South Dakota, giving classroom presentation describing the many facets of Indigenous cultures, beliefs and values systems. Talks about the Medicine Wheel (also called the Sacred Hoop), and the interactions between concepts of science, art, religion, and government.

All segments are part of "Women Alive!" program (title drawn from segment title card). "Four Men in Oregon." Four separate interviews with men of varying employment types and backgrounds, all taking place in Eugene, Oregon. Interviewees are Rick Myers, a folk singer from San Francisco; Jim Swan, a teacher at the University of Oregon; Mike McMullen, a businessman from Eugene; and Dave Burwell, forester and logger. Questions are asked off-camera, while interviewees respond to questions relating to themes of masculinity, men and women in the workforce, men's societal and familial roles, and emotional expectations. Segment 2: (0:14:58) Sylvia Porter, columnist and author, talks about evolving roles and equality of women in the workforce. Discusses familial and economic changes as more women are continually entering the workforce. Segment 3: (0:18:02) As program ends, the musical group Novella Nelson performs.

"Women Alive!" credits: Directed by Roger Englander; Produced by Joan Shigekawa; Coordinating Producer, Jacqueline Donnet; Associate Producer, Janet Klein; Art Direction, Marsha Louis Eck; Production Manager, Mona Kligman. "Four Men from Oregon" Produced by Vic Losick; Camera, Duke McDonough; Sound, Tom Cohen; Assistant Camera, Jim Fehrman; Film Editor, Howard Milkin; Assistant Editors, Peri Muldofsky and Bobby Brooks. "Women Alive!" staff: Production Assistant, Ann Sellew; Researchers, Susan Baskin and Barbara Grace; Production Secretary, Shelley Taylor Huis; Title Design by Irene Trivas; Music Supervision, John Adams; Engineering Supervisor, Andy Setos; Videotape Editor, Glenn Jordan; Associate Director Judi Elterman; Lighting Designer, Danny Franks; Audio, Vicki Weger; Technical Director, Robert Kafarski; Executive Producer, Ronnie M. Eldridge. Musicians for Novella Nelson; Bob Cunningham, Leopoldo Fleming and Linda Twine. Produced in collaboration with Ms. Magazine.

Segment 1: "My Ship Came In," by Johnny Cash and Earl Scrugs plays over video of the Oaks Park skating rink neon sign, followed by footage of rides and attractions at Oaks Park as carnival music plays. Segment ends at (0:10:33). Segment 2: (0:11:00) Recording of news program on television screen, talking about airstrikes during the Vietnam War. Cuts to footage of people casually socializing in a parking lot. Cuts to students preparing for an anti-war protest. Segment ends at (0:18:40). Segment 3: (0:19:05) Interviewer speaking with Sean Gold, a youth attending Lee's Taekwondo school for karate. Gold talks about the school and teachers, then demonstrates some techniques, and goes on to talk about Bruce Lee. Video ends abruptly.

Credits: A videotape by Tom Kennedy and Donna Ryan.

Segment 1: No sound. Abstract art film of images overlaying/reflected through glass with unnatural saturated color, and overexposed images. Balls rolling, shapes in motion, kinetic movement. Segment 2: (0:15:03) Narrated analysis of the social and cultural impact of television and marketing techniques utilized in commercials. Segment 3: (0:24:50) Organized group meeting to discuss nursing, pharmaceutical education, and legislation relating to health care. Segment 4: (0:30:27) Extraneous footage, testing out new camera lens.

Variety program by acting troupe The Family Circus, performing their musical comedy production of "Superman Meets the Plutonium Tycoons." Serving as political satirical commentary about the use of nuclear power and its hazardous impact on the environment. Superman and Lois Lane are featured characters. (0:51:13) Play ends, and next segment of performance continues, with actors from play now performing a cappella song, "Imperia." Next, performer plays autoharp to song about the Trojan nuclear power plant.

Variety program by acting troupe The Family Circus, performing their musical comedy production of "Garbage, an SOS to Outer Space," an interactive play presented to children. Extraterrestrial beings are sent to Portland, Oregon and discover pollution. They help humans defeat the Smog Monster, and teach them how to protect the earth and prevent pollution.

Tape 1: Part one of "Dennis Banks at PSU." Extraneous footage of "Neighborhood Conversation" program with guest Tom Taylor, at beginning of video, ends abruptly. Segment begins at (0:00:34), with speakers from the American Indian Movement, protesting extradition. Speakers include the founder of the American Indian Movement, Dennis Banks, along with Ron Williams and Jack Scott (Williams and Scott do not speak during presentation). Several groups sponsored the event, including: The Student Coalition Against Racism, The Black Cultural Affairs Board, The Chicano Student Union, United Indian Students in Higher Education, The Associated Students at Portland State University (PSU), The Young Socialist Alliance, and the Philosophy department at PSU, the School of Social Work, and the Black Studies program. The event was held at PSU. Dennis Banks discusses the court case of United States v. Dennis Banks and Russell Means, the occupation of Wounded Knee, Civil Rights for Indigenous peoples, governmental and judicial mistreatment of Indigenous peoples, and violence towards Indigenous peoples. Video ends abruptly.

Segment 1: Footage of man sleeping on the sidewalk, near southeast 10th and Washington in Portland. Man sleeping is presumably homeless. Segment 2: (0:03:11) Begins with footage of churches and churchgoers, recorded from moving vehicle. Hinson Memorial Baptist Church and Portland's First Assembly of God are shown, followed by more footage from moving vehicle. Next, the crew speaks with Sunday School attendent from Foursquare Gospel Church. Segment 3: Interview with Stuart (no last name given), who is opening a Social Center store, where people can purchase books, food, and have access to recycling services. Segment 4: (0:14:22) Audio, but no video image. Interview with Mrs. Fenneran who lives in Southeast Portland. Gives general information about the neighborhood and people in the neighborhood, and talks about her involvement in politics, and participating with Oddfellows. Ends abruptly. Segment 5: (0:20:41) Interview with Walter Fenneran about his experience living in Southeast Portland neighborhood, and reminisces over memories of growing up in Portland. Video ends abruptly.

Segment 1: Technical difficulties at beginning of video, mostly resolved by (0:01:38). Blues performance by man introduced as "John," with segment ending abruptly. Segment 2: More technical difficulties, with interview starting at (0:09:17). Interview with Mike, an Antioch priest who works with the group, IWW (Industrial Workers of the World, commonly referred to as "Wobblies"), who provide job and labor opportunities and enforce welfare and workers rights. Mike discusses the idea of "Unionism," and describes the term "Jackrollers." Later Mike talks about fasting in protest of county budget cuts and raising awareness about wealth disparities, and how county cutbacks are negatively impacting various social service resources. Segment ends abruptly. Segment 3: (0:24:17) Elaine Velazquez interviews man, a former Union Pacific worker and logger, who now receives a pension and lives at the Magnolia Apartments. Interview ends abruptly. Segment 4: (0:28:10) Elaine Velazquez interviews Robert Trout, who lives at the York Hotel at 5th and Burnside street in Portland. Trout talks about the new "drunk law;" an alternative to arresting individuals for intoxication, who are instead taken to detox centers with lessened jail time.

Tape 1: Part 1 of "Death of a Sideshow," (title drawn from segment title card). Begins with various footage of police responses to drunkeness, public intoxication and disturbances, intercut with footage of individuals socializing inside a bar. Host introduces the video, describing the journalistic approach utilized for capturing different perspectives of life on "skid row." Various footage and interviews with business owners, individuals on the street, farmers/landowners, unskilled laborers, and labor agency employees. Voice-over narration explains how new businesses and urban renewal of the downtown area displaces low-income residents. Footage of the planning, development and construction of the US Bank Plaza, including interviews with those organizing the project. Describes theft of pension checks, referred to as "Jackrolling," and life inside various shelters, resource centers, and detox centers.

Locations captured during filming: Sam's Grocery, Shoreline Hotel, Jazz Day Opus (formerly New Slavic Tavern), Old Town Plaza, Sinclair's Fine Arts, The Cuckoo's Nest, US Bank Plaza, Everett Street Drop-In Center, The Portland Rescue Mission.

Credits: Filmed and edited by Michael McLeod; Sound by Peter Maroney; Produced by Peter Maroney and Michael McLeod; Executive Producer Ed Godfrey. A KGW Television News Presentation.

Title card information: "February, 1975 - San Francisco; 121 artists are hired by the city using federal manpower funds through CETA (Comprehensive Employment and Training Act); Nearly 3,000 people apply; The project is initiated by the Neighborhood Arts Program of the San Francisco Art Commission with the... Alvarado School Art Workshop, De Young Museum Art School, and the Mayor's Manpower Office."

Title Card: "Art Works." Jim Nybakken, representative of the Mayor's Manpower Office; Elsa Camerson, De Young Museum Art School; John Kreidler, author of the CETA Arts proposal; and Felix Contreras, Federal Manpower Representative, Discuss the CETA program for employing artists. Visual and performance artists employed through the CETA program describe their involvement in CETA, and their methods of implementing artistic endeavors in communities. Video ends at (0:30:32), with blank screen.

Credits: Produced by, Optic Nerve, with a grant from the National Endowment for the Arts; Optic Nerve, Lynn Adler, Jules Bachus, Jim Mayer, Michael Nolan, Sherrie Rabinowitz, John Rogers, Mya Shone; Mini-Park, Patricia Rodriguez [?], Graciela Carillo; Art School, Michael Cookingham; Dance Rehearsal, Leni Sloan; Elementary School, Betty Wong and the Dragon Theater; Hospital, Swingmasters and Pickle Family Circus; Child Care Center, Larry Pisoni and Bill Irwin; Senior Housing, Talespinners, Sandy Archer, Joe Bellan, Mrs. Grace Berry; Public Housing, Make a Circus, Peter Frankham; Tenants Association, Joe Tapacio, Joyce E [?]; Garden, Ann Kyle and Neighborhood Youth Corps; Hotel, Al Robles and Geraldine Kutaka; Music by, Flowering Stream Ensemble; Mural by, Jim Dong and the Kearny Street Workshop; Main title by Arlene Goldbrand. Thanks to the San Francisco Art Commission, Neighborhood Arts Program, Mayor's Manpower Office, Housing Authority, Recreational Park Dept., Fine Arts Museums, Unified School District, and thanks to all the CETA artists.

Tape 2: Part two of "Laura Gardiner and Margaret Heyde Circt." Hosted by Elaine Velazquez, this interview is with Marjorie Heyde, a long-term resident of Northwest Portland. Heyde opposes commercial redevelopment in the neighborhood, and has concerns of being forced out of her home if development continues. Interview cuts, new segment begins at (0:19:34), with outdoor footage of the neighborhood.

Segment 1: "Guerilla Water Works," unidentified man demonstrates how to manually reposition a water meter valve to turn water back on once it has been shut off (due to non payment). If the meter has been reclaimed, he then instructs how to bypass the water meter by utilizing piping pieces to reconfigure the apparatus. Segment 2: (0:18:47) Interview with unidentified pirate radio group talking about their station in the Sunnyside neighborhood, explaining their activities at the station and how pirate radio transmission works.

No audio at beginning of video, with interview starting at (0:01:22). Interview with unidentified artist (presumably Jack Cox from title), who talks about his paintings, living in Portland, and his time as a sailor in Alaska. He sings a Norwegian sailing song that the crew sung on the ships, and recalls memories of shopping at Kienow's and other grocery stores in the area. He then discusses religious beliefs and the social services and resources offered by various religious organizations. Video ends abruptly.

Elaine Velazquez interviews residents and workers of Blanchet House, a sober-living residency near Burnside street (relocated to 310 NW Glisan in 2012). Discussion topics include types of services provided for individuals with substance abuse issues, and recent closures of nonprofit organizations that provide these services. Blanchet House provides meals, job assistance programs, treatment programs, and shelter for individuals experiencing homelessness. Poor audio quality at end of video.

Credits: Host, Elaine Velazquez. Location, Blanchet House.

Program presented by the Portland chapter of the National Organization for Women. The Family Circus theater troupe performs "Who Stole the Umbilical Cord?" Program is a dramatized analysis of gender stereotypes and inequities. Explores themes of sexuality, homophobia, and societal expectations of women.

National Organization for Women presents, "Women Work Transformation" (title drawn from segment title card). Group of women discussing the imbalance of public support for mass media entertainment over the performing arts, and their experiences as artists. (0:4:15) Robin Chilstrom and Izetta Smith sing and perform theatrical dance. (0:09:07) Discussion continues, talking about the cultural significance about working as professional artists. (0:11:12) Susan Banyas and Melinda Lambert perform interpretive dance to string-instrument recording. (0:15:13) Discussion continues, with one group member talking about artistic expression. (0:15:58) Kate Campeau plays piano and sings protest song about female sterilization. (0:19:51) Discussion continues, emphasizing the use of music as a tool to convey ideas and share experiences. (0:20:22) Group musical performance, partially overlayed with voice narration, ending abruptly. (0:21:23) Musical performance by Naomi L. Bear and Ursa Minor Choir about violence against women.

Credits: "Women Who Throw Stones and Live in Glass Houses." Written by Diane Nowick; Performed by Robin Chilstrom and Izetta Smith. "Fields." Choreographed and performed by Susan Banyas and Melinda Lambert. "Sterilized." Composed and performed by Kate Campeau. "I am the River." Composed by Naomi L. Bear; Performed by the Ursa Minor Choir. Produced by, Elaine Velazquez.

Storefront Children's Theatre presents "Kid Kadoodle, Use Your Noodle, Super Safety Show." A theatrical musical comedy show for children stressing safety, including what to do when confronted by strangers and in situations of physical, sexual, or emotional abuse. Storefront refers to the Storefront Theatre in Portland, Oregon. The title character Kid Kadoodle is performed by Ross Huffman-Kerr. Other cast members include Teddy [inaudible], Ray Tilleton [?], Sunny Sorrels and Caroline Swanson, who also choreographed the show. Richard Tyler plays piano. The Kid Kadoodle, Use Your Noodle, Super Safety Show originally toured Oregon schools in the 1970s.

Hosted by Larry Smith, set design by Mara Nesbitt. The program features the following segments: "The Girl Artists: A 30 Years Arts Retrospective," two-day art show and sale at The Troy Laundry Studios in December 1981, narrated by Alicia Seel [?]; Interview by Christine Ferrington with artist Keith Sonnier at the Portland Center for Visual Arts featuring his exhibition of neon sculptures called The Runic Drawings; Short film by Norman Bonney called "Making Bread" filmed at and funded by Williams Bakery. This film was obtained by non-profit organization The Media Project; highlights from The Toaster Show which took place at the Federal Building, including work by Jim Blashfield; Short film originally shot on Super8 and transferred to video called "The Grateful Toaster" by Betsy Berres; Highlights from an exhibition at PCC Sylvania Campus entitled Female Archetypal Imagery and presented by NWAW, January 1982. Features Mara Goman [?] and Nancy Kushwa Blake [?]; Short animated film called AC-16 by Joan Gratz, provided by The Media Project; Short stop-motion animation film "Hand Song" by Ken Butler with music by Tom Grant; Interview with video artist Ed Mellnik with Mara Nesbitt introducing a clip from his film "Andromeda Awakening," which was produced at Liberty Cable Studios.

"Making Bread" credits: Production Assistant, Doug Toback; music, Doug Fellman. Special thanks to: The management and crew of Williams' Bakery and KOZY TV

"Grateful Toaster" credits: editing, Robyn Flatley; sound, Michael E. Carver; kitchen hands, Belle Canon; music, Fred Frith and Rhythm Devils; dancing kids, Roby Berres and Morgan.

"Andromeda Awakening" credits: Directing and editing, Ed Mellnik; music, Roger Luther; movement, Elisabeth Cutler; main camera, Claire Stock; second camera, Joseph Reesha; sound engineering, Lee Lustad.

"The Autistic Child: Facts, Myths, and Latest Treatments." An hour program with members of the Autism Council in Oregon. Hosted/Moderated by Frances Costikyan. Guests include Jan Jenson (expert), Elaine Piper (parent of an autistic child), Bill and MaryAnne Seaton (parents of an autistic child).

Credits: Produced by Frances Costikyan, Ellen Hansen, and Linda Lewis; Directed by Ellen Hansen; Technical Director Victor Hortaleza; Floor Director, Michael Gust; Audio, Bill Hartman; Video, Jim Wygant; cameras, Tony Cassera and Kevin E.S. Fritz; Lighting, Dave Ortiz; Set Design, Barbara Affleck and Tony Cassera; Electronic Graphics, Linda Lewis. Special thanks to Dick Hammerstrom. Moderator, Frances Costikyan.

Segment 1: NW Esperanto update September 1983, hosted by Ginny Stewart with guest Jim Deer, Vice President, Portland Esperanto Society. Music by Marty Deer, "Rosmaren" and "Autumn Fields." Segment 2: (0:15:30) "Just a Jam" with musicians Art Alexander on piano, Mark Hoffmeister on bass, Jay Harris on drums, James Pitune (?) on guitar. Second song, "Ladies I have Known." Segment 3: (0:27:15) Institute for Professional and Managerial Women. Two representatives of IFPMW, Penny Harrington from Portland Police Department and Angel Pilato from Tektronix, discuss their career trajectories, promotions, and upcoming conference. Hosted by Rosie Hamilton. Tape ends abruptly during credits.

Segment 1 credits: Moderator, Ginny Stewart; Special Guest, Jim Deer; Children, Amanda Stewart and Joshua Stewart; Music, Marty Deer "Rosmaren" and "Autumn Fields"; Producer, Marty Deer; Camera, Linda Stewart and Marty Deer; Field Audio, Marty Deer and Linda Stewart; Studio Audio, Wayne Alora; Editor, Marty Deer; Assistant Editor, Wayne Alora; Titles, Marty Deer.

Segment 2 credits: Musicians Art Alexander on piano, Mark Hoffmeister on bass, Jay Harris on drums, James Pitune (?) on guitar. Songs, "Just a Jam," and "Ladies I have Known."

Segment 3 credits: Directed by James Apilado Esq; Technical Director, Mike Moulton; Floor Director, Brian Gygi; Cameras, Hunter Clarke and Mike Roydon; Audio, Stan Hintz.