Platinum print of the submerged forest on the bank of the Columbia River. Attributed to Sarah Hall Ladd.

Platinum print of a sandy beach on the shore of the Columbia River with Mitchell's Point visible in the distance. Handwritten inscription on the back of the print reads, "Mitchell Point - Columbia River above Cascades." Signed, "Lily E. White," in the lower right corner of the print.

Platinum print of the North Buttress of the Bridge of the Gods at the Cascades on the Columbia River. Handwritten inscription on the back of the print reads, "North Buttress of the Bridge of the Gods - Cascades of the Columbia." Signed, "Lily E. White," in the lower right corner of the print.

Photograph of a man holding onto a branch of a tree in an orchard. Long rows of trees stretch out behind him. Mount Hood is in the background. Likely taken near Parkdale, Oregon in the Hood River Valley.

A photograph of the Cascade Mountains below the locks. The Columbia River, mountains, trees, and a structure in the water are visible.

Photograph showing a view of several orchards and farms in the Hood River Valley at the base of Mount Hood. The mountain is covered in snow. Handwritten label on the bottom of the print reads, "Hood River Valley - Oregon. Home of Apple Grower Association Products." Handwritten note on the back of the print reads, "Mount Hood in Oregon from the head of Hood River Valley." Stamp on the back for Angelus Commercial Studio.

Photograph of a view of Mount Hood. Orchards dot the landscape in the foreground, likely near Parkdale, Oregon. Typed writing on the back reads, "Mt. Hood in Oregon from the head of the Hood River Valley."

Platinum print of Mount Hood taken from the Washington side of the Columbia River with Hood River visible in the foreground. Handwritten inscription from the back of the print reads, "Mt. Hood at Hood River." The print is unsigned but attributed to Lily E. White.

Platinum print of a sandy beach on the shore of the Columbia River with Mitchell's Point visible in the distance. Handwritten inscription on the back of the print reads, "Mitchell Point." Signed, "Lily E. White," in the lower right corner of the print.

Photograph showing a view of Lost Lake in the foreground and Mount Hood in the background. Two people fish on a rowboat in Lost Lake. Stamp on the bottom of the print indicates an 1899 copyright by Benj. A. Gifford. Typed writing on the back reads, "Mt. Hood and Lost Lake."

Photograph showing the sternwheeler Bailey Gatzert entering locks on the Columbia River in the Columbia River Gorge. Likely taken at Cascade Locks, Oregon. A few houses are visible on the shore of the river. Handwritten label on the print reads, "Bailey Gatsert (sic) entering Locks."

Stereograph of the Oregon Railway & Navigation Co.'s railroad bridge over Hood River, circa 1883. Items 2/82 and 2/83 are duplicate stereographs on different mounts. Alternate caption on stereograph 2/82: "Hood River Crossing, Columbia River Scenery, Oregon."

View up the Columbia River to Mitchell Point in the distance. A large rock outcropping sits in the Columbia River in the foreground. Loose duplicate plate in 5/4. This plate is part of Carlton Watkin's "Sun Sketches of Columbia River Scenery" album.

A railroad track crosses Hood River. Houses in the town of Hood River are visible in the background. Loose duplicate plate in 5/5. This plate is part of Carlton Watkin's "Sun Sketches of Columbia River Scenery" album.

Stereograph of the Oregon Railway & Navigation Co.'s railroad bridge over Hood River, circa 1883. Items 2/82 and 2/83 are duplicate stereographs on different mounts. Alternate caption on stereograph 2/83: "Hood River Crossing, Oregon."

Stereograph of view looking east at Mitchell Point on the Oregon side of the Columbia River Gorge, circa 1882.

Stereograph of the Oregon Railway & Navigation Co.'s railroad bridge over Hood River, circa 1883. Items 2/82 and 2/83 are duplicate stereographs on different mounts. Alternate caption on stereograph 2/83: "Hood River Crossing, Oregon."

View of the Columbia River with the locks at the Upper Cascades visible in the distance.

Stereograph of view looking east at Mitchell Point on the Oregon side of the Columbia River Gorge, circa 1882.

Stereograph of the Oregon Railway & Navigation Co.'s railroad bridge over Hood River, circa 1883. Items 2/82 and 2/83 are duplicate stereographs on different mounts. Alternate caption on stereograph 2/82: "Hood River Crossing, Columbia River Scenery, Oregon."

A view of Hood River with Mount Hood visible in the distance. Loose duplicate plate in 5/5. This plate is part of Carlton Watkin's "Sun Sketches of Columbia River Scenery" album.

Photograph showing the burned remains of buildings after a fire in Cascade Locks, Oregon. The fire occurred on Monday, July 2, 1934, and this photograph was taken on July 3. Unidentified people are standing nearby, looking at the rubble. A similar photograph, image No. 375A1003, was published on the front page of the Oregon Journal’s home edition on July 3, 1934. That photograph was published under the headline “Where Fireworks Took Heavy Toll at Cascade Locks.” It had the following caption: “The band played on at Cascade Locks Tuesday despite the $60,000 fire which concluded the second day of the July 4th celebration there Monday night. Above—Looking east from the new Lakeside hotel on the razed block. At the immediate lower left is the charred remnants of the fireworks stand where the fire started. Beyond (in order) are the ruins of the I. O. O. F building, the S. E. Parras meat market, the Blue Moon cafe, and at the end of the block the W. H. Clark home.” The photograph accompanied a story headlined “Fireworks on Rampage Burn Locks Block.” Also see image Nos. 372A0731, 375A1002, and 375A1004. Image note: Negative damage at lower right.

Tape 1, Side 2. In the first interview session, conducted on August 22, 1985, Furrow discusses her family background, particularly regarding her grandfather, Peter Mohr, who owned the first commercial orchard in Hood River, Oregon. She describes daily life on the family orchard and dairy farm in Hood River. She talks about working as a fruit packer for Nakamura Orchards.

Tape 4, Side 1. In the second interview session, conducted on September 26, 1985, Furrow shares her observations of the treatment of the Japanese community in Hood River during World War II, and describes racial discrimination in Hood River. She revisits the topic of daily life on her family's orchard and dairy farm in Hood River, and talks about the gendered division of labor. She describes her work picking and packing fruit for Nakamura Orchards. She talks about the ranch she ran with her husband, William Henry Furrow, and discusses selling their fruit through Diamond Fruit Growers Inc. She discusses the future of small farms in Oregon. She closes the interview by talking about her involvement in the Hood River County Historical Society.

Cows on a farm in the Hood River area. Several calves can be seen in a grassy area beneath a blooming tree, next to several wooden buildings. Photographs from this series were published in the Oregon Journal on Sunday, April 12, 1953 (negative 5 of 8).

Photograph showing a smiling man at the Civilian Public Service Camp #21 at Wyeth, in Cascade Locks. He is standing along the side of a dirt road, and is leaning downwards with a pick ax. Snow is on the ground behind the man (negative 12 of 22).

Photograph showing a carved wooden sign at the Civilian Public Service Camp #21 at Wyeth, in Cascade Locks. The sign reads “Columbia River Civilian Public Service Camp No. 21.” Buildings and a forested hillside can be seen in the background (negative 14 of 22).

Photograph showing people in costume at the Civilian Public Service Camp #21 at Wyeth, in Cascade Locks. Likely performing in a skit, the group is standing in front of a long serving window for the mess hall kitchen. One man is leaning down towards the ground while reaching towards an object (negative 18 of 22).