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Oral history interview with John A. Jelderks [Session 05, Video 02]

Session 5, Video 2. This session was recorded on videocassette and as digital audio; the audio files contain additional content. In the fifth and final interview session, conducted on September 16, 2009, Jelderks discusses his involvement with the Hood River Rotary Club. He speaks at length about serving as a magistrate judge for the U.S. District Court of Oregon from 1991 to the time of the interview. He describes the appointment process, discusses the role of magistrate judges in Oregon, and talks about judges he worked with. He describes the differences between the state and federal courts, and speaks at length about his decision in the Kennewick Man case, which regarded the custody of ancient Native American remains. He closes the interview by sharing his thoughts on restorative justice, on the concept of judicial activism, and on electing judges.

Jelderks, John A. (John Anthony), 1938-

Oral history interview with Bob Christ [Video 01]

Video. This oral history interview with Bob Christ was conducted by Jack G. Collins on September 28, 1990, with introductory comments by William F. White. White introduces the recording with the title "The Mover for the Shakers." In the interview, Christ briefly describes his early life in Portland, Oregon; his education; and his early career as a lawyer. He then discusses how he began his career as a law clerk at the U.S. District Court of Oregon in Portland, including his initial conversation with George Juba; assembling his staff; and the duties of the job. Christ talks about the procedures of the District Court and about judges he worked with, particularly Gus Solomon. He also talks about the transition to the digital age and other changes to the court. He closes the interview with an anecdote about finding what he thought was a bomb in the court bathroom, and the story of the impeachment of Judge Harry Claiborne of Nevada.

Christ, Bob (Robert Marvin), 1927-2019

Oral history interview with Ancer L. Haggerty [Video 01]

Video 1. This oral history interview with Ancer L. Haggerty was conducted by Clark Hansen in Haggerty’s chambers at the U.S. District Courthouse in Portland, Oregon, in four sessions from December 9, 2005, to February 23, 2006. Interview sessions in December 2005, part of a session in January 2006, and the session in February 2006 were recorded on audiocassette. Part of the session in January 2006 was recorded on videocassette. In the 2006 video session, Haggerty revisits the topic of his family background and early life in the Woodlawn neighborhood of Portland, his interest in playing football, and his service in the Marine Corps during the Vietnam War. He then speaks in more detail about his college experience at U.C. Hastings College of the Law; his work as a public defender in Portland; and practicing law at Schwabe, Williamson, and Wyatt. He also talks about serving as a judge on the Multnomah County Circuit Court and describes his experience as a judge on the Tom Metzger case, as well as other cases he heard. He then discusses serving as a judge on the U.S. District Court of Oregon, including his fellow judges, writing opinions, and serving as chief judge. He closes the video session by discussing his judicial philosophy.

Haggerty, Ancer Lee, 1944-

The Salmon Street Saga

This short film by Tim Smith depicts a fictional greaser gang and their activities on southwest Salmon street. Appearing in the cast is Matt Groening, creator of The Simpsons.

Credits: Directed by Tim Smith; Starring Dan Heims, Scott Snedecor, Tom Raimondi, Richard Gehr, Dan Polonoff, Matt Groening, Jeff Rankin, and Dunc Smith; Photography, Tim Smith.

Music credits: "The Scavenger" by Dick Dale and His Del-Tones, "Our Car Club" by The Beach Boys, "Black Denim Trousers" by The Cheers.

Conservation and digital capture made possible by a grant from Al Larvick Conservation Fund, in partnership with Pro 8mm.

Smith, Tim (Timothy John), 1955-

Seance - Ann Berard Hill

Seance - Image/sound starts 8 seconds in on tape, so no host introduction to the program. Tape label lists Ann Berard Hill, likely the main medium conducting the seance. Two other mediums, a man and a woman, take part, contacting their spirits. All three sit at a round table. At (0:18:10) host Bob Flug starts taking live phone calls with questions for the mediums. (0:33:14) Cuts to Air Force footage while the National Anthem plays.

The Video Access Project (Public Access Television Program)

Outside In

Interview with two representatives of Outside In: Joanne Fuller and Dino Bitsas. Interview conducted by Cynthia Phillips. In depth questions about the history, mission of, and services provided by the organization, including statistics of clients served and how it is funded. Counseling, social work, medical, and pregnancy tests, etc. The interview also serves as a promotion to raise awareness about the services but also to encourage volunteers. Last third of program is a slideshow with still images showing the Outside In facilities. Some audio noise interference - may be related to the live calls from viewers (this is when the sound interference starts). There is some visual disturbance in the form of small dropouts consistently throughout but no big tracking issues. Color is good. There is mention of a segment on Earth Day to follow the Outside In segment, but it is not on the tape.

The Video Access Project (Public Access Television Program)

Oregon Arts Commission

Program on the Oregon Arts Development Fund to encourage Oregonians to give to arts funding when they do their state taxes, commonly known as a checkoff initiative. Hosted by Gwenyth Gamble; Segment 1: Salina Roberts from the Metropolitan Arts Commission.; Segment 2: (0:11:02) Keith Martin (NW Dance Center) and Isaac Shamsud-Din (independent artist / painter).; Segment 3: (0:19:42) John Frohnmayer from the Oregon Arts Commission. Acoustic guitar interludes between each segment.

Credits: Director and co-producer, Diane Linn; Producer, Terri Naito; Technical Director audio, Kevin Fritz; Cameras, Marty Gallagher and Tony Cassera; Floor director, Barb Affleck. Special thanks to Dan Linn

The Video Access Project (Public Access Television Program)

Future Visions: Portland Science Fiction Society & Friends of Dr. Who

Hour-long program with members of the NW Science Fiction Society and Friends of Dr. Who. During the interview, group members discuss the purpose of the group; to meet and talk about science fiction and related interests. Viewers phone-in to ask questions, and the group talks about the upcoming annual convention, Orecon, and about the newly added convention, Westercon (West Coast Regional Convention), the following summer. During a program break, Wilson High School Student Dan Howard, who provides information about TVAP scheduling. Following the break is a slideshow and the group discusses the images.

Credits: Guests, Bryce Walden, Rick Bilyew, John Lorentz, Steve Barry; Produced by Dan Sackett; Directed by Virginia Bruce; Technical Director, Stan Hintz; Audio, Ron Cummings; Video, Steve Ward; Cameras, Patti Bruce and Ken Darby; Floor Director, Frank Fayssoux; Electronic Graphics, Cecelia Goodnight; Slide Operator, Mark Lewis; Assistant Director, Oscar Halpert.

The Video Access Project (Public Access Television Program)

Happenings at Pioneer Square with Bill Bulick

Segment 1: Video begins with title card for the Dan Halvorson show, before cutting to color bars and blank screen. TVAP opening credits begin at (0:00:54), leading in to "Pioneer Courthouse Square Summer Events." Host Peter Lesueur and guest Bill Bulick, the Program Director of the Pioneer Courthouse Square, discuss new initiatives to use Pioneer Courthouse Square for cultural, public, and art events. Program ends and cuts to segment 2: "The Dan Halvorson Show: Nuclear Survival - Reality of Farce," (0:32:03) from February 4, 1983, a call-in satirical program on surviving nuclear blast. The Halvorson segment was likely taped-over for the Pioneer Courthouse Square segment.

Segment 1 credits: Host, Peter Lesueur; Guest, Bill Bulick; Produced and Directed by John Hills; Technical Director Stan Hintz; Camera Operators, Liz Lynch and Ray Larson; Floor Director, Pamela Elton; Audio, Jim Apilado; Electronic Graphics, Scott "Shah" Thompson. Special thanks to Tony Cassera for videotaping.

Segment 2 credits: Produced by Dan Halvorson; Co-Directors, Bob Flug and Bill Hartman; Technical Director, Dave Michaud; Camera, Derek Kinne and Brian Spiegel; Audio, Jim Apilado; Floor Director, Victor Hortaleza; Video, Ken Zeidman; Character Generator, Tom Cambell; Lights, Dan Halvorson; Guests, Chris Bowskill, Jaime Leopold, Molly Ingram, Jim Edgerton. Copyright 1982 by John French and Brenda French. "Generation Genocide," copyright 1981 by John French and James Calvossa. "Bellushi" Copyright 1982 by John Davis. American Beat Dancers, LaRue Bevens, Brynna Hurwitz, Kim Tilger, Pam Matsuda-Dunn.

The Video Access Project (Public Access Television Program)

Jose Castro (Artist/ Hispanic Media Project); Portland Pet Peeves

Segment 1: "Hispanic Artist" (drawn from segment title card), is a video profile of Woodburn artist Jose Castro. Segment hosted by Jim Apilado and member of the Hispanic Media Project, Terry Soliz. In addition to discussing his recent mural projects, Castro walks audience through the screen printing process. Followed by portion about Castro's artwork. Broadcast from Liberty Cable. At the beginning of some segments, there is no audio for several seconds (part of original broadcast). Segment 2: (0:35:30) "Portland Peeves," a live call-in show hosted by Rosemary Jane and Sally Green. People call in to discuss their pet peeves about Portland. On set is Grant Raddon from Portland kite store Wind Play. In between the two main segments is a short video called "A Walk through the Forest with TVAP" by Stan Hintz, mainly shots of nature, trees, and streams with music overlay.

Segment 1 credits: Artist, Jose Castro; Studio Hosts, Terry Soliz and Jim Apilado; Studio Director, Scott Thompson.

Segment 2 credits: Produced and Directed by Scott "Torch" Thompson; Technical Director, Ed Seifert; Floor Director, Sherrill Thompson; Audio, Ben "Jammin" Wagor; Video, Stan Hintz; Cameras, Robert Wynn and Frances Cositkyan; Set Design and Lights, TVAP crew; Character Generator, John Rekow; Guests, Rosemary Jane and Sally Green.

The Video Access Project (Public Access Television Program)

Grow Access

"Grow - Gardening and Recycling the Organic Way," (title drawn from segment title card). Program about community gardening and growing produce. Narrated by Janet Rullo, this video features an organic community garden located in Northwest Portland and the neighborhood group responsible for its implementation and care. Includes short interviews with community members involved with the garden. Provides information about the organization, Grow, and its' function in the community; in addition to the community garden, Grow also organizes a 12-week educational program with a curriculum based on gardening topics.

Credits: Camera, Jack Sanders; Narrated by Janet Rullo; Edited by Bill Crosley and Janet Rullo. Grow was made possible with funding from The Yarg Foundation and The Westland Foundation.

The Video Access Project (Public Access Television Program)

Oral history interview with Otto Skopil [Video 02]

Video 2. This oral history interview with Otto Skopil was conducted by Clark Hansen at the U.S. District Courthouse in Portland, Oregon, on June 21, 2006, as part of the United States District Court Oral History Project. The interview was recorded simultaneously on audiocassette and videocassette; Videocassette 1 corresponds to Audiocassette 1, and Videocassette 2 corresponds to Audiocassette 2. A transcript of the interview is available.

In this interview, Skopil briefly discusses his family background, his early life in Salem, and his experiences at Willamette University and in the Navy. He speaks about practicing law in Salem, including some of the cases he worked on, and arguing cases before Judge Gus Solomon. He discusses his service as a judge, and later as chief judge, on the U.S. District Court of Oregon, including some of the cases he heard, and talks about his role in the development of the court's magistrate judge system. He discusses his 1979 appointment to the Ninth Circuit Court of Appeals, and talks about his service as a judge on that court from 1979 to the time of the interview. He shares some of the cases he heard, talks about the reasons for the court's large workload, and discusses the court's role as an interpreter of federal law. He talks about dissenting opinions among the judges, about calls to split the Ninth Circuit, and about working with law clerks. He speaks about his involvement with the Federal Courts Study Committee. He closes the interview by reflecting on his judicial career.

Skopil, Otto R. (Otto Richard), 1919-

Oral history interview with Diarmuid O'Scannlain, by Michael O'Rourke [Video Recording 01]

Session 7, Video 1. O'Scannlain discusses his family background and Irish heritage, his childhood in New York City, his education at St. John's Prep and Harvard, his involvement with the National Young Republicans and Trumpeters, his work as a lawyer in Portland, Oregon with the Dave Briggs firm (aka Stoel Rices) and Ragen, Roberts & O'Scannlain, his involvement in Republican politics and the Reagan administration, nuclear power, his appointment to the 9th Circuit Court, and some of the cases he oversaw while on that court.

O'Scannlain, Diarmuid F.

Oral history interview with Diarmuid O'Scannlain, by Michael O'Rourke [Video Recording 02]

Session 7, Video 2. O'Scannlain discusses his family background and Irish heritage, his childhood in New York City, his education at St. John's Prep and Harvard, his involvement with the National Young Republicans and Trumpeters, his work as a lawyer in Portland, Oregon with the Dave Briggs firm (aka Stoel Rices) and Ragen, Roberts & O'Scannlain, his involvement in Republican politics and the Reagan administration, nuclear power, his appointment to the 9th Circuit Court, and some of the cases he oversaw while on that court.

O'Scannlain, Diarmuid F.

Oral history interview with Randall Dunn [Session 07]

Session 7. In the seventh and final interview session, conducted on February 8, 2019, Dunn continues discussing his service on the Bankruptcy Appellate Panel beginning in 2006, including some of the cases he heard. He also talks about his involvement with the National Conference of Bankruptcy Judges and awards he received. He discusses the importance of bankruptcy laws, reflects on his accomplishments, and talks about his retirement activities. He closes the interview by discussing the science program for the Ninth Circuit Executive Committee.

Dunn, Randall L. (Randall Lawson), 1950-

Ken Leback Attempts to Eat Guinness Book of World Records

Audio starts at (0:00:25) over television static, with video starting at (0:01:05). Ken Leback introduces his challenge to eat every page from a Guinness Book of World Records within a 30-minute time period. During the challenge, he reads record entries from the book, and drinks water and milk to prevent choking. He does not complete the challenge.

The Video Access Project (Public Access Television Program)

Age is a State of Mind

"Age is a State of Mind." Technical difficulties at beginning of video, lasting for 2 minutes. Unidentified speaker is a 1926 graduate of the College for Women, of Case Western Reserve University. Speaker gives presentation about the negative impact of age segregation, myths about aging, and ageism. Mentions the "Gray Panther" movement, advocacy for older adults, healthcare, nutrition, and housing. Asserts that unifying generations of people will lead to a stronger and healthier society.

The Video Access Project (Public Access Television Program)

The Case of the Kitchen Killer

Tim Smith examines themes of psychoses and crime in this short comedic film about the fictionalized character, Duane Dwight, "The Kitchen Killer." Abused as a child, Duane leads a life of crime as a murderer in Rosetown, selecting victims at random and murdering them utilizing various kitchen tools.

Credits: Directed by Tim Smith; Starring Jim Angel as Duane Dwight, Carl Lucky as Squirmy Morelli, Valery Hoffman as the Mother, Lendon Smith as the Father, William Clark as the Detective; Narrated by Ben Padrow; Voices, Elinor Markgraf, Lendon Smith, Eric Smith, Duncan Smith, Mark Malicoat; Also Starring, Jeff Rankin, Danny Elfring, Shelley Widmer, Tracy Smith, Wendal Wurzweiler. Special thanks to Rocky Butte Jail, Portland Water Bureau, Buck Ambulance, and Leroy Smith.

Conservation and digital capture made possible by a grant from Al Larvick Conservation Fund, in partnership with Pro 8mm.

Smith, Tim (Timothy John), 1955-

DADA (acapella / singing group); Clara Fraser vs. Seattle City Light: The political and sex discrimination case is discussed.

Segment 1: The acappella group DADA performs. Singers include Theresa Koon, Celia Twomey, and Sandy Young. Segment 2: (0:28:00) Free Speech in the Workplace: Clara Fraser vs Seattle City Light, Merle Woo vs University of California at Berkeley. Marguerite Elia, a member of the Merle Woo Defense Committee the Clara Fraser Defense Committee, along with Kathy Frederick from Portland chapter of National Organization for Women (NOW), and radio newscaster Carolyn Meyers discuss Clara Fraser's sex and political ideology suite against Seattle City Light and Merle Woo's race and sex discrimination charges against the University of California, Berkeley.

DADA credits: Technical Director and Floor Director, Bill Hartman; Audio, Vic Hortaleza; Video, Bob Flug; Cameras, Dan Halverson and Pat Rosenkrantz; Lighting, Dave Ortiz; Electronic graphics. Michael Gust.

The Video Access Project (Public Access Television Program)

The M.J. Anderson Museum of Relicks

"The M.J. Anderson Museum of Relicks [sic]: A Curator's Evaluation of an Interesting Collection" (title drawn from segment title card). Begins with still images of museum, nature, with music overlay. Cuts to discussion between Anderson (credited as Principal) and archaeologist, Brian Gannon, with cuts to still shots of Anderson with Dale Archibald (Curator). Anderson talks about his life and living in the area, his relic museum, and shows Gannon books, artifacts, and naturally-formed rocks, and describes origin of artifacts in the collection. Ends with Anderson and Gannon digging in old stream channel, and uncovering objects similar to those found at the museum. Image of the Oregon Historical Society seal overlaying video.

Credits: Produced by, The Oregon Historical Society; Directed by, Dale Archibald; Production Coordinator, Kristine Chatwood; Audio, Chase Bockman; Camera Operators, Gregory McMickis, Chris Valencia and Patricia Smith; Gaffer, Kristine Chatwood; Editing, Patricia Smith, Chris Valencia; Special Effects, Chris Valencia and Patricia Smith; Graphics, Patricia Smith.

The Video Access Project (Public Access Television Program)

Womens Political Dance

"Dancers" (title drawn from segment title card). Three women (Nomi Azulay, Donna Pollach, Joan Kent) introduce the dance, detailing that it was first created as a celebratory dance for when Saigon was liberated. Women perform interpretive dance to Vietnam war protest song in front of an audience. A second song, "Monos" (hands), is introduced as a dedication to a spiritual healer. Naomi Little Bear and Kristan Aspen play guitar and flute off-camera while the dance is performed. A third song, "Million Eyed Woman," is introduced by Naomi Little Bear as an anti-rape protest song. Donna Pollach and Nomi Azulay perform as Naomi Little Bear sings and plays guitar, and Kristan Aspen plays flute.

Credits: "Made in solidarity with Vietnamese women, all incarcerated sisters. Yvonne Wanrow, Lolita Lebron, Susan Saxe, Inez Garcia, Joann Little. And women everywhere who fight back." Production credits: Camera, Elaine Velazquez; Sound, Bells; Editing and Design, Eileen O'Shea Music: Kristan Aspen, Naomi Little Bear and the Red Star Singers. Dancers: Nomi Azulay, Joan Kent, Donna Pollach. With thanks to: Mountain Moving Cafe, Creative Outlet.

The Video Access Project (Public Access Television Program)

Oral history interview with Bill Schonely [Video 02]

Session 1, Part 2. This oral history interview with Bill Schonely was conducted by Jack McArthur and Ian Strauss at the Moda Center in Portland, Oregon, on July 24, 2019. Franklin High School history teacher Gregory J.K. García was also present. The interview was conducted as part of the Franklin Historical Society Oral History Program, which aims to preserve the oral history projects of Advanced Placement (AP) History students at Franklin High School in Portland. The interview was conducted in one session. In this interview, Schonely discusses his early interest in radio broadcasting, particularly his experience with Armed Forces Radio while he served in the U.S. Marine Corps. He then briefly talks about his broadcasting career after his discharge, before speaking at length about his three decades as a sports announcer for the Portland Trail Blazers. He describes receiving the job offer from Trail Blazers owner Harry Glickman, putting together a radio station to broadcast games, and the naming of the team. He shares his memories of the Portland Trail Blazers; talks about changes in management, coaching, and the players of the team; and describes the Trail Blazers' 1976 NBA championship win. He also talks about some of the difficulties the team had, including player injuries, play-off losses, and earning the moniker "Jail Blazers" in the early 2000s. He discusses being laid off in 1998 and his return to the Trail Blazers as Ambassador in 2003. He closes the interview by sharing his hopes for the team's 50th season and advice for aspiring broadcasters, and he reflects upon the highlights of his career.

Schonely, Bill (William W.), 1929-

Oral history interview with Bill Schonely [Video 03]

Session 1, Part 3. This oral history interview with Bill Schonely was conducted by Jack McArthur and Ian Strauss at the Moda Center in Portland, Oregon, on July 24, 2019. Franklin High School history teacher Gregory J.K. García was also present. The interview was conducted as part of the Franklin Historical Society Oral History Program, which aims to preserve the oral history projects of Advanced Placement (AP) History students at Franklin High School in Portland. The interview was conducted in one session. In this interview, Schonely discusses his early interest in radio broadcasting, particularly his experience with Armed Forces Radio while he served in the U.S. Marine Corps. He then briefly talks about his broadcasting career after his discharge, before speaking at length about his three decades as a sports announcer for the Portland Trail Blazers. He describes receiving the job offer from Trail Blazers owner Harry Glickman, putting together a radio station to broadcast games, and the naming of the team. He shares his memories of the Portland Trail Blazers; talks about changes in management, coaching, and the players of the team; and describes the Trail Blazers' 1976 NBA championship win. He also talks about some of the difficulties the team had, including player injuries, play-off losses, and earning the moniker "Jail Blazers" in the early 2000s. He discusses being laid off in 1998 and his return to the Trail Blazers as Ambassador in 2003. He closes the interview by sharing his hopes for the team's 50th season and advice for aspiring broadcasters, and he reflects upon the highlights of his career.

Schonely, Bill (William W.), 1929-

Oral history interview with Timothy J. Gauthier [Video 01]

Video 1. This oral history interview with Timothy J. Gauthier was conducted by Jim Strassmaier and recorded on video by Michael O'Rourke in the offices of the National Electrical Contractors Association (NECA) in Portland, Oregon, on September 24, 2008. The interview was conducted as part of the Oregon Labor Oral History Program, which collects oral histories of individuals who have advocated for working people of Oregon.

In this interview, Gauthier discusses his family background and early life in Santa Barbara, California, including his memories of the anti-war protests during the 1960s, surfing, and his family's political and religious beliefs. He talks about his experience at Santa Barbara City College and at Southern Utah State College (now Southern Utah University). He discusses working for the NECA, including his job duties of working with local union chapters and conducting labor negotiations. He also talks about working with the IBEW. He describes the benefits the NECA provides to its members. He speaks about coming to Portland, Oregon, in the early 1980s and working alongside Ed Barnes of IBEW Local 48. He talks about how the recession of the early 1980s affected union members and labor negotiations, and describes NECA's and IBEW's response. He speaks at length about the establishment and success of the Market Recovery Program, which uses union dues to supplement union wages. He also talks about opposition and legal challenges to the program.

Gauthier discusses working with labor attorneys during labor negotiations. He talks about creating a drug testing program and explains the reasons why he felt drug testing was important for union members. He then describes the process of winning job contracts, including how the Market Recovery Program helps. He speaks about the mission and objectives of NECA; describes several of NECA's programs and organizational partnerships; and talks about national recognition for the Oregon-Columbia NECA chapter. He talks about the future of NECA, as well as NECA's charitable work. He closes the interview by discussing his family life.

Gauthier, Timothy J. (Timothy John), 1958-

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