Pasasaun identifies himself as Brule Sioux from South Dakota, giving classroom presentation describing the many facets of Indigenous cultures, beliefs and values systems. Talks about the Medicine Wheel (also called the Sacred Hoop), and the interactions between concepts of science, art, religion, and government.

"The M.J. Anderson Museum of Relicks [sic]: A Curator's Evaluation of an Interesting Collection" (title drawn from segment title card). Begins with still images of museum, nature, with music overlay. Cuts to discussion between Anderson (credited as Principal) and archaeologist, Brian Gannon, with cuts to still shots of Anderson with Dale Archibald (Curator). Anderson talks about his life and living in the area, his relic museum, and shows Gannon books, artifacts, and naturally-formed rocks, and describes origin of artifacts in the collection. Ends with Anderson and Gannon digging in old stream channel, and uncovering objects similar to those found at the museum. Image of the Oregon Historical Society seal overlaying video.

Credits: Produced by, The Oregon Historical Society; Directed by, Dale Archibald; Production Coordinator, Kristine Chatwood; Audio, Chase Bockman; Camera Operators, Gregory McMickis, Chris Valencia and Patricia Smith; Gaffer, Kristine Chatwood; Editing, Patricia Smith, Chris Valencia; Special Effects, Chris Valencia and Patricia Smith; Graphics, Patricia Smith.

Program starts at (0:00:20). KPTV Channel 12 presents Columbia Crossroads' program about lesbian women. Written and produced by the Lesbian Task Force of the Portland chapter of the National Organization for Women. Minutes 0:00:50-0:05:00 are street interviews collecting public opinion about lesbian women. Followed by a short information piece about lesbian acceptance in society. The next segment highlights lesbian women throughout history, followed by discussion segment guests talk about their life experiences as gay women, public appearance, and familial and societal acceptance. Next segment discusses gay rights, and the potential for federal anti-discrimination laws and Civil Rights laws to include and protect gay individuals, and highlights how Eugene and Portland passed ordinances to ban discrimination from employment and housing. Musical segment by Littlebear playing "Special Friend," as credits roll. The end of the video continues another set of street interviews concerning public opinion of the feminist movement.

Credits: Guests, Nedra Bagley, Alice Cielo, Katherine English, Holly Hart McVey, Rose Panza, Carol Rubenstein, Sandy Smith, Susan Stauffer, Carol Thomas, Elaine Velazquez, Jeri White. Music, "Special Friend," by Little Bear; Performed by, Aspen, Littlebear, Coyote.

Report on general housing issues in Portland. Interviews with residents in Northwest Portland neighborhood; Laura Gardner and Pat Spezito. Spezito discusses the negative impact a new motel has on the neighborhood community. Interview with developer and land owner, James Flad, who is a partner of the group building the motel. James Flad argues that neglected homes lose property value over time, and are no longer seen as profitable for the local economy as single-family units. Interview with Margaret Strong, Community Coordinator for the Northwest District Association (NWDA), discusses protection of older residential homes from being demolished for commercial use. James Flad continues conversation, citing multiple attempts made by the NWDA to prevent commercial development, none of which have been successful.

Segment 1: Interview with owner of Elmer's Flag and Banner shop, Elmer Reider. Reider discusses flag sales during 1976 bicentennial and history of flag designs in the United States. Describes design elements and symbolism found in flags. Segment 2: (0:11:42) Second part of interview with Reider. Continues history of flag design. (0:16:14) Interstitial is footage of flags flying outdoors. Segment 3: (0:17:36) begins with choppy footage, resolving at 0:18:08. Group of actors rehearsing lines for a parody performance/play of the signing of the Declaration of Independence. Segment 4: (0:26:24) Unidentified committee speaking with representative from the city attorney's' office about wording revisions to draft document relating to Red Cross' "policy and action recommendations." Representative mentions having worked with city attorney and Dean Gisvold in drafting the document.

Segment 1: Promotional video about the Camp Cooper recycling program and the benefits of recycling waste. Partnering with Project SOAR (Save Our American Resources), Camp Cooper employees and boy scouts participate in a recycling initiative during their summer session. Produced by Robert Phillips and Econet. Footage and interviews with campers sorting recyclable materials. Interviews with camp rangers at Camp Cooper garbage dump; discussing environmentalism, the negative impact of waste, and improvements of waste being converted into resources for the camp (ex. composting food scraps). Segment 2: (0:17:20) OSPIRG information session. University of Oregon's OSPIRG chapter discusses audits of Douglas and Lane counties' banking financial records and their findings. The banking institutions violating regulations established by the Consumer Protection Act were reported to their counties' District Attorney, the United States Federal Reserve Board and Federal Trade Committee.

Produced by Robert Phillips and Econet.

Tape 2: Part two of "The Boom Boom Room." Continuation of meeting, with Steve Kerman speaking. This portion brings attention to the potential rate increase of the proposed B-cable system, and possible regulation of rates. Provides some details of how the new system will be implemented.

Tape 1: Part one of "The Boom Boom Room." Portland City Council meeting focusing on the proposal of a new B-cable communication system. The cable system and communication committee is comprised of Steve Kerman and Duane Perrin. Steve Kerman speaks, proposing a cable communication system, HI-Ovis (Higashi-Ikoma Optical Visual Information System), to be introduced in Portland.

Segment 1: "Conversations on Creativity" with host Frances Costikyan. She talks with Ann Sullivan, a long-time staff writer for the Oregonian, about her life, upbringing, and her work as a woman journalist. (0:30:10) Interstitial is a fundraising pledge request from TVAP Director Liz Lynch, (0:34:36) followed by a short video called "A Walk through the Forest with TVAP" by Stan Hintz, mainly shots of nature, trees, and streams. Segment 2: (0:36:42) "Kids-TV and Other Works by Young People" discussion with Kids-TV Producer, David Bryant, and Anne Bell, the Education Coordinator of the Northwest Film and Video Center / Northwest Film Study Center (now Northwest Film Center). Bell discusses several initiatives by the Center and shows clips from "Kids-TV," a program produced during the Artquake Festival downtown, and "The Columbia River Gorge: A Natural History," a stop-motion and live action film produced at Cleveland High School as part of a biology class through the Filmmakers in Schools program.

Segment 1 credits: Written, directed, produced and hosted by Frank Fayssoux; Executive Producer Cathy Adams; Associate Producer Ken Darby; Camera, Ken Darby; Additional Camera Work, John Seigendall and Peter Lesueur; Character Generator, Roy "Dusty" Nicholas; Edited by Frank Fayssoux with assistance from PCA staff. Equipment and Support, TVAP, Liz Lynch; Coordinator, PCA and Liberty Cable. Cast: Frank Fayssoux; Blackie, Hobo Tramp; John Stone, Oregon Employment Division; John Lee, Baloney Joe's; Teresa Brothers, Pacific Northwest Bell; Sr. Marjorie Ille, Rich Hotel Manager; Charles Hamilton, Rich Hotel Resident; Michael Stoops, Burnside Community Council; Cathy Adams, Burnside Bridge; Marvin Welt, Youth Job Developer, City of Portland.

Segment 2 credits: Host, Steve Brown; Guests, Sue Preece and James Brown, Jr.; Producer, Steve Brown; Director, Stan Hintz; Technical Director, John Hills; Floor Director, Frank Fayssoux; Video, Ken Darby; Audio, Ron Cummings; Camera Operators, Cecilia Goodnight and Dan Sackett; Lights and Set, Dan Sackett, John Hills and Ron Cummings; Electronic Graphics, Steve Ward. Music by Don Latarski.

Segment 1: "Cold that Kills," (title drawn from segment title card), hosted by James Wygant. Guests include Frank Heyl, a survival instructor/consultant, and Keith West, a mountain climber, who discuss survival skills during extreme weather conditions and when mountain climbing. Segment 2: (0:31:25) Episode of the series "Ahora Mismo" hosted by Roberto Ruiz. Introduction is in both Spanish and English, with the rest of the episode in English. Topic is the 1986 Cinco de Mayo festival in Portland that took place May 2,3, and 4. Guests Mike Lynch and Patty Laumand, members of the Portland Guadalajara Sister City Association, discuss the festival and other related events. Segment includes footage taken during festival. Music by Pa'Lante, Ritmo Tropical, Poly Chavez, Sus Coronados. Directed and edited by Theresa Soliz.

Segment 1 credits: Host, James Wygant; Guests, Frank Heyl and Keith West; Producer, Liz Lynch; Director, Ray Larson; Technical Director, Stan Hintz; Cameras, Terry Soliz, Barbara Affleck and Scott Thompson; Audio/Video, John Hills; Lights and Set, James Wygant; Electronic Titles, Liz Lynch.

Segment 2 credits: Host, Roberto Ruiz; Guests, Mike Lynch and Patty Laumand; Producer, Roberto Ruiz; Director/Editor, Theresa Soliz; Switcher, Dave Michaud; Audio, Stan Hintz; VTR Operator, John Hills; First Assistants, Joselito Romero and Peter Piazza; Cameras, Ray Larson, Scott Thompson, Theresa Soliz; Floor Director, Mitch Burgess; Electronic Graphics, Theresa Soliz; Studio Lights and Set, Maria Alanis and Theresa Soliz. Music by Pa'Lante, Ritmo Tropicale, Poly Chavez, and Sus Coronados.

Segment 1: "Aguila," a Spanish-language program hosted by Roberto Ruiz. Guest Manuel Gonzalez, a producer of Spanish-language public access programs in Fresno, California, discusses cable access programming as educational tool. (0:20:35) Musical performance intermission, (0:25:12) followed by interview with Raymundo Marin discussing the Starlight Parade. (0:36:54) Interstitial Buttons and Bows. Segment 2: (0:39:08) In-studio performance by musical group, Ela.

Segment 1 credits: Host, Roberto Ruiz; Guests, Raymundo Marin and Manuel Gonzalez; Director, Manuel Gonzalez; Technical Director, Stan Hintz; Floor Director, Ed Ash; Cameras, Margaret Clark and Maria Alanis; Audio, Jim Apalado; Video, Ron Cummings and Liz Lynch; Character Generator, Carolyn Brucel.

Segment 2 credits: Ela group members: Alan J. Nohlgren, saxophone, flute and piccolo; William Thomas, trap drums; Janice Scroggins, piano; Brian Davis, congas, percussion; Scott Wardinsky, congas; Nick Gefron, timbales; Lester McFarland, bass; Thara Memory, guest artist. Studio Crew: Produced by Linda Lewis and Ellen Hansen; Director, Ellen Hansen; Technical Director, Linda Lewis; Floor Director, Stan Hintz; Audio, Peter Lesueur and Ed Spencer; Video Carolyn Bruce; Camera Operators, Diana Wyatt, Dan Halvorson and Victor Hortaleza; Lighting, Ellen Hansen and Tony Cassera; Set Design, TVAP crew; Electronic Graphics, Linda Hawkins; Patchwork, Grant Rimington.

Segment 1: "Hispanic Artist" (drawn from segment title card), is a video profile of Woodburn artist Jose Castro. Segment hosted by Jim Apilado and member of the Hispanic Media Project, Terry Soliz. In addition to discussing his recent mural projects, Castro walks audience through the screen printing process. Followed by portion about Castro's artwork. Broadcast from Liberty Cable. At the beginning of some segments, there is no audio for several seconds (part of original broadcast). Segment 2: (0:35:30) "Portland Peeves," a live call-in show hosted by Rosemary Jane and Sally Green. People call in to discuss their pet peeves about Portland. On set is Grant Raddon from Portland kite store Wind Play. In between the two main segments is a short video called "A Walk through the Forest with TVAP" by Stan Hintz, mainly shots of nature, trees, and streams with music overlay.

Segment 1 credits: Artist, Jose Castro; Studio Hosts, Terry Soliz and Jim Apilado; Studio Director, Scott Thompson.

Segment 2 credits: Produced and Directed by Scott "Torch" Thompson; Technical Director, Ed Seifert; Floor Director, Sherrill Thompson; Audio, Ben "Jammin" Wagor; Video, Stan Hintz; Cameras, Robert Wynn and Frances Cositkyan; Set Design and Lights, TVAP crew; Character Generator, John Rekow; Guests, Rosemary Jane and Sally Green.

The Latest on Federal Cable Legislation with Connie Brand. Discussion between Dave Maier, attorney representing Portland Cable Access; Bob Flug, former director of TVAP, then board member of TVAP and Portland Cable Access; and hosted by Connie Brand, board member of TVAP. Topic is the H.R.4103, the Cable Franchise Policy and Communications Act of 1984, and specifically how some of the provisions within the bill might impact funding for public access channels under the Rogers Cable franchise in Portland. (0:22:06) Main segment is followed by a TVAP promotional video with clips from different TVAP programs and an original song by Portland band The Dots. Ends with a short announcement for an apprentice and training opportunity.

Segment 1 credits: Host, Connie Brand; Guests, Bob Flug and Dave Maier; Producer, Connie Brand; Director, Ellen Hansen; Switcher, Terry Soliz; Technical Director, Dave Michaud; Floor Director, Linda Lewis; Audio, Melody Fahey; Video, Ellery Nelson; Cameras, Kristy Major-McDowall, Ray Larson; Lighting and Set Design, Bubbles O'Toole, Virginia Bruce; C.G., Stan Hintz.

First three minutes: Performance by musical group Special K in progress. Segment 1: "Attitudes towards the Handicapped," hosted by PSU instructor Doris Workman, who taught the course "Barriers: Communicating with the Disabled," with three guests Dave Parker, Penny Marquat, and Scott Lay, each of whom have a physical disability. The segment is a candid conversation about stereotypes and attitudes that society has about people who are disabled. Segment 2: (0:45:05) Musical group Ela, in-studio at Portland Cable Access studios at 5345 SE Foster Rd, originally taped 1983. with Alan J Nohlgren (saxophone, flute, piccolo), William Thomas (trap drums), Janice Scroggins (piano), Brian Davis (congas, percussion), Scott Wardinsky (congas), Nick Gefroh (timbales), Lester McFarland (bass). Rough-cut to credits, some of which are obscured by overlayed text. Final 1.5 minutes is a satirical promo for TVAP about television addiction.

Segment 1 credits: Producer, John Hills; Director, K. Major-McDowale; Floor Director, Les Miller; Technical Director, Dave Michaud; Camera Operators, Rebecca Singer and John Seigendall; Audio, Ken Darby and Bob Flug; Video, Steve Ward; Electronic Graphics, Catherine Ann Adams. Moderator, Doris Workman; Guests, Dave Parker, Penny Marquat, Scott Lay.

Segment 2 credits: Victor Hortaleza (could not see credited role); Lighting, Ellen Hansen and Tony Cassera; Set Design, TVAP crew; Electronic Graphics, Linda Hawkins; Patchwork, Grant Remington. Funding provided in part by the National Endowment for the Arts.

Segment 1: Video begins with title card for the Dan Halvorson show, before cutting to color bars and blank screen. TVAP opening credits begin at (0:00:54), leading in to "Pioneer Courthouse Square Summer Events." Host Peter Lesueur and guest Bill Bulick, the Program Director of the Pioneer Courthouse Square, discuss new initiatives to use Pioneer Courthouse Square for cultural, public, and art events. Program ends and cuts to segment 2: "The Dan Halvorson Show: Nuclear Survival - Reality of Farce," (0:32:03) from February 4, 1983, a call-in satirical program on surviving nuclear blast. The Halvorson segment was likely taped-over for the Pioneer Courthouse Square segment.

Segment 1 credits: Host, Peter Lesueur; Guest, Bill Bulick; Produced and Directed by John Hills; Technical Director Stan Hintz; Camera Operators, Liz Lynch and Ray Larson; Floor Director, Pamela Elton; Audio, Jim Apilado; Electronic Graphics, Scott "Shah" Thompson. Special thanks to Tony Cassera for videotaping.

Segment 2 credits: Produced by Dan Halvorson; Co-Directors, Bob Flug and Bill Hartman; Technical Director, Dave Michaud; Camera, Derek Kinne and Brian Spiegel; Audio, Jim Apilado; Floor Director, Victor Hortaleza; Video, Ken Zeidman; Character Generator, Tom Cambell; Lights, Dan Halvorson; Guests, Chris Bowskill, Jaime Leopold, Molly Ingram, Jim Edgerton. Copyright 1982 by John French and Brenda French. "Generation Genocide," copyright 1981 by John French and James Calvossa. "Bellushi" Copyright 1982 by John Davis. American Beat Dancers, LaRue Bevens, Brynna Hurwitz, Kim Tilger, Pam Matsuda-Dunn.

Hour long program of Portland Music Television (PMTV). Interviews with musicians and footage from live performances. Identified bands include: Wild Dogs, The Glory Seekers, The Usual Suspects, Ed and the Boats, The Rats (musicians include Fred and Toody Cole of Dead Moon).

Credits: Performances by, Wild Dogs, The Glory Seekers, The Usual Suspects, Ed and the Boats, The Rats; Produced and Directed by Frank Fayssoux; Technical Director, Stan Hintz; Cameras, Tony Cassera, John Hills, Ray Walson; Floor Director, Frank Mahoney; Lights and Sets, everybody; Audio, John Gamon; Video, Dan Sackett; Electronic Graphics, Scott "Torch" Thompson.

Segment 1: "Out of Work," Part 1, "To Have and Have Not." First in a series that explores joblessness and homelessness in Portland. Most interviews on location. Segment 2: "Portland High Life." Guest and call-in show "about the world of entertainment in the Portland area." Produced in the studios of Portland Cable Access, 5345 SE Foster Road, Portland, OR 97206.

Segment 1 credits: Written, directed, produced and hosted by Frank Fayssoux; Executive Producer Cathy Adams; Associate Producer Ken Darby; Camera, Ken Darby; Additional Camera Work, John Seigendall and Peter Lesueur; Character Generator, Roy "Dusty" Nicholas; Edited by Frank Fayssoux with assistance from PCA staff. Equipment and Support, TVAP, Liz Lynch; Coordinator, PCA and Liberty Cable. Cast: Frank Fayssoux; Blackie, Hobo Tramp; John Stone, Oregon Employment Division; John Lee, Baloney Joe's; Teresa Brothers, Pacific Northwest Bell; Sr. Marjorie Ille, Rich Hotel Manager; Charles Hamilton, Rich Hotel Resident; Michael Stoops, Burnside Community Council; Cathy Adams, Burnside Bridge; Marvin Welt, Youth Job Developer, City of Portland.

Segment 2 credits: Host, Steve Brown; Guests, Sue Preece and James Brown, Jr.; Producer, Steve Brown; Director, Stan Hintz; Technical Director, John Hills; Floor Director, Frank Fayssoux; Video, Ken Darby; Audio, Ron Cummings; Camera Operators, Cecilia Goodnight and Dan Sackett; Lights and Set, Dan Sackett, John Hills and Ron Cummings; Electronic Graphics, Steve Ward. Music by Don Latarski.

Hour-long program with members of the NW Science Fiction Society and Friends of Dr. Who. During the interview, group members discuss the purpose of the group; to meet and talk about science fiction and related interests. Viewers phone-in to ask questions, and the group talks about the upcoming annual convention, Orecon, and about the newly added convention, Westercon (West Coast Regional Convention), the following summer. During a program break, Wilson High School Student Dan Howard, who provides information about TVAP scheduling. Following the break is a slideshow and the group discusses the images.

Credits: Guests, Bryce Walden, Rick Bilyew, John Lorentz, Steve Barry; Produced by Dan Sackett; Directed by Virginia Bruce; Technical Director, Stan Hintz; Audio, Ron Cummings; Video, Steve Ward; Cameras, Patti Bruce and Ken Darby; Floor Director, Frank Fayssoux; Electronic Graphics, Cecelia Goodnight; Slide Operator, Mark Lewis; Assistant Director, Oscar Halpert.

Segment 1: Community Focus - First segment of Community Focus features Betty Williams, the Director and Coordinator of the Ebony and Ivory Strutters, a drill team out of Peninsula Park, along with Captain of the drill team, Selena Strong. Hosted by Jeff Gamble, the segment includes clips of drill team practices (contains copyrighted music). Interstitial with Open House of Prayer Choir. (0:17:42) Next is the Health Segment of Community Focus, hosted by Juanita Juanita Lyday (listed as Juanita Harris onscreen during program- possibly a typo since the guests' last name is Harris), with aerobics instructor Evonne Harris of The Spa Figure and Fitness Center. Following interview, Harris leads an exercise and stretching session with volunteer Tina Powell. Segment 2: (0:30:20) Quilters Market - A conversation with long-time quilter and member of the Quilters Market, Fern Stengel, discussing how the Quilters Market got started. Hosted by Lyn Kennison, also a quilter. The two discuss some common quilting patterns and techniques. Fellow members, Natalie Shellens and Carrie Atherton, give a quilting demonstration. Produced by Lyn Kennison.

Segment 1 credits: Jeff Gamble, Evonne Harris, Juanita Lyday, Betty Williams, Selena Strong; Produced by Mark Lewis; Directed by Mark Lewis; Floor Director, Onnie Lewis; Cameras, Jean Lyday and Mark Saltveit; Technical Director, Stan Hintz; Audio, Jim Apilado; Assistant Audio, H.R. Lewis; Sets and Lighting, Jim Apilado; Electronic Graphics, Stefan Enriquez.

Segment 2 credits: Lyn Kennison, Fern Stengel, Carrie Atherton, Natalie Shellans; Produced by Lyn Kennison; Technical Director, Stan Hintz; Audio, Jim Apilado; Electronic Graphics, Scott Thompson; Cameras, Liz Lynch, John Hills; Video, Stefan Enriquez; Floor Director, Anita Paulsen; LIghts and Setting, TVAP crew; Consultants, Quilters Market.

Segment 1: NW Esperanto update September 1983, hosted by Ginny Stewart with guest Jim Deer, Vice President, Portland Esperanto Society. Music by Marty Deer, "Rosmaren" and "Autumn Fields." Segment 2: (0:15:30) "Just a Jam" with musicians Art Alexander on piano, Mark Hoffmeister on bass, Jay Harris on drums, James Pitune (?) on guitar. Second song, "Ladies I have Known." Segment 3: (0:27:15) Institute for Professional and Managerial Women. Two representatives of IFPMW, Penny Harrington from Portland Police Department and Angel Pilato from Tektronix, discuss their career trajectories, promotions, and upcoming conference. Hosted by Rosie Hamilton. Tape ends abruptly during credits.

Segment 1 credits: Moderator, Ginny Stewart; Special Guest, Jim Deer; Children, Amanda Stewart and Joshua Stewart; Music, Marty Deer "Rosmaren" and "Autumn Fields"; Producer, Marty Deer; Camera, Linda Stewart and Marty Deer; Field Audio, Marty Deer and Linda Stewart; Studio Audio, Wayne Alora; Editor, Marty Deer; Assistant Editor, Wayne Alora; Titles, Marty Deer.

Segment 2 credits: Musicians Art Alexander on piano, Mark Hoffmeister on bass, Jay Harris on drums, James Pitune (?) on guitar. Songs, "Just a Jam," and "Ladies I have Known."

Segment 3 credits: Directed by James Apilado Esq; Technical Director, Mike Moulton; Floor Director, Brian Gygi; Cameras, Hunter Clarke and Mike Roydon; Audio, Stan Hintz.

"The Autistic Child: Facts, Myths, and Latest Treatments." An hour program with members of the Autism Council in Oregon. Hosted/Moderated by Frances Costikyan. Guests include Jan Jenson (expert), Elaine Piper (parent of an autistic child), Bill and MaryAnne Seaton (parents of an autistic child).

Credits: Produced by Frances Costikyan, Ellen Hansen, and Linda Lewis; Directed by Ellen Hansen; Technical Director Victor Hortaleza; Floor Director, Michael Gust; Audio, Bill Hartman; Video, Jim Wygant; cameras, Tony Cassera and Kevin E.S. Fritz; Lighting, Dave Ortiz; Set Design, Barbara Affleck and Tony Cassera; Electronic Graphics, Linda Lewis. Special thanks to Dick Hammerstrom. Moderator, Frances Costikyan.

Segment 1: The acappella group DADA performs. Singers include Theresa Koon, Celia Twomey, and Sandy Young. Segment 2: (0:28:00) Free Speech in the Workplace: Clara Fraser vs Seattle City Light, Merle Woo vs University of California at Berkeley. Marguerite Elia, a member of the Merle Woo Defense Committee the Clara Fraser Defense Committee, along with Kathy Frederick from Portland chapter of National Organization for Women (NOW), and radio newscaster Carolyn Meyers discuss Clara Fraser's sex and political ideology suite against Seattle City Light and Merle Woo's race and sex discrimination charges against the University of California, Berkeley.

DADA credits: Technical Director and Floor Director, Bill Hartman; Audio, Vic Hortaleza; Video, Bob Flug; Cameras, Dan Halverson and Pat Rosenkrantz; Lighting, Dave Ortiz; Electronic graphics. Michael Gust.

Program on the Oregon Arts Development Fund to encourage Oregonians to give to arts funding when they do their state taxes, commonly known as a checkoff initiative. Hosted by Gwenyth Gamble; Segment 1: Salina Roberts from the Metropolitan Arts Commission.; Segment 2: (0:11:02) Keith Martin (NW Dance Center) and Isaac Shamsud-Din (independent artist / painter).; Segment 3: (0:19:42) John Frohnmayer from the Oregon Arts Commission. Acoustic guitar interludes between each segment.

Credits: Director and co-producer, Diane Linn; Producer, Terri Naito; Technical Director audio, Kevin Fritz; Cameras, Marty Gallagher and Tony Cassera; Floor director, Barb Affleck. Special thanks to Dan Linn

Hosted by Larry Smith, set design by Mara Nesbitt. The program features the following segments: "The Girl Artists: A 30 Years Arts Retrospective," two-day art show and sale at The Troy Laundry Studios in December 1981, narrated by Alicia Seel [?]; Interview by Christine Ferrington with artist Keith Sonnier at the Portland Center for Visual Arts featuring his exhibition of neon sculptures called The Runic Drawings; Short film by Norman Bonney called "Making Bread" filmed at and funded by Williams Bakery. This film was obtained by non-profit organization The Media Project; highlights from The Toaster Show which took place at the Federal Building, including work by Jim Blashfield; Short film originally shot on Super8 and transferred to video called "The Grateful Toaster" by Betsy Berres; Highlights from an exhibition at PCC Sylvania Campus entitled Female Archetypal Imagery and presented by NWAW, January 1982. Features Mara Goman [?] and Nancy Kushwa Blake [?]; Short animated film called AC-16 by Joan Gratz, provided by The Media Project; Short stop-motion animation film "Hand Song" by Ken Butler with music by Tom Grant; Interview with video artist Ed Mellnik with Mara Nesbitt introducing a clip from his film "Andromeda Awakening," which was produced at Liberty Cable Studios.

"Making Bread" credits: Production Assistant, Doug Toback; music, Doug Fellman. Special thanks to: The management and crew of Williams' Bakery and KOZY TV

"Grateful Toaster" credits: editing, Robyn Flatley; sound, Michael E. Carver; kitchen hands, Belle Canon; music, Fred Frith and Rhythm Devils; dancing kids, Roby Berres and Morgan.

"Andromeda Awakening" credits: Directing and editing, Ed Mellnik; music, Roger Luther; movement, Elisabeth Cutler; main camera, Claire Stock; second camera, Joseph Reesha; sound engineering, Lee Lustad.

Interview with two representatives of Outside In: Joanne Fuller and Dino Bitsas. Interview conducted by Cynthia Phillips. In depth questions about the history, mission of, and services provided by the organization, including statistics of clients served and how it is funded. Counseling, social work, medical, and pregnancy tests, etc. The interview also serves as a promotion to raise awareness about the services but also to encourage volunteers. Last third of program is a slideshow with still images showing the Outside In facilities. Some audio noise interference - may be related to the live calls from viewers (this is when the sound interference starts). There is some visual disturbance in the form of small dropouts consistently throughout but no big tracking issues. Color is good. There is mention of a segment on Earth Day to follow the Outside In segment, but it is not on the tape.

Storefront Children's Theatre presents "Kid Kadoodle, Use Your Noodle, Super Safety Show." A theatrical musical comedy show for children stressing safety, including what to do when confronted by strangers and in situations of physical, sexual, or emotional abuse. Storefront refers to the Storefront Theatre in Portland, Oregon. The title character Kid Kadoodle is performed by Ross Huffman-Kerr. Other cast members include Teddy [inaudible], Ray Tilleton [?], Sunny Sorrels and Caroline Swanson, who also choreographed the show. Richard Tyler plays piano. The Kid Kadoodle, Use Your Noodle, Super Safety Show originally toured Oregon schools in the 1970s.

Seance - Image/sound starts 8 seconds in on tape, so no host introduction to the program. Tape label lists Ann Berard Hill, likely the main medium conducting the seance. Two other mediums, a man and a woman, take part, contacting their spirits. All three sit at a round table. At (0:18:10) host Bob Flug starts taking live phone calls with questions for the mediums. (0:33:14) Cuts to Air Force footage while the National Anthem plays.

Compilation of several short reels of Tsuboi family home movies, featuring footage of the Tsuboi family, the Rose Festival parade, laborers working in hops fields, and more. Footage is in black-and-white and color.
00:00 - Scenes of the Tsuboi family children playing on the beach at the Oregon coast in the early 1950s
02:00 - Scenes of the Tsuboi family in the early 1950s
04:00 - Scenes of the Rose Festival parade, possibly in 1956.
06:00 - Demolition of a building in downtown Portland
07:58 - Scenes of the Tsuboi family in the early 1950s. Children playing, family visits a cemetery, family at the Oregon coast. Scenes from a child's birthday party.
12:00 - Scenes from the 1956 Rose Festival parade, including footage of Jimmy Dodd, Bob Amsberry, and several original Mouseketeers from the Mickey Mouse Club. Several Disney-themed floats.
16:00 - Scenes of the Tsuboi family and a visit to the eastern side of the Columbia River Gorge in the early 1950s. Children playing on the beach on the Oregon coast.
18:00 - Scenes of the Rose Festival parade in the 1950s, including footage of a Japanese Boy Scout float
21:50 - Scenes of the Tsuboi family in the early 1950s. Children playing in the water at the Oregon coast.
23:54 - Scattered buildings at the Minidoka Relocation Center. The Minidoka Relocation Center was one of ten American concentration camps to which Japanese and Japanese Americans were forcibly removed and incarcerated. Followed by a brief shot inside of a busy store, possibly the Tsuboi Brothers Store.
24:19 - Portland Rose Garden. The footage is overexposed.
28:41 - Scenes of laborers in a hops field in the 1930s. Scenes of the farm laborers' camp. Horses on a farm.