Session 5, Video 3. Hogan discusses his family background and early life, his education, and his career as a lawyer and judge in Oregon. He also discusses some of the cases he worked on, including bankruptcy cases, and his work on the Wayne Morse Federal Courthouse.

Session 7, Video 1. O'Scannlain discusses his family background and Irish heritage, his childhood in New York City, his education at St. John's Prep and Harvard, his involvement with the National Young Republicans and Trumpeters, his work as a lawyer in Portland, Oregon with the Dave Briggs firm (aka Stoel Rices) and Ragen, Roberts & O'Scannlain, his involvement in Republican politics and the Reagan administration, nuclear power, his appointment to the 9th Circuit Court, and some of the cases he oversaw while on that court.

Session 7, Video 2. O'Scannlain discusses his family background and Irish heritage, his childhood in New York City, his education at St. John's Prep and Harvard, his involvement with the National Young Republicans and Trumpeters, his work as a lawyer in Portland, Oregon with the Dave Briggs firm (aka Stoel Rices) and Ragen, Roberts & O'Scannlain, his involvement in Republican politics and the Reagan administration, nuclear power, his appointment to the 9th Circuit Court, and some of the cases he oversaw while on that court.

Session 7. In the seventh and final interview session, conducted on February 8, 2019, Dunn continues discussing his service on the Bankruptcy Appellate Panel beginning in 2006, including some of the cases he heard. He also talks about his involvement with the National Conference of Bankruptcy Judges and awards he received. He discusses the importance of bankruptcy laws, reflects on his accomplishments, and talks about his retirement activities. He closes the interview by discussing the science program for the Ninth Circuit Executive Committee.

Video 1. This video tour of Isaka Shamsud-Din's art studio in Portland, Oregon, was conducted on October 3, 2018. The tour was recorded by P. C. Peri, and Milo Reed was also present. Shamsud-Din shows some of his paintings, drawings, and murals, and talks about the inspiration for and meaning behind each work.

Video 6. This video tour of Isaka Shamsud-Din's art studio in Portland, Oregon, was conducted on October 3, 2018. The tour was recorded by P. C. Peri, and Milo Reed was also present. Shamsud-Din shows some of his paintings, drawings, and murals, and talks about the inspiration for and meaning behind each work.

Video 8. This video tour of Isaka Shamsud-Din's art studio in Portland, Oregon, was conducted on October 3, 2018. The tour was recorded by P. C. Peri, and Milo Reed was also present. Shamsud-Din shows some of his paintings, drawings, and murals, and talks about the inspiration for and meaning behind each work.

Tape 2: Part two of "Dennis Banks at PSU." Dennis Banks continues discussing his experiences during court case and protesting extradition. Dennis Banks' speaking event ends, and sound cuts at (0:22:10), video cuts at (0:24:40), with blank screen. At (0:25:16) extraneous footage of poster art advertising the event and other various protest art.

Audio starts at (0:00:25) over television static, with video starting at (0:01:05). Ken Leback introduces his challenge to eat every page from a Guinness Book of World Records within a 30-minute time period. During the challenge, he reads record entries from the book, and drinks water and milk to prevent choking. He does not complete the challenge.

Tape 2: Part two of "Death of a Sideshow." Interviews with shelter and low-income housing residents, business owners, and police officers. Continued discussion of the US Bank Plaza development. Ends with footage of funeral procession and burial with musical overlay. Segment ends at (0:16:44). Segment 2: (0:17:56) Behind-the-scenes footage of television program recording. Locations captured during filming: Sam's Grocery, Shoreline Hotel, Jazz Day Opus (formerly New Slavic Tavern), Old Town Plaza, Sinclair's Fine Arts, The Cuckoo's Nest, US Bank Plaza, Everett Street Drop-In Center, The Portland Rescue Mission. Credits: Filmed and edited by Michael McLeod; Sound by Peter Maroney; Produced by Peter Maroney and Michael McLeod; Executive Producer Ed Godfrey. A KGW Television News Presentation.

"Age is a State of Mind." Technical difficulties at beginning of video, lasting for 2 minutes. Unidentified speaker is a 1926 graduate of the College for Women, of Case Western Reserve University. Speaker gives presentation about the negative impact of age segregation, myths about aging, and ageism. Mentions the "Gray Panther" movement, advocacy for older adults, healthcare, nutrition, and housing. Asserts that unifying generations of people will lead to a stronger and healthier society.

Tape 1: Part one of "Laura Gardiner and Margaret Heyde Circt." Interview with Laura Gardiner, a representative of NWDA (Northwest District Association). Gardiner discusses the redevelopment of a residential neighborhood in Northwest Portland for commercial use. Gardiner describes how residents in the area are against the redevelopment, and NWDA is working to prevent further commercial development and the demolition of residential areas. Gardiner mentions an upcoming street rally intended to raise support for a petition that will give residents more decision-making power in the development for the area. NWDA is also attempting to change zoning laws, and work with the City Planning Commission to require a public hearing before commercial development can occur in residential areas. Poor video quality throughout.

"Changing Men," (title drawn from segment title card). Segment 1: Host Bruce Mason, child care worker, introduces his Consciousness Raising (CR) group; Dennis Schilling, Mental Health Therapist; Leslie Wheeler, Kidney Dialysis Tech; Kenneth Luba, Film Maker and House Husband; Fred White, Teacher, Oregon Correctional Inst. The purpose of this program is to invite viewers to challenge their preconceptions and expectations of masculinity and male roles. Mason describes the Men's Resource Center, and the organization's goals of creating unity and eliminating sexism. The group discusses how sexism towards men can be damaging: describing how sexist ideologies inhibit men from building relationships and emotionally connecting with others, that childhood conditioning teaches male children to achieve expected male roles, and how rigid of gender stereotypes can be problematic. The CR group sees itself as pro-feminist, and supports the women's liberation movement. Segment 2: (0:05:40) Performance by United Fruit Company about gender roles. Segment 3: (0:12:50) CR group discusses men's emotional connections and support. Segment 4: (0:24:30) Musical performance by Jay Tanner and Kristen Aspen.

Special thanks to Elaine Velazquez and Creative Outlet; Musical performance by Jay Tanner and Kristan Aspen; Performance by the United Fruit Company; Men's Resource Center.

Begins with footage of residential neighborhood recorded from inside moving vehicle, before ending abruptly. (0:08:58) Mary Scott introduces next segment, where she talks about the formation of a Neighborhood Tenant's Union and her involvement with the organization. She then introduces two stories involving tenant groups; the Sherman Court Apartments tenants union, located at Southeast 20th and Division, and the tenant's union at 2304 Southeast Taylor.
Video includes many outtakes by Scott and crew.

Tim Smith examines themes of psychoses and crime in this short comedic film about the fictionalized character, Duane Dwight, "The Kitchen Killer." Abused as a child, Duane leads a life of crime as a murderer in Rosetown, selecting victims at random and murdering them utilizing various kitchen tools.

Credits: Directed by Tim Smith; Starring Jim Angel as Duane Dwight, Carl Lucky as Squirmy Morelli, Valery Hoffman as the Mother, Lendon Smith as the Father, William Clark as the Detective; Narrated by Ben Padrow; Voices, Elinor Markgraf, Lendon Smith, Eric Smith, Duncan Smith, Mark Malicoat; Also Starring, Jeff Rankin, Danny Elfring, Shelley Widmer, Tracy Smith, Wendal Wurzweiler. Special thanks to Rocky Butte Jail, Portland Water Bureau, Buck Ambulance, and Leroy Smith.

Conservation and digital capture made possible by a grant from Al Larvick Conservation Fund, in partnership with Pro 8mm.

Segment 1: The acappella group DADA performs. Singers include Theresa Koon, Celia Twomey, and Sandy Young. Segment 2: (0:28:00) Free Speech in the Workplace: Clara Fraser vs Seattle City Light, Merle Woo vs University of California at Berkeley. Marguerite Elia, a member of the Merle Woo Defense Committee the Clara Fraser Defense Committee, along with Kathy Frederick from Portland chapter of National Organization for Women (NOW), and radio newscaster Carolyn Meyers discuss Clara Fraser's sex and political ideology suite against Seattle City Light and Merle Woo's race and sex discrimination charges against the University of California, Berkeley.

DADA credits: Technical Director and Floor Director, Bill Hartman; Audio, Vic Hortaleza; Video, Bob Flug; Cameras, Dan Halverson and Pat Rosenkrantz; Lighting, Dave Ortiz; Electronic graphics. Michael Gust.

Tape 2: Part two of "The Boom Boom Room." Continuation of meeting, with Steve Kerman speaking. This portion brings attention to the potential rate increase of the proposed B-cable system, and possible regulation of rates. Provides some details of how the new system will be implemented.

"The M.J. Anderson Museum of Relicks [sic]: A Curator's Evaluation of an Interesting Collection" (title drawn from segment title card). Begins with still images of museum, nature, with music overlay. Cuts to discussion between Anderson (credited as Principal) and archaeologist, Brian Gannon, with cuts to still shots of Anderson with Dale Archibald (Curator). Anderson talks about his life and living in the area, his relic museum, and shows Gannon books, artifacts, and naturally-formed rocks, and describes origin of artifacts in the collection. Ends with Anderson and Gannon digging in old stream channel, and uncovering objects similar to those found at the museum. Image of the Oregon Historical Society seal overlaying video.

Credits: Produced by, The Oregon Historical Society; Directed by, Dale Archibald; Production Coordinator, Kristine Chatwood; Audio, Chase Bockman; Camera Operators, Gregory McMickis, Chris Valencia and Patricia Smith; Gaffer, Kristine Chatwood; Editing, Patricia Smith, Chris Valencia; Special Effects, Chris Valencia and Patricia Smith; Graphics, Patricia Smith.

Segment 1: Voiceover narration of slideshow presentation about parks and the plan Northwest District Association's plan for community involvement in the planning of city parks to meet visitors' needs. Segment 2: (0:04:50) "Time is Now: A Film About a Wood Co-op" (title drawn from segment title card). Harry Dawson presents a short documentary film he made as a student at Portland State [University]. Subject of documentary is a wood co-op, and the individuals who gather wood for heating and cooking purposes. Segment 3: (0:17:24) Audio, but no video for first 20 seconds. Unidentified representative from the Northwest District Association (NWDA) discusses current issues and upcoming meetings; talks about planning committee meetings concerning park design and collaboration between the City of Portland and residents. Mentions the group RAIN (publication of Eco-Net) and their upcoming Schumacher presentation. Discusses recent increase in violence towards women and reports of rape in the Northwest neighborhood; discusses action plan and resources for women in the area. Mentions the Action Against Rape Program, and upcoming meeting organized by Mike Ryerson with the police bureau about rape prevention.

Segment 2 credits: "Time is Now" credits: Lark, Bill, Steve, Betsy, Mary, and Friends in the Patriot Party (no last names used).

First interview with Sylvia Lane [?] and Wayne Cheever [?], Southeast Portland residents, who live on Ash street. Cheever discusses changes to the neighborhood they live in, and talks about improvements he would like to see in the neighborhood. (0:09:30) Second interview is with unnamed man outside grocery store, questions are about the neighborhood he lives in, and what he would like to see happen in the neighborhood. (0:12:27) Third interview is with elderly couple, last name Gross, outside same grocery store. They discuss people moving into the neighborhood and city services. (0:18:22) Cuts to interview crew figuring out microphone sensitivity. (0:19:30) Fourth interview starts, with audio but no video, followed by technical difficulties. (0:20:18) Audio and poor video quality for first ten seconds, followed by fifth interview with neighborhood resident who talks about the positives and negatives of living in the area. (0:24:40) Sixth interview is with two women who work in the neighborhood.(0:26:58) Seventh interview conducted in park built by Washington High School students, with elderly couple, who mention living at the Melcliff Apartments in the Buckman neighborhood. Viewing of video to be held at the Creative Outlet, located in Southeast Portland, during a block party taking place July 12th.

Tape 1: Part one of "Trullinger Interviews." Interview with long-term Oregon residents and Southeast Portland property owner (near Belmont). Interviewees recall times of living in Portland, post WWII. Discuss transportation and changes in the city. (0:19:10) Talks about the Queen of Romania, Maryhill (now Maryhill Museum) and Stonehenge in the Columbia Gorge. (0:25:35) Talks about the waterfront area, and mentions the Vanport flood in 1949.Tape one ends abruptly.

Tape 2: Part two of "Trullinger Interviews." No video for first 20 seconds. Interview continues from Tape 1. General discussion about neighborhoods and businesses in Portland. This segment is more conversational than the first tape, with few prompts from the interviewer. Tape end abruptly.

Tape 3: Part three of "Trullinger Interviews." New interview with unidentified woman, talking about her observations as a homeowner. Interviewee is critical of the city for neglecting the Southeast neighborhood. Talks about renters, and how lack of permanence due to renting has negatively impacted the neighborhood. Discusses lack of police response to complaints and emergency calls. Mentions Neil Goldschmidt (former Governor of Oregon and Portland City Commissioner). Tape ends abruptly.

Union Avenue Redevelopment Program. Program operated by the City of Portland, the Office of Planning and Development. Video is an information piece covering the redevelopment of NE Union Avenue, including the Walnut Park Shopping Center. Narrator discusses commercial and residential potential of the area. (0:5:55) Neil Goldschmidt talking to group about Union Avenue redevelopment plan. (0:6:55) Cuts back to narrated video regarding the Union Avenue plan, focusing on transportation, education in the area, and community services. (0:11:27) Goldschmidt discussing city bureaus and committees involved in the logistics of the redevelopment plan. (0:13:49) Narration continues, discussing the planning stages of the redevelopment plan, including community involvement. (0:15:52) Collection of short statements from community members of the Union Avenue area, including Warren Chung; Opal Strong, member of the Citizen Planning Board, part of the Model City Program; unnamed man outside Ruswell Toys (presumably Levi Russel in credits); Joel Southwell, Director of the Senior Adult Service Center; Harvey Rice, Executive Director for Metropolitan Economic Development. Union Avenue later became Martin Luther King Jr. blvd in 1989.

Narrated credits (no text): Film produced by the Union Avenue Planning Team: Dennis Wild, Herman Brain, Mike Lyons, Tim Noland; Gary Stout, administrator of Planning and Development; Union Avenue Steering Committee. Special thanks to Bob and Tom of Econet, John Neil, Warren Chung, Opal Strong, Harvey Rice, Joel Southwell, Levi Russell. Spelling of names is not certain since they are spoken aloud during the credits, not presented as text. "Knocking on Heaven's Door," by Bob Dylan is used in video.

"Dancers" (title drawn from segment title card). Three women (Nomi Azulay, Donna Pollach, Joan Kent) introduce the dance, detailing that it was first created as a celebratory dance for when Saigon was liberated. Women perform interpretive dance to Vietnam war protest song in front of an audience. A second song, "Monos" (hands), is introduced as a dedication to a spiritual healer. Naomi Little Bear and Kristan Aspen play guitar and flute off-camera while the dance is performed. A third song, "Million Eyed Woman," is introduced by Naomi Little Bear as an anti-rape protest song. Donna Pollach and Nomi Azulay perform as Naomi Little Bear sings and plays guitar, and Kristan Aspen plays flute.

Credits: "Made in solidarity with Vietnamese women, all incarcerated sisters. Yvonne Wanrow, Lolita Lebron, Susan Saxe, Inez Garcia, Joann Little. And women everywhere who fight back." Production credits: Camera, Elaine Velazquez; Sound, Bells; Editing and Design, Eileen O'Shea Music: Kristan Aspen, Naomi Little Bear and the Red Star Singers. Dancers: Nomi Azulay, Joan Kent, Donna Pollach. With thanks to: Mountain Moving Cafe, Creative Outlet.

Session 1, Part 2. This oral history interview with Bill Schonely was conducted by Jack McArthur and Ian Strauss at the Moda Center in Portland, Oregon, on July 24, 2019. Franklin High School history teacher Gregory J.K. García was also present. The interview was conducted as part of the Franklin Historical Society Oral History Program, which aims to preserve the oral history projects of Advanced Placement (AP) History students at Franklin High School in Portland. The interview was conducted in one session. In this interview, Schonely discusses his early interest in radio broadcasting, particularly his experience with Armed Forces Radio while he served in the U.S. Marine Corps. He then briefly talks about his broadcasting career after his discharge, before speaking at length about his three decades as a sports announcer for the Portland Trail Blazers. He describes receiving the job offer from Trail Blazers owner Harry Glickman, putting together a radio station to broadcast games, and the naming of the team. He shares his memories of the Portland Trail Blazers; talks about changes in management, coaching, and the players of the team; and describes the Trail Blazers' 1976 NBA championship win. He also talks about some of the difficulties the team had, including player injuries, play-off losses, and earning the moniker "Jail Blazers" in the early 2000s. He discusses being laid off in 1998 and his return to the Trail Blazers as Ambassador in 2003. He closes the interview by sharing his hopes for the team's 50th season and advice for aspiring broadcasters, and he reflects upon the highlights of his career.

Session 1, Part 3. This oral history interview with Bill Schonely was conducted by Jack McArthur and Ian Strauss at the Moda Center in Portland, Oregon, on July 24, 2019. Franklin High School history teacher Gregory J.K. García was also present. The interview was conducted as part of the Franklin Historical Society Oral History Program, which aims to preserve the oral history projects of Advanced Placement (AP) History students at Franklin High School in Portland. The interview was conducted in one session. In this interview, Schonely discusses his early interest in radio broadcasting, particularly his experience with Armed Forces Radio while he served in the U.S. Marine Corps. He then briefly talks about his broadcasting career after his discharge, before speaking at length about his three decades as a sports announcer for the Portland Trail Blazers. He describes receiving the job offer from Trail Blazers owner Harry Glickman, putting together a radio station to broadcast games, and the naming of the team. He shares his memories of the Portland Trail Blazers; talks about changes in management, coaching, and the players of the team; and describes the Trail Blazers' 1976 NBA championship win. He also talks about some of the difficulties the team had, including player injuries, play-off losses, and earning the moniker "Jail Blazers" in the early 2000s. He discusses being laid off in 1998 and his return to the Trail Blazers as Ambassador in 2003. He closes the interview by sharing his hopes for the team's 50th season and advice for aspiring broadcasters, and he reflects upon the highlights of his career.

Video 1. This oral history interview with Timothy J. Gauthier was conducted by Jim Strassmaier and recorded on video by Michael O'Rourke in the offices of the National Electrical Contractors Association (NECA) in Portland, Oregon, on September 24, 2008. The interview was conducted as part of the Oregon Labor Oral History Program, which collects oral histories of individuals who have advocated for working people of Oregon.

In this interview, Gauthier discusses his family background and early life in Santa Barbara, California, including his memories of the anti-war protests during the 1960s, surfing, and his family's political and religious beliefs. He talks about his experience at Santa Barbara City College and at Southern Utah State College (now Southern Utah University). He discusses working for the NECA, including his job duties of working with local union chapters and conducting labor negotiations. He also talks about working with the IBEW. He describes the benefits the NECA provides to its members. He speaks about coming to Portland, Oregon, in the early 1980s and working alongside Ed Barnes of IBEW Local 48. He talks about how the recession of the early 1980s affected union members and labor negotiations, and describes NECA's and IBEW's response. He speaks at length about the establishment and success of the Market Recovery Program, which uses union dues to supplement union wages. He also talks about opposition and legal challenges to the program.

Gauthier discusses working with labor attorneys during labor negotiations. He talks about creating a drug testing program and explains the reasons why he felt drug testing was important for union members. He then describes the process of winning job contracts, including how the Market Recovery Program helps. He speaks about the mission and objectives of NECA; describes several of NECA's programs and organizational partnerships; and talks about national recognition for the Oregon-Columbia NECA chapter. He talks about the future of NECA, as well as NECA's charitable work. He closes the interview by discussing his family life.