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Gary Scott photographs collection

  • Org. Lot 1386
  • Collection
  • 1970-04-22

This collection contains black-and-white photoprints of images taken by Gary Scott on the occasion of Oregon Governor Tom McCall's visit with the students of Parkrose High School and Fremont Jr. High School, in Portland, on April 22, 1970. This marked the first celebration of Earth Day in Oregon. Those in attendance included personnel from both Parkrose High School and Fremont Junior High School.

Digital Collection consists of retouched high resolution scans created by Gary Scott from original prints.

Scott, Gary

Address to Meier and Frank employees

  • SR 294
  • Collection
  • 1949-03-24

Aaron Frank urges assembled employees to resist union organizing effort. He enumerates the benefits provided to employees by Meier & Frank, gives examples of management/employee loyalty, lists responsibilities as director, and makes a plea for an employee vote of confidence.The employees utlimately voted against unionization.

Frank, Aaron

Oregon Legislature Oral History Series

  • SR Oregon Legislature Oral History Series
  • Collection
  • 1984 - 2011

This set of interviews was primarily done as part of a decade-long project. They are with primarily state officials, including: senators, representatives, secretaries of state, treasurers, and governors, who held office mostly between 1960 and 1998.

Interviewees include: Victor Atiyeh, the first Arab American Governor in the United States; Maurine Neuberger, Oregon’s first and only female state senator; Clay Myers, Oregon Secretary of State and State Treasurer, and a leader in Land-Use planning; and Monroe Sweetland, a native Oregonian who was politically active across the nation.

Columbia River Gorge Lecture Series

  • SR Columbia River Gorge Lecture Series
  • Collection
  • 1981?

A series of lectures given by Gertrude Glutsch Jensen on the importance of preserving the Columbia River Gorge.

Jensen, Gertrude Glutsch, 1903-

World War II Oral History Series

  • WWII
  • Collection
  • 1994-1997

A series of oral histories conducted in conjunction with an OHS museum exhibit. These interviews are mostly with veterans of WWII, and some are with individuals active in the war effort at home.

Trails to Oregon Exhibit Oral History Series

  • SR Trails to Oregon
  • Collection
  • 1992-11-04/1993-02-05

The oral history interviews included in this oral history series were conducted in 1992 and 1993 for the purpose of inclusion in the Trails to Oregon exhibit at the Oregon Historical Society.

Strassmaier, James

Rural Telephone Operators Oral History Series

  • Rural Telephone Operators Oral History Series
  • Collection

A series of oral history interviews and an essay by Anne Cummins. She interviewed individuals who worked as telephone operators in rural areas in the early part of the 20th century.

William L. Finley Photographs Collection, 1901-1940

  • Org. Lot 369
  • Collection
  • 1901 - 1940

Images of wildlife, primarily birds of the western United States, c.1900-1940s, photographed by William Lovell Finley and his associate Herman T. Bohlman, with the help of his wife, Nellie Irene Barnhart Finley and others. The collection includes fine images of adult and immature birds, chicks, eggs, and nests. Many show habitat. Others document the camera equipment and techniques used to make the photographs.

Finley, William L. (William Lovell), 1876-1953

Herman Bohlman lecture notes, circa 1900-1920

  • Coll 542
  • Collection
  • 1900 - 1920

The collection consists of notes for lectures given by the nature photographer Herman T. Bohlman. Lectures include talks on birds in the Crater Lake region, on the California Condor, and wintertime birds. The collection additionally contains a handwritten schedule of talks, loose notes, the envelopes in which the notes were originally stored, and a photograph by Bohlman of a black chickadee family which was found with the notes.

Bohlman, Herman

Kiser Photo Co. Photographs

  • Org. Lot 140
  • Collection
  • 1901-1999

The Kiser Photo Co. photographs include images produced by the Kiser Brothers, the Lewis and Clark Centennial Exposition Official Photographic Co., the Kiser Photo Co., and the Winter Photo Co. from 1901-circa 1927. Other imprints include Fred H. Kiser Studios, Kiser Studios, and Scenic America Company. The collection contains both vintage black-and-white and hand-colored prints, including stereographs and panoramic photographs, as well as copy prints made from original Kiser negatives. The bulk of the images are examples of Kiser's landscape and mountain photography in Montana, Oregon, and along the Columbia River Gorge and Columbia River Highway, among other places, as well as of various places in Portland, Or. Other subjects include the Louisiana Purchase Exposition in St. Louis, Mo., 1904; the Lewis and Clark Centennial Exposition in Portland, Or., 1905; landscape photographs taken for various railroad companies, 1903-1916; photographs of ships and shipbuilding in the Portland, Or. area, taken for the Emergency Fleet Corporation, 1918-1919; and photos of Kiser studio buildings in Portland, 1909-1923.

The collection also contains contemporary photomechanical reproductions of Kiser photographs, dating from 1903-circa 1930. These include postcards, photomechanical prints both loose and in albums, and publications containing reproductions of Kiser work. There are also background materials that contain biographical notes Fred H. Kiser and the history of his work with photography that were gathered during collection processing and date from 1903-1999.

Many images in the collection were made by the Kiser Brothers or Kiser Photo Company and its photographers but were produced for sale to the public over a long period of time, first by the Kiser Photo Company and then the Winter Photo Company. After Kiser sold part of his business to Winter in 1915, it appears that Kiser continued to make prints from earlier images for which Winter held the negatives, possibly by making copy negatives from original prints. Photographer Benjamin Gifford also bought Kiser negatives and produced them for sale; many of the copy prints in this collection were made from Kiser negatives that are housed in the Gifford and Prentiss photograph collection, Org. Lot 982.

Note on dates and photographers’ negative numbers: Kiser and Winter often issued prints of the same images over a long period. Prints sometimes include copyright dates in the photographer’s imprint. The dates provided in this guide include: actual date of photograph if known, copyright date if known, or circa dates derived from photographers’ negative numbers and image content. Kiser Brothers did not use a negative numbering system as far as can be determined. Kiser Photo Co.’s earliest assigned numbers represent the firm’s output but also may be for images made by the Kiser Brothers but marketed later. They are low numbers preceded by an “x”. Kiser seems to have adopted a consecutive numbering system by about 1906. The numbers are handwritten in pencil on the verso of prints. After he purchased part of the business in 1915, Winter appears to have continued the consecutive numbering system from where Kiser Photo Company left off. After 1915, Kiser appears to have adopted a new numbering system, using a “C” prefix.

Kiser, Fred H., 1878-1955

Carleton E. Watkins photographs, 1861-1885

  • Org. Lot 93
  • Collection
  • 1861 - 1885

This collection contains stereographs, cartes de visite, cabinet and boudoir cards, photograph albums, mammoth plates, and other loose prints taken by landscape photographer Carleton E. Watkins, 1861-1885. Watkins photographs that were taken before he lost his Yosemite Art Gallery studio in 1876 to Isaiah W. Taber are known as his "Old Series." Watkins photographs taken after 1876 are referred to as his "New Series." The collection contains both Old Series and New Series images and includes some of Watkins' photographs printed under Taber's imprint..

The bulk of the stereographs and mammoth plate photographs in this collection were taken during Watkins' trips to Oregon to photograph Portland, the Willamette River, and the Columbia River in 1867 (Old Series), as well as in 1882, 1883, and the winter of 1884-1885 (New Series). There are also some stereographs that were taken by Watkins on his 1882 voyage to photograph Puget Sound in the Washington Territory and Victoria in British Columbia. Other mammoth plates, cartes de visite, and stereographs depict views of places in California, including Yosemite and Mariposa County, the Farallon Islands and other scenes of the California coast, San Francisco, Round Top, Mount Lola, and Mount Shasta, as well as views of Utah taken for the Union Pacific Railroad. There are also cabinet card portraits taken by Watkins of various people, including Oregon railroad financier Simeon Gannett Reed and members of the family of Cornelius C. Beekman (1828-1915), banker from Jacksonville, Or.

The collection also contains two photograph albums assembled by Watkins and originally owned by Charles H. Prescott (b. 1839), manager of the Oregon Railroad and Navigation Co. from 1881-1887. One album, "Sun Sketches of Columbia River Scenery," contains images taken by Watkins during his trips to the Columbia River Gorge circa 1882-1883, and the second album, ""Great Storm of the Winter of 1884-5. Columbia River, Or.," contains images that he took during a winter blizzard in December and January of 1884-1885 that snowed in an Oregon Railway and Navigation Co. train on its tracks along the Columbia River. The collection also contains one group of stereographs entitled "Watkins' Pacific Railroad" that were originally taken by Alfred A. Hart, official photographer for the Central Pacific Railroad, between 1862-1869 and reprinted by Watkins under his own imprint after 1870.

Watkins, Carleton E., 1829-1916

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