Tsuboi family home movie featuring footage of the Tsuboi family and the Portland area in the 1930s. Footage is in black-and-white.
00:00 - Trip to the River. Scenes of family fishing, cooking, and playing on the bank of a river. Also scenes of family in a rowboat.
03:01 - Scenes from a car race and air show. Cars race on a dirt track. Air show in which a person hangs beneath a flying plane and later stands on the wings. Airplane crashes into a wood building.
04:50 - Driving around Portland. Taken from the front seat of moving car.
05:16 - Parade with children in traditional clothing
05:26 - Snow Scenes. Geese, swans, and dog in snow. Driving through Downtown Portland in the snow. Broadway Bridge is lowered. Great Light Way is visible. Snow in the countryside.
08:32 - Blurry footage taken from the back of a moving train as the train travels through a snowy mountain pass.
10:32 - Scenes from a big parade in Portland. The parade has floats celebrating countries from around the world and one for Felix the Cat.

Tsuboi family home movie, featuring footage of a trip to Japan, the Africa Maru cargo ship, Portland, Oregon, and the Columbia River Gorge. Footage is in black-and-white.
00:00 - Scenes from a trip to Japan, including temples, buildings, streets, and the Kanaya Hotel.
03:27 - Scenes of the cargo ship Africa Maru, which transported many Japanese immigrants to the Pacific Northwest. Japanese civilians bid farewell to the ship. Footage of the ocean voyage, possibly from Japan to Seattle.
06:24 - Scenes of Mount Hood and driving through the Columbia River Gorge in Oregon
07:22 - Scenes of Downtown Portland. Shots of the Tsuboi family.
08:00 - Scenes of the Columbia River Gorge.
08:38 - Iceskating on a frozen lake. Sign reads: Kahlotus.
09:11 - Steel Bridge in Portland, Oregon
09:20 - Scenes of the Columbia River Gorge. Various waterfalls, including Multnomah Falls

Tsuboi family home movie, featuring a silent film about Mount Hood Loop Road and home movie footage of a Japanese battleship, the logging industry, and the Columbia River Gorge. Footage is in black-and-white.
00:00 - Silent film, "The Mount Hood Loop Road," produced by W.A. Van Scoy. Scenes of Mt. Hood and the Columbia River Gorge, taken from the Mount Hood Loop Road. This film was not made by the Tsuboi family.
05:01 - Scenes of a Japanese battleship. Scenes of a city, possibly Seattle.
06:48 - Scenes of a rural area, taken from a moving train. Scenes of the logging industry.
08:05 - Scenes of Mt. Hood, taken from Portland. Unidentified bridge in the foreground.
08:29 - Scenes of the Columbia River Gorge, some taken from a moving train. Trains in a rural area. Scenes of Crown Point in the Columbia River Gorge.

Tsuboi family home movie, featuring a trip across the Pacific Ocean on a ship, and scenes of Japan. Footage is in black-and-white.
00:00 - Scenes from aboard the Japanese transport ship Arabia Maru as it crosses the Pacific Ocean. Shots of the ocean, crew, and passengers. This ship carried many immigrants to the Pacific Northwest.
07:07 - Scenes from Japan, including a snowy village, a garden, Mount Fuji, and temples. Some footage taken from aboard a moving train.

Video 3. This video tour of Isaka Shamsud-Din's art studio in Portland, Oregon, was conducted on October 3, 2018. The tour was recorded by P. C. Peri, and Milo Reed was also present. Shamsud-Din shows some of his paintings, drawings, and murals, and talks about the inspiration for and meaning behind each work.

Video 4. This video tour of Isaka Shamsud-Din's art studio in Portland, Oregon, was conducted on October 3, 2018. The tour was recorded by P. C. Peri, and Milo Reed was also present. Shamsud-Din shows some of his paintings, drawings, and murals, and talks about the inspiration for and meaning behind each work.

Video 5. This video tour of Isaka Shamsud-Din's art studio in Portland, Oregon, was conducted on October 3, 2018. The tour was recorded by P. C. Peri, and Milo Reed was also present. Shamsud-Din shows some of his paintings, drawings, and murals, and talks about the inspiration for and meaning behind each work.

Video 7. This video tour of Isaka Shamsud-Din's art studio in Portland, Oregon, was conducted on October 3, 2018. The tour was recorded by P. C. Peri, and Milo Reed was also present. Shamsud-Din shows some of his paintings, drawings, and murals, and talks about the inspiration for and meaning behind each work.

Storefront Children's Theatre presents "Kid Kadoodle, Use Your Noodle, Super Safety Show." A theatrical musical comedy show for children stressing safety, including what to do when confronted by strangers and in situations of physical, sexual, or emotional abuse. Storefront refers to the Storefront Theatre in Portland, Oregon. The title character Kid Kadoodle is performed by Ross Huffman-Kerr. Other cast members include Teddy [inaudible], Ray Tilleton [?], Sunny Sorrels and Caroline Swanson, who also choreographed the show. Richard Tyler plays piano. The Kid Kadoodle, Use Your Noodle, Super Safety Show originally toured Oregon schools in the 1970s.

Hosted by Larry Smith, set design by Mara Nesbitt. The program features the following segments: "The Girl Artists: A 30 Years Arts Retrospective," two-day art show and sale at The Troy Laundry Studios in December 1981, narrated by Alicia Seel [?]; Interview by Christine Ferrington with artist Keith Sonnier at the Portland Center for Visual Arts featuring his exhibition of neon sculptures called The Runic Drawings; Short film by Norman Bonney called "Making Bread" filmed at and funded by Williams Bakery. This film was obtained by non-profit organization The Media Project; highlights from The Toaster Show which took place at the Federal Building, including work by Jim Blashfield; Short film originally shot on Super8 and transferred to video called "The Grateful Toaster" by Betsy Berres; Highlights from an exhibition at PCC Sylvania Campus entitled Female Archetypal Imagery and presented by NWAW, January 1982. Features Mara Goman [?] and Nancy Kushwa Blake [?]; Short animated film called AC-16 by Joan Gratz, provided by The Media Project; Short stop-motion animation film "Hand Song" by Ken Butler with music by Tom Grant; Interview with video artist Ed Mellnik with Mara Nesbitt introducing a clip from his film "Andromeda Awakening," which was produced at Liberty Cable Studios.

"Making Bread" credits: Production Assistant, Doug Toback; music, Doug Fellman. Special thanks to: The management and crew of Williams' Bakery and KOZY TV

"Grateful Toaster" credits: editing, Robyn Flatley; sound, Michael E. Carver; kitchen hands, Belle Canon; music, Fred Frith and Rhythm Devils; dancing kids, Roby Berres and Morgan.

"Andromeda Awakening" credits: Directing and editing, Ed Mellnik; music, Roger Luther; movement, Elisabeth Cutler; main camera, Claire Stock; second camera, Joseph Reesha; sound engineering, Lee Lustad.

"The Autistic Child: Facts, Myths, and Latest Treatments." An hour program with members of the Autism Council in Oregon. Hosted/Moderated by Frances Costikyan. Guests include Jan Jenson (expert), Elaine Piper (parent of an autistic child), Bill and MaryAnne Seaton (parents of an autistic child).

Credits: Produced by Frances Costikyan, Ellen Hansen, and Linda Lewis; Directed by Ellen Hansen; Technical Director Victor Hortaleza; Floor Director, Michael Gust; Audio, Bill Hartman; Video, Jim Wygant; cameras, Tony Cassera and Kevin E.S. Fritz; Lighting, Dave Ortiz; Set Design, Barbara Affleck and Tony Cassera; Electronic Graphics, Linda Lewis. Special thanks to Dick Hammerstrom. Moderator, Frances Costikyan.

Segment 1: NW Esperanto update September 1983, hosted by Ginny Stewart with guest Jim Deer, Vice President, Portland Esperanto Society. Music by Marty Deer, "Rosmaren" and "Autumn Fields." Segment 2: (0:15:30) "Just a Jam" with musicians Art Alexander on piano, Mark Hoffmeister on bass, Jay Harris on drums, James Pitune (?) on guitar. Second song, "Ladies I have Known." Segment 3: (0:27:15) Institute for Professional and Managerial Women. Two representatives of IFPMW, Penny Harrington from Portland Police Department and Angel Pilato from Tektronix, discuss their career trajectories, promotions, and upcoming conference. Hosted by Rosie Hamilton. Tape ends abruptly during credits.

Segment 1 credits: Moderator, Ginny Stewart; Special Guest, Jim Deer; Children, Amanda Stewart and Joshua Stewart; Music, Marty Deer "Rosmaren" and "Autumn Fields"; Producer, Marty Deer; Camera, Linda Stewart and Marty Deer; Field Audio, Marty Deer and Linda Stewart; Studio Audio, Wayne Alora; Editor, Marty Deer; Assistant Editor, Wayne Alora; Titles, Marty Deer.

Segment 2 credits: Musicians Art Alexander on piano, Mark Hoffmeister on bass, Jay Harris on drums, James Pitune (?) on guitar. Songs, "Just a Jam," and "Ladies I have Known."

Segment 3 credits: Directed by James Apilado Esq; Technical Director, Mike Moulton; Floor Director, Brian Gygi; Cameras, Hunter Clarke and Mike Roydon; Audio, Stan Hintz.

Segment 1: Community Focus - First segment of Community Focus features Betty Williams, the Director and Coordinator of the Ebony and Ivory Strutters, a drill team out of Peninsula Park, along with Captain of the drill team, Selena Strong. Hosted by Jeff Gamble, the segment includes clips of drill team practices (contains copyrighted music). Interstitial with Open House of Prayer Choir. (0:17:42) Next is the Health Segment of Community Focus, hosted by Juanita Juanita Lyday (listed as Juanita Harris onscreen during program- possibly a typo since the guests' last name is Harris), with aerobics instructor Evonne Harris of The Spa Figure and Fitness Center. Following interview, Harris leads an exercise and stretching session with volunteer Tina Powell. Segment 2: (0:30:20) Quilters Market - A conversation with long-time quilter and member of the Quilters Market, Fern Stengel, discussing how the Quilters Market got started. Hosted by Lyn Kennison, also a quilter. The two discuss some common quilting patterns and techniques. Fellow members, Natalie Shellens and Carrie Atherton, give a quilting demonstration. Produced by Lyn Kennison.

Segment 1 credits: Jeff Gamble, Evonne Harris, Juanita Lyday, Betty Williams, Selena Strong; Produced by Mark Lewis; Directed by Mark Lewis; Floor Director, Onnie Lewis; Cameras, Jean Lyday and Mark Saltveit; Technical Director, Stan Hintz; Audio, Jim Apilado; Assistant Audio, H.R. Lewis; Sets and Lighting, Jim Apilado; Electronic Graphics, Stefan Enriquez.

Segment 2 credits: Lyn Kennison, Fern Stengel, Carrie Atherton, Natalie Shellans; Produced by Lyn Kennison; Technical Director, Stan Hintz; Audio, Jim Apilado; Electronic Graphics, Scott Thompson; Cameras, Liz Lynch, John Hills; Video, Stefan Enriquez; Floor Director, Anita Paulsen; LIghts and Setting, TVAP crew; Consultants, Quilters Market.

Segment 1: Interview with owner of Elmer's Flag and Banner shop, Elmer Reider. Reider discusses flag sales during 1976 bicentennial and history of flag designs in the United States. Describes design elements and symbolism found in flags. Segment 2: (0:11:42) Second part of interview with Reider. Continues history of flag design. (0:16:14) Interstitial is footage of flags flying outdoors. Segment 3: (0:17:36) begins with choppy footage, resolving at 0:18:08. Group of actors rehearsing lines for a parody performance/play of the signing of the Declaration of Independence. Segment 4: (0:26:24) Unidentified committee speaking with representative from the city attorney's' office about wording revisions to draft document relating to Red Cross' "policy and action recommendations." Representative mentions having worked with city attorney and Dean Gisvold in drafting the document.

Interview with Florence "Flora" Rubinstien, as part of Oral History in the School Project. Rubinstien immigrated with her family to the United States in 1921 from Lublin, Poland, when she was a child. Rubinstien discusses the expectations and disappointments she felt when her family arrived, talks about education and learning english, and about her family's' experience finding employment in Portland. Rubinstien worked for Meier and Frank (a department store that originated in Portland, closed in 2006). Talks about dwindling resources she utilizes offered by Neighborhood House, an organization that assisted immigrants (mostly Eastern-European) with the Americanization process. Rubinstien and interviewer discuss politics and class disparities.

Video 1. This oral history interview with Donal D. Sullivan was conducted by Michael O'Rourke in Sullivan's chambers at the U.S. Bankruptcy Court in Portland, Oregon, on July 6, 2006. In the interview, Sullivan discusses his early career as a lawyer in Salem, and as assistant district attorney with Sid Lezak in the Multnomah County district attorney's office in Portland, then as a clerk for the U.S. District Court of Oregon. He describes working with judges Gus Solomon and William East. Sullivan also talks about serving as a bankruptcy judge. He closes the interview by talking about his personal life and family.

Video 1. This interview with Owen Panner was conducted by Michael O'Rourke in Portland, Oregon, on December 19, 2005. In the interview, Panner discusses mandatory sentencing and the effect of politics on the judiciary. He also talks about his plan to move to the District Court in Medford, Oregon. In addition, he discusses the structure and procedures of the District Court; technology in the courts; his involvement with the U.S. District Court Historical Society; and life on his Medford ranch.

Session 5, Video 1. Hogan discusses his family background and early life, his education, and his career as a lawyer and judge in Oregon. He also discusses some of the cases he worked on, including bankruptcy cases, and his work on the Wayne Morse Federal Courthouse.

Session 5, Video 2. Hogan discusses his family background and early life, his education, and his career as a lawyer and judge in Oregon. He also discusses some of the cases he worked on, including bankruptcy cases, and his work on the Wayne Morse Federal Courthouse.

Session 5. In the fifth interview session, conducted on January 11, 2019, Dunn discusses the lawyer job market in Portland. He then continues talking about bankruptcy law, particularly the changes to the law made in 2005. He talks about his service as a bankruptcy judge beginning in 1998, including the application process, his fellow judges, and learning how to be a judge. He also talks about decorating his office at the bankruptcy courthouse in Portland, about his law clerks, and about scheduling cases.

Session 6. In the sixth interview session, conducted on January 25, 2019, Dunn continues discussing his service as a bankruptcy judge beginning in 1998, including some of the cases he heard and his judicial philosophy. He also talks about his service on the Bankruptcy Appellate Panel beginning in 2006, including his fellow panelists and some of the cases he heard.

Video 1. In the third interview session, conducted on May 11, 2005, Kester discusses his involvement with the Oregon State Bar's continuing legal education program. He speaks about his brief service as a justice on the Oregon Supreme Court from 1957 to 1958, including his appointment to the bench, and opinions that he wrote. He reflects on cases he worked on both as a judge and a lawyer that have had lasting effects on the field of law. He discusses the differences among the different court circuits in Oregon; talks about challenges to Oregon's land-use laws; and shares his reasons for retiring from the Supreme Court. He closes the interview by discussing the origins of the U.S. District Court of Oregon Historical Society, and the history of his law firm.

Video 1. In the third and final interview session, conducted on May 10, 2005, Marsh discusses efforts to streamline the U.S. District Court of Oregon, including the use of magistrate judges. He speaks about working with U.S. Attorney Chuck Turner; talks about the increase in cases relating to drugs; and revisits the topic of sentencing guidelines. He shares how his thoughts on immigration laws changed over his career; shares his opinion regarding concerns about judicial activism; and talks about when judges should retire. He also revisits the topic of his reasons for taking senior status. He talks about how his judicial philosophy changed and reflects on his career. He debates the merits of both restorative and retributive justice. He speaks about the role of law clerks, about judges' salaries, and about his role in the construction of the Mark O. Hatfield United States District Courthouse in Portland. He discusses working with Mark Hatfield and John Dellenback. He speaks about his marriage to Shari Long, and about balancing his Christian faith and his role as a judge. He closes the interview by talking about the importance of family.

Video 2. This oral history interview with Timothy J. Gauthier was conducted by Jim Strassmaier and recorded on video by Michael O'Rourke in the offices of the National Electrical Contractors Association (NECA) in Portland, Oregon, on September 24, 2008. The interview was conducted as part of the Oregon Labor Oral History Program, which collects oral histories of individuals who have advocated for working people of Oregon.

In this interview, Gauthier discusses his family background and early life in Santa Barbara, California, including his memories of the anti-war protests during the 1960s, surfing, and his family's political and religious beliefs. He talks about his experience at Santa Barbara City College and at Southern Utah State College (now Southern Utah University). He discusses working for the NECA, including his job duties of working with local union chapters and conducting labor negotiations. He also talks about working with the IBEW. He describes the benefits the NECA provides to its members. He speaks about coming to Portland, Oregon, in the early 1980s and working alongside Ed Barnes of IBEW Local 48. He talks about how the recession of the early 1980s affected union members and labor negotiations, and describes NECA's and IBEW's response. He speaks at length about the establishment and success of the Market Recovery Program, which uses union dues to supplement union wages. He also talks about opposition and legal challenges to the program.

Gauthier discusses working with labor attorneys during labor negotiations. He talks about creating a drug testing program and explains the reasons why he felt drug testing was important for union members. He then describes the process of winning job contracts, including how the Market Recovery Program helps. He speaks about the mission and objectives of NECA; describes several of NECA's programs and organizational partnerships; and talks about national recognition for the Oregon-Columbia NECA chapter. He talks about the future of NECA, as well as NECA's charitable work. He closes the interview by discussing his family life.

In this short film by Tim Smith, we follow Norman on his way to a doctor appointment, where he is diagnosed with hyperactivity disorder. This film examines how diet and exercise can impact the behavior and physiology of an individual, and describes how blood sugar fluctuations can lead to agitation, moodiness and attention deficiencies. Video concludes at (0:13:40), followed by extraneous footage. Cast includes Smith's father, Dr. Lendon H. Smith.

Credits: Directed by Tim Smith; Executive Producer, Dr. Lendon H. Smith; Director of Photography, Timothy M. Mcgilvrey; Editors, George Hood and Tim Smith; Supervising Editor, George Hood; Created and Written by Tim Smith and John Morrison; Additional Music provided by Ron Walker and Sound-O-Vision; Sounds, George Hood and Tim Smith; Grips, Kevin E.S. Fritz and Mark Whitney; Animation SmithFilmWorks; Negative Cutter, Connie Coleman; Cameras by Arriflex; Prints by Teknifilm. Special acknowledgement to: H and P's Double Treat - Cathy and Elda, Barbur Rentals - Dick Edwards, Portland General Electric, Metropolitan Community School Program, Grand Central Bowl - Ed Schneider, Mary Ann Hannibal, Western States Chiropractic College.

Cast: Dr. Lendon H. Smith as Dr. Diggs; John Morrison as Norman; Tim McGarry as Norman as child; Gaynor Sterchi as Teacher; Seth Williams, Shauna Hannibal and Anna Hannibal as School children; Warren Harshbarger as Man with Pizza; George Hood as Street Hustler; Rosalie A. Peek as Waitress; Lee Brumfield as 1st Nurse; Kathy J.S. Fritz as 2nd Nurse; and Tabby the cat.

Produced through the facilities of The Film Loft, Inc., Portland, Oregon. A Smith FilmWorks Production. Copyright 1982. Conservation and digital capture made possible by a grant from Al Larvick Conservation Fund, in partnership with Pro 8mm.

Set in 1980, "The Infernal Voyage" chronicles the activities of a married couple during their vacation in France, where they partake in sightseeing and experiencing French culture (including some mild culture shock and feelings of ennui). Cast includes Smith's father, Dr. Lendon H. Smith.

Credits: Directed by Tim Smith; Starring Dunny Smith and Julie Starheim; Frenchman's voice performed by Eric May; Music by Barbara Parker, performing selections from Beethoven's "Pathétique" and Pastoral piano sonatas; Narrated by Leroy Smith.

Conservation and digital capture made possible by a grant from Al Larvick Conservation Fund, in partnership with Pro 8mm.

Three short, silent films by director Tim Smith. In "The Orange," an orange rolls through town, evading capture by a young boy who wants it for a snack. (0:04:05) Told in a series of vignettes, "Fustration Irratation"[sic] follows a young boy after receiving a "Dear John" letter, causing the onset of immense psychological stress. He and a friend experience frustration as they cannot complete mundane tasks throughout the day. (0:07:40) "Come and Get It," is a series of vignettes performed by young boys, imitating the eating habits of different people.

"The Orange" credits: Starring Terry Dunne and Jim Hutchison; Photography by Tim Smith.

"Fustration Irratation"[sic] credits: Photography by Tim Smith.

"Come and Get It," credits: Photography by Tim Smith; Starring Terry Dunne, Jim Cowger, Chad Thomas, and Duncan Smith.

Conservation and digital capture made possible by a grant from Al Larvick Conservation Fund, in partnership with Pro 8mm.

Video 1. In the first interview session, conducted on April 17, 2001, Ivancie discusses his family background and early life in Marble, Minnesota, and talks about the history of Marble. He speaks about his service in the U.S. Army Air Corps during World War II. He discusses his involvement in politics while studying at the University of Minnesota and describes how he became a teacher and later principal in Burns, Oregon. He talks about life in Burns in the 1940s and 1950s, about teaching at a school on a U.S. Air Force base in England from 1953 to 1954, and about his reasons for moving to Portland in 1954. He also talks about his involvement with the Oregon Education Association, and describes how that experience led to his work as an executive assistant to Portland Mayor Terry Schrunk. He talks about Schunk's indictment for perjury, and about how Schrunk worked with the Portland City Council. He speaks at length about the work of the Portland Development Commission during Schrunk's time as mayor. He talks about members of the commission, particularly PDC chair Ira Keller, and describes some of the commission's development projects. He also talks about the role of the mayor in appointing people to various city commissions. He then discusses his campaign for a seat on the Portland City Council in 1966, talks about his work as a council member, and speaks about people he served with on the council.