A wooden one-story house in the Silverton, Oregon area. A garage and shed are nearby and a wire fence runs in front. The view is partially blocked by a large tree. Notes in the 1924 book, "Silverton Oregon in Pictures," published by Drake and Hoblitt identify this as Mrs. John Hunt's farmhouse.

A front view of a bungalow-style house on N. Water St. in Silverton, Oregon identified as the home of A.W. Simmons. Marion Palmer's house is seen to the right.

Emerson School is pictured on the corner of First and A Street after its 1922 move. The school burned to the ground in 1924.

Angled view of C.S. Ristad's home on the corner of South 3rd and East Main Streets in Silverton. Rose bushes can be seen growing along the sidewalk.

Angled view of Mrs. S.P. Ireland's home in Silverton. It is a Craftsman-style bungalow with a large front porch.

Exterior view of St. Paul's Catholic Church on the corner of Pine and Grant streets in Silverton, Oregon. The building, completed in 1902, had originally been constructed to house the Liberal University and was purchased by the Archdiocese of Oregon City in 1920. St. Paul's was a church, a school, and a convent.

Exterior view of St. Paul's on the corner of Pine and Grant streets in Silverton, Oregon. The building, completed in 1902, had originally been constructed to house the Liberal University and was purchased by the Archdiocese of Oregon City in 1920. St. Paul's was a school, a church, and a convent.

A front view of the home of Dr. Rudolph Kleinsorge at 419 E. Main Street in Silverton. Vines can be seen growing on the side of the house and a rose trellis is visible on the front.

Exterior view of a home in Silverton, Oregon. The wooden, two-story house sits atop a small hill and a path bordered by flowers leads up to the front door.

Exterior view of a home identified as Marion Palmer's in Silverton, Oregon. The wooden, two-story house has a large front porch with a pergola and trellis.

A house identified as S.P. Ireland's residence is pictured in Silverton, Oregon. It is a bungalow with a large front porch and a large bush growing up one side of the house.

A house identified as the home of Helen M. Wrightman is seen at west Main and McClaine streets in Silverton, Oregon. The two-story wood house has a turret and the yard is surrounded by a hedge.

A two-story house is pictured one mile west of Silverton, Oregon. The house has a large front porch with wire trellises on it.

Angled view of C.E. Ross's home. Ross was an attorney in Silverton in the early 1900's. A driveway can be seen on one side of the house and a second house is partially visible on the other side.

Exterior view of a white farmhouse in the Silverton, Oregon area. Two barns can be seen next to the house.

Looking uphill along a flower-bordered path to a white or light-colored farmhouse at Ioka Farms.

View of a two-story farmhouse in the Silverton, Oregon area. A garden can be seen in front of the house and a flagpole with an American flag is visible in the yard.

A view of a residence in Silverton, Oregon. The bungalow-style house has a wraparound porch and a wire fence running along one side of the yard. Accompanying description reads, "J. Dawe."

View of a farmhouse in Silverton, Oregon. A garden and trees are visible in the foreground. An American flag flies on a flagpole in the yard.

A pharmacy is pictured on the corner of Water and Main Streets in Silverton. Signs advertise ice cream and United cigars. Magazines are displayed in racks along the storefront. Elmer Olsen operated his pharmacy at this location from 1920 to 1961.

Exterior view of a Craftsman house with a level yard with very little vegetation. A barn is at the back of the house. A wooden sidewalk can be seen in the foreground. This house is directly next door to June D. Drake's home, 409 S Water Street.

Angled view of R.A. Cowden's home in Silverton. Ivy can be seen climbing the front of the house and rose bushes grow in the yard. Cowden was one of the founders of Silverton Lumber Company in 1906.

Portrait of the home of G.W. Hubbs. Snow covers the surrounding ground and trees. Hubbs was a Silverton realtor from the early 1910s into the 1930s who specialized in land around Silverton and Waldo Hills.

Exterior view of a newly-constructed two-story reinforced concrete building in Silverton, Oregon located at 306 S. Water Street. Centered over a recessed entry with classic columns is a curved pediment on top reads, "City Hall." The fire department's garage doors are on the right side of the building. Original plans for City Hall were drawn by C. H. Rullman, City Engineer, in 1925. Local contractors Thornley-Jones-Jennings-Bailey were awarded the contract. The site was formerly the location of the City Water Works and in 1892 that of the City Electric Light Works.

Julian Danforth Fenenga poses on a large field across the street from Silverton High School, which is seen in the background. Originally from the Midwest, Fenenga attended Pacific University in the late 1910's. He taught Civics, History, and Athletics at Silverton High School in the early 1920's.

Julian Danforth Fenenga poses in front of Washington Irving School, Silverton High School in the background. Originally from the Midwest, Fenenga attended Pacific University in the late 1910's. He taught Civics, History, and Athletics at Silverton High School in the 1920's.

Claud Nikolas Freeman poses with his arms crossed in the schoolyard adjacent to Silverton High School, Washington Irving School, and the old six-room school building near 1st & Park Street. Freeman taught Manual Training, Mechanical Drawing, and Athletics at SHS. He was the architect of Eugene Field School which was built in 1922. His architectural drawings of the exterior of the school are seen in OrgLot678_B26_047.

Studio portrait of eleven young men in light-colored, laced-front baseball jerseys. They pose in a symmetrical formation around their coach/manager, Wallace Cooley, and an artful arrangement of their baseball gear on the studio rug. George W. Steelhammer stands to the left of Cooley. A white border is imposed on the negative, cropping the portrait. Outside the border, the diffused skylight of Drake's studio can be seen.