Tape 2: Part two of "Lavender Troubadour." Program continues, and performer reveals that she is Alice. Alice goes on to describe how she and Beth faced housing discrimination, threats, and acts of violence throughout their relationship. Later, Alice describes a horrific incident in which she and Beth attend a party, and party goers are locked inside the building while it is lit on fire. Alice describes escaping the fire alone, later learning that Beth died in the fire.

Tape 1: Part one of "Lavender Troubadour." One-woman performance by Lavender Troubadour, telling the story of a lesbian couple, Beth and Alice. The performer details the societal and familial discrimination, oppression and violence Beth and Alice experienced as an openly gay couple, and describes the acceptance and belonging they received from the gay community, and gay and lesbian support groups. Beth becomes a public speaker advocating for gay rights. Mentions the Stonewall riots in 1969, and several court cases relating to discrimination. Video ends abruptly.

Interview with Mary Scott, resident of Northwest Portland. Scott talks about her involvement with the Northwest District Association (NWDA), and the Northwest Arts Fair program, Splash. Scott served on the Board of NWDA, previously working as a Coordinator for the office. Scott discusses recent demolition of homes in the Northwest area, and her experiences working with tenant groups through her position at Legal Aid, covering topics of landlord responsibilities and tenant rights and protections. She goes on to describe what it's like living in Northwest Portland, and some of the issues the area is facing, such as crime and affordable housing.

Union Avenue Redevelopment Program. Program operated by the City of Portland, the Office of Planning and Development. Video is an information piece covering the redevelopment of NE Union Avenue, including the Walnut Park Shopping Center. Narrator discusses commercial and residential potential of the area. (0:5:55) Neil Goldschmidt talking to group about Union Avenue redevelopment plan. (0:6:55) Cuts back to narrated video regarding the Union Avenue plan, focusing on transportation, education in the area, and community services. (0:11:27) Goldschmidt discussing city bureaus and committees involved in the logistics of the redevelopment plan. (0:13:49) Narration continues, discussing the planning stages of the redevelopment plan, including community involvement. (0:15:52) Collection of short statements from community members of the Union Avenue area, including Warren Chung; Opal Strong, member of the Citizen Planning Board, part of the Model City Program; unnamed man outside Ruswell Toys (presumably Levi Russel in credits); Joel Southwell, Director of the Senior Adult Service Center; Harvey Rice, Executive Director for Metropolitan Economic Development. Union Avenue later became Martin Luther King Jr. blvd in 1989.

Narrated credits (no text): Film produced by the Union Avenue Planning Team: Dennis Wild, Herman Brain, Mike Lyons, Tim Noland; Gary Stout, administrator of Planning and Development; Union Avenue Steering Committee. Special thanks to Bob and Tom of Econet, John Neil, Warren Chung, Opal Strong, Harvey Rice, Joel Southwell, Levi Russell. Spelling of names is not certain since they are spoken aloud during the credits, not presented as text. "Knocking on Heaven's Door," by Bob Dylan is used in video.

Segment 1: Interview with Viva Hale (last name taken from title, Viva does not state her last name). Interview takes place at the Industrial Hall Rehabilitation Center for Alcoholics and Narcotic Addicts, where Alcoholics Anonymous rents space for group meetings, located near west Burnside street in Portland. Viva is an employee at the Center, and lives in the area. She identifies as an alcoholic and having once lived on the street herself, and believes she understands individuals who are currently experiencing homelessness. Discusses homelessness, alcoholism, drug use, and addiction in Portland. Discusses violence towards homeless individuals, police response for incidents involving homeless individuals, and services the city provides. (0:24:28) Interstitial of outdoor footage of cars and building construction, off-camera someone mentions how the "Downtown Chapel" had been located there. Followed by footage of various downtown businesses, including the Star Theater. Segment 2: (0:27:11) Interview with Edward Lyons, who identifies as the President of Burnside Area Residents (BAR) committee, discussing displacement of homeless and low-income individuals due to redevelopment of the downtown area. Video ends abruptly.

Tape 3: Part three of "Trullinger Interviews." New interview with unidentified woman, talking about her observations as a homeowner. Interviewee is critical of the city for neglecting the Southeast neighborhood. Talks about renters, and how lack of permanence due to renting has negatively impacted the neighborhood. Discusses lack of police response to complaints and emergency calls. Mentions Neil Goldschmidt (former Governor of Oregon and Portland City Commissioner). Tape ends abruptly.

Tape 2: Part two of "Trullinger Interviews." No video for first 20 seconds. Interview continues from Tape 1. General discussion about neighborhoods and businesses in Portland. This segment is more conversational than the first tape, with few prompts from the interviewer. Tape end abruptly.

Tape 1: Part one of "Trullinger Interviews." Interview with long-term Oregon residents and Southeast Portland property owner (near Belmont). Interviewees recall times of living in Portland, post WWII. Discuss transportation and changes in the city. (0:19:10) Talks about the Queen of Romania, Maryhill (now Maryhill Museum) and Stonehenge in the Columbia Gorge. (0:25:35) Talks about the waterfront area, and mentions the Vanport flood in 1949.Tape one ends abruptly.

First interview with Sylvia Lane [?] and Wayne Cheever [?], Southeast Portland residents, who live on Ash street. Cheever discusses changes to the neighborhood they live in, and talks about improvements he would like to see in the neighborhood. (0:09:30) Second interview is with unnamed man outside grocery store, questions are about the neighborhood he lives in, and what he would like to see happen in the neighborhood. (0:12:27) Third interview is with elderly couple, last name Gross, outside same grocery store. They discuss people moving into the neighborhood and city services. (0:18:22) Cuts to interview crew figuring out microphone sensitivity. (0:19:30) Fourth interview starts, with audio but no video, followed by technical difficulties. (0:20:18) Audio and poor video quality for first ten seconds, followed by fifth interview with neighborhood resident who talks about the positives and negatives of living in the area. (0:24:40) Sixth interview is with two women who work in the neighborhood.(0:26:58) Seventh interview conducted in park built by Washington High School students, with elderly couple, who mention living at the Melcliff Apartments in the Buckman neighborhood. Viewing of video to be held at the Creative Outlet, located in Southeast Portland, during a block party taking place July 12th.

Interview with Florence "Flora" Rubinstien, as part of Oral History in the School Project. Rubinstien immigrated with her family to the United States in 1921 from Lublin, Poland, when she was a child. Rubinstien discusses the expectations and disappointments she felt when her family arrived, talks about education and learning english, and about her family's' experience finding employment in Portland. Rubinstien worked for Meier and Frank (a department store that originated in Portland, closed in 2006). Talks about dwindling resources she utilizes offered by Neighborhood House, an organization that assisted immigrants (mostly Eastern-European) with the Americanization process. Rubinstien and interviewer discuss politics and class disparities.

No audio/video until 0:00:46. Interview recorded in the membership lounge at the Oregon Historical Society (OHS). Host is Charles Digregorio, the Urban Historian at OHS. Guests are second cousins, Evelyn Beebe Shirk and Mary Caroline Webster Hull. Purpose of interview is to gain insight of Oregon and Portland history. Beebe Shirk and Webster Hull discuss their genealogy and their relation to: Captain Couch (John H. Couch), George Flanders Wilson, Robert Bruce Wilson, Caroline Couch, General Charles F. Beebe, Mary Kenneth Beebe, Mary Caroline Wilson Burns, Virginia Wilson, Jack Burns. Also mention C.S.Wood, a family friend. Video cuts and ends abruptly.

All segments are part of "Women Alive!" program (title drawn from segment title card). "Four Men in Oregon." Four separate interviews with men of varying employment types and backgrounds, all taking place in Eugene, Oregon. Interviewees are Rick Myers, a folk singer from San Francisco; Jim Swan, a teacher at the University of Oregon; Mike McMullen, a businessman from Eugene; and Dave Burwell, forester and logger. Questions are asked off-camera, while interviewees respond to questions relating to themes of masculinity, men and women in the workforce, men's societal and familial roles, and emotional expectations. Segment 2: (0:14:58) Sylvia Porter, columnist and author, talks about evolving roles and equality of women in the workforce. Discusses familial and economic changes as more women are continually entering the workforce. Segment 3: (0:18:02) As program ends, the musical group Novella Nelson performs.

"Women Alive!" credits: Directed by Roger Englander; Produced by Joan Shigekawa; Coordinating Producer, Jacqueline Donnet; Associate Producer, Janet Klein; Art Direction, Marsha Louis Eck; Production Manager, Mona Kligman. "Four Men from Oregon" Produced by Vic Losick; Camera, Duke McDonough; Sound, Tom Cohen; Assistant Camera, Jim Fehrman; Film Editor, Howard Milkin; Assistant Editors, Peri Muldofsky and Bobby Brooks. "Women Alive!" staff: Production Assistant, Ann Sellew; Researchers, Susan Baskin and Barbara Grace; Production Secretary, Shelley Taylor Huis; Title Design by Irene Trivas; Music Supervision, John Adams; Engineering Supervisor, Andy Setos; Videotape Editor, Glenn Jordan; Associate Director Judi Elterman; Lighting Designer, Danny Franks; Audio, Vicki Weger; Technical Director, Robert Kafarski; Executive Producer, Ronnie M. Eldridge. Musicians for Novella Nelson; Bob Cunningham, Leopoldo Fleming and Linda Twine. Produced in collaboration with Ms. Magazine.

Segment 1: Voiceover narration of slideshow presentation about parks and the plan Northwest District Association's plan for community involvement in the planning of city parks to meet visitors' needs. Segment 2: (0:04:50) "Time is Now: A Film About a Wood Co-op" (title drawn from segment title card). Harry Dawson presents a short documentary film he made as a student at Portland State [University]. Subject of documentary is a wood co-op, and the individuals who gather wood for heating and cooking purposes. Segment 3: (0:17:24) Audio, but no video for first 20 seconds. Unidentified representative from the Northwest District Association (NWDA) discusses current issues and upcoming meetings; talks about planning committee meetings concerning park design and collaboration between the City of Portland and residents. Mentions the group RAIN (publication of Eco-Net) and their upcoming Schumacher presentation. Discusses recent increase in violence towards women and reports of rape in the Northwest neighborhood; discusses action plan and resources for women in the area. Mentions the Action Against Rape Program, and upcoming meeting organized by Mike Ryerson with the police bureau about rape prevention.

Segment 2 credits: "Time is Now" credits: Lark, Bill, Steve, Betsy, Mary, and Friends in the Patriot Party (no last names used).

Pasasaun identifies himself as Brule Sioux from South Dakota, giving classroom presentation describing the many facets of Indigenous cultures, beliefs and values systems. Talks about the Medicine Wheel (also called the Sacred Hoop), and the interactions between concepts of science, art, religion, and government.

"The M.J. Anderson Museum of Relicks [sic]: A Curator's Evaluation of an Interesting Collection" (title drawn from segment title card). Begins with still images of museum, nature, with music overlay. Cuts to discussion between Anderson (credited as Principal) and archaeologist, Brian Gannon, with cuts to still shots of Anderson with Dale Archibald (Curator). Anderson talks about his life and living in the area, his relic museum, and shows Gannon books, artifacts, and naturally-formed rocks, and describes origin of artifacts in the collection. Ends with Anderson and Gannon digging in old stream channel, and uncovering objects similar to those found at the museum. Image of the Oregon Historical Society seal overlaying video.

Credits: Produced by, The Oregon Historical Society; Directed by, Dale Archibald; Production Coordinator, Kristine Chatwood; Audio, Chase Bockman; Camera Operators, Gregory McMickis, Chris Valencia and Patricia Smith; Gaffer, Kristine Chatwood; Editing, Patricia Smith, Chris Valencia; Special Effects, Chris Valencia and Patricia Smith; Graphics, Patricia Smith.

Program starts at (0:00:20). KPTV Channel 12 presents Columbia Crossroads' program about lesbian women. Written and produced by the Lesbian Task Force of the Portland chapter of the National Organization for Women. Minutes 0:00:50-0:05:00 are street interviews collecting public opinion about lesbian women. Followed by a short information piece about lesbian acceptance in society. The next segment highlights lesbian women throughout history, followed by discussion segment guests talk about their life experiences as gay women, public appearance, and familial and societal acceptance. Next segment discusses gay rights, and the potential for federal anti-discrimination laws and Civil Rights laws to include and protect gay individuals, and highlights how Eugene and Portland passed ordinances to ban discrimination from employment and housing. Musical segment by Littlebear playing "Special Friend," as credits roll. The end of the video continues another set of street interviews concerning public opinion of the feminist movement.

Credits: Guests, Nedra Bagley, Alice Cielo, Katherine English, Holly Hart McVey, Rose Panza, Carol Rubenstein, Sandy Smith, Susan Stauffer, Carol Thomas, Elaine Velazquez, Jeri White. Music, "Special Friend," by Little Bear; Performed by, Aspen, Littlebear, Coyote.

Report on general housing issues in Portland. Interviews with residents in Northwest Portland neighborhood; Laura Gardner and Pat Spezito. Spezito discusses the negative impact a new motel has on the neighborhood community. Interview with developer and land owner, James Flad, who is a partner of the group building the motel. James Flad argues that neglected homes lose property value over time, and are no longer seen as profitable for the local economy as single-family units. Interview with Margaret Strong, Community Coordinator for the Northwest District Association (NWDA), discusses protection of older residential homes from being demolished for commercial use. James Flad continues conversation, citing multiple attempts made by the NWDA to prevent commercial development, none of which have been successful.

Segment 1: Interview with owner of Elmer's Flag and Banner shop, Elmer Reider. Reider discusses flag sales during 1976 bicentennial and history of flag designs in the United States. Describes design elements and symbolism found in flags. Segment 2: (0:11:42) Second part of interview with Reider. Continues history of flag design. (0:16:14) Interstitial is footage of flags flying outdoors. Segment 3: (0:17:36) begins with choppy footage, resolving at 0:18:08. Group of actors rehearsing lines for a parody performance/play of the signing of the Declaration of Independence. Segment 4: (0:26:24) Unidentified committee speaking with representative from the city attorney's' office about wording revisions to draft document relating to Red Cross' "policy and action recommendations." Representative mentions having worked with city attorney and Dean Gisvold in drafting the document.

Segment 1: Promotional video about the Camp Cooper recycling program and the benefits of recycling waste. Partnering with Project SOAR (Save Our American Resources), Camp Cooper employees and boy scouts participate in a recycling initiative during their summer session. Produced by Robert Phillips and Econet. Footage and interviews with campers sorting recyclable materials. Interviews with camp rangers at Camp Cooper garbage dump; discussing environmentalism, the negative impact of waste, and improvements of waste being converted into resources for the camp (ex. composting food scraps). Segment 2: (0:17:20) OSPIRG information session. University of Oregon's OSPIRG chapter discusses audits of Douglas and Lane counties' banking financial records and their findings. The banking institutions violating regulations established by the Consumer Protection Act were reported to their counties' District Attorney, the United States Federal Reserve Board and Federal Trade Committee.

Produced by Robert Phillips and Econet.

Tape 2: Part two of "The Boom Boom Room." Continuation of meeting, with Steve Kerman speaking. This portion brings attention to the potential rate increase of the proposed B-cable system, and possible regulation of rates. Provides some details of how the new system will be implemented.

Tape 1: Part one of "The Boom Boom Room." Portland City Council meeting focusing on the proposal of a new B-cable communication system. The cable system and communication committee is comprised of Steve Kerman and Duane Perrin. Steve Kerman speaks, proposing a cable communication system, HI-Ovis (Higashi-Ikoma Optical Visual Information System), to be introduced in Portland.

Segment 1: "Conversations on Creativity" with host Frances Costikyan. She talks with Ann Sullivan, a long-time staff writer for the Oregonian, about her life, upbringing, and her work as a woman journalist. (0:30:10) Interstitial is a fundraising pledge request from TVAP Director Liz Lynch, (0:34:36) followed by a short video called "A Walk through the Forest with TVAP" by Stan Hintz, mainly shots of nature, trees, and streams. Segment 2: (0:36:42) "Kids-TV and Other Works by Young People" discussion with Kids-TV Producer, David Bryant, and Anne Bell, the Education Coordinator of the Northwest Film and Video Center / Northwest Film Study Center (now Northwest Film Center). Bell discusses several initiatives by the Center and shows clips from "Kids-TV," a program produced during the Artquake Festival downtown, and "The Columbia River Gorge: A Natural History," a stop-motion and live action film produced at Cleveland High School as part of a biology class through the Filmmakers in Schools program.

Segment 1 credits: Written, directed, produced and hosted by Frank Fayssoux; Executive Producer Cathy Adams; Associate Producer Ken Darby; Camera, Ken Darby; Additional Camera Work, John Seigendall and Peter Lesueur; Character Generator, Roy "Dusty" Nicholas; Edited by Frank Fayssoux with assistance from PCA staff. Equipment and Support, TVAP, Liz Lynch; Coordinator, PCA and Liberty Cable. Cast: Frank Fayssoux; Blackie, Hobo Tramp; John Stone, Oregon Employment Division; John Lee, Baloney Joe's; Teresa Brothers, Pacific Northwest Bell; Sr. Marjorie Ille, Rich Hotel Manager; Charles Hamilton, Rich Hotel Resident; Michael Stoops, Burnside Community Council; Cathy Adams, Burnside Bridge; Marvin Welt, Youth Job Developer, City of Portland.

Segment 2 credits: Host, Steve Brown; Guests, Sue Preece and James Brown, Jr.; Producer, Steve Brown; Director, Stan Hintz; Technical Director, John Hills; Floor Director, Frank Fayssoux; Video, Ken Darby; Audio, Ron Cummings; Camera Operators, Cecilia Goodnight and Dan Sackett; Lights and Set, Dan Sackett, John Hills and Ron Cummings; Electronic Graphics, Steve Ward. Music by Don Latarski.

Segment 1: "Cold that Kills," (title drawn from segment title card), hosted by James Wygant. Guests include Frank Heyl, a survival instructor/consultant, and Keith West, a mountain climber, who discuss survival skills during extreme weather conditions and when mountain climbing. Segment 2: (0:31:25) Episode of the series "Ahora Mismo" hosted by Roberto Ruiz. Introduction is in both Spanish and English, with the rest of the episode in English. Topic is the 1986 Cinco de Mayo festival in Portland that took place May 2,3, and 4. Guests Mike Lynch and Patty Laumand, members of the Portland Guadalajara Sister City Association, discuss the festival and other related events. Segment includes footage taken during festival. Music by Pa'Lante, Ritmo Tropical, Poly Chavez, Sus Coronados. Directed and edited by Theresa Soliz.

Segment 1 credits: Host, James Wygant; Guests, Frank Heyl and Keith West; Producer, Liz Lynch; Director, Ray Larson; Technical Director, Stan Hintz; Cameras, Terry Soliz, Barbara Affleck and Scott Thompson; Audio/Video, John Hills; Lights and Set, James Wygant; Electronic Titles, Liz Lynch.

Segment 2 credits: Host, Roberto Ruiz; Guests, Mike Lynch and Patty Laumand; Producer, Roberto Ruiz; Director/Editor, Theresa Soliz; Switcher, Dave Michaud; Audio, Stan Hintz; VTR Operator, John Hills; First Assistants, Joselito Romero and Peter Piazza; Cameras, Ray Larson, Scott Thompson, Theresa Soliz; Floor Director, Mitch Burgess; Electronic Graphics, Theresa Soliz; Studio Lights and Set, Maria Alanis and Theresa Soliz. Music by Pa'Lante, Ritmo Tropicale, Poly Chavez, and Sus Coronados.

Segment 1: "Aguila," a Spanish-language program hosted by Roberto Ruiz. Guest Manuel Gonzalez, a producer of Spanish-language public access programs in Fresno, California, discusses cable access programming as educational tool. (0:20:35) Musical performance intermission, (0:25:12) followed by interview with Raymundo Marin discussing the Starlight Parade. (0:36:54) Interstitial Buttons and Bows. Segment 2: (0:39:08) In-studio performance by musical group, Ela.

Segment 1 credits: Host, Roberto Ruiz; Guests, Raymundo Marin and Manuel Gonzalez; Director, Manuel Gonzalez; Technical Director, Stan Hintz; Floor Director, Ed Ash; Cameras, Margaret Clark and Maria Alanis; Audio, Jim Apalado; Video, Ron Cummings and Liz Lynch; Character Generator, Carolyn Brucel.

Segment 2 credits: Ela group members: Alan J. Nohlgren, saxophone, flute and piccolo; William Thomas, trap drums; Janice Scroggins, piano; Brian Davis, congas, percussion; Scott Wardinsky, congas; Nick Gefron, timbales; Lester McFarland, bass; Thara Memory, guest artist. Studio Crew: Produced by Linda Lewis and Ellen Hansen; Director, Ellen Hansen; Technical Director, Linda Lewis; Floor Director, Stan Hintz; Audio, Peter Lesueur and Ed Spencer; Video Carolyn Bruce; Camera Operators, Diana Wyatt, Dan Halvorson and Victor Hortaleza; Lighting, Ellen Hansen and Tony Cassera; Set Design, TVAP crew; Electronic Graphics, Linda Hawkins; Patchwork, Grant Rimington.

Segment 1: "Hispanic Artist" (drawn from segment title card), is a video profile of Woodburn artist Jose Castro. Segment hosted by Jim Apilado and member of the Hispanic Media Project, Terry Soliz. In addition to discussing his recent mural projects, Castro walks audience through the screen printing process. Followed by portion about Castro's artwork. Broadcast from Liberty Cable. At the beginning of some segments, there is no audio for several seconds (part of original broadcast). Segment 2: (0:35:30) "Portland Peeves," a live call-in show hosted by Rosemary Jane and Sally Green. People call in to discuss their pet peeves about Portland. On set is Grant Raddon from Portland kite store Wind Play. In between the two main segments is a short video called "A Walk through the Forest with TVAP" by Stan Hintz, mainly shots of nature, trees, and streams with music overlay.

Segment 1 credits: Artist, Jose Castro; Studio Hosts, Terry Soliz and Jim Apilado; Studio Director, Scott Thompson.

Segment 2 credits: Produced and Directed by Scott "Torch" Thompson; Technical Director, Ed Seifert; Floor Director, Sherrill Thompson; Audio, Ben "Jammin" Wagor; Video, Stan Hintz; Cameras, Robert Wynn and Frances Cositkyan; Set Design and Lights, TVAP crew; Character Generator, John Rekow; Guests, Rosemary Jane and Sally Green.

The Latest on Federal Cable Legislation with Connie Brand. Discussion between Dave Maier, attorney representing Portland Cable Access; Bob Flug, former director of TVAP, then board member of TVAP and Portland Cable Access; and hosted by Connie Brand, board member of TVAP. Topic is the H.R.4103, the Cable Franchise Policy and Communications Act of 1984, and specifically how some of the provisions within the bill might impact funding for public access channels under the Rogers Cable franchise in Portland. (0:22:06) Main segment is followed by a TVAP promotional video with clips from different TVAP programs and an original song by Portland band The Dots. Ends with a short announcement for an apprentice and training opportunity.

Segment 1 credits: Host, Connie Brand; Guests, Bob Flug and Dave Maier; Producer, Connie Brand; Director, Ellen Hansen; Switcher, Terry Soliz; Technical Director, Dave Michaud; Floor Director, Linda Lewis; Audio, Melody Fahey; Video, Ellery Nelson; Cameras, Kristy Major-McDowall, Ray Larson; Lighting and Set Design, Bubbles O'Toole, Virginia Bruce; C.G., Stan Hintz.

First three minutes: Performance by musical group Special K in progress. Segment 1: "Attitudes towards the Handicapped," hosted by PSU instructor Doris Workman, who taught the course "Barriers: Communicating with the Disabled," with three guests Dave Parker, Penny Marquat, and Scott Lay, each of whom have a physical disability. The segment is a candid conversation about stereotypes and attitudes that society has about people who are disabled. Segment 2: (0:45:05) Musical group Ela, in-studio at Portland Cable Access studios at 5345 SE Foster Rd, originally taped 1983. with Alan J Nohlgren (saxophone, flute, piccolo), William Thomas (trap drums), Janice Scroggins (piano), Brian Davis (congas, percussion), Scott Wardinsky (congas), Nick Gefroh (timbales), Lester McFarland (bass). Rough-cut to credits, some of which are obscured by overlayed text. Final 1.5 minutes is a satirical promo for TVAP about television addiction.

Segment 1 credits: Producer, John Hills; Director, K. Major-McDowale; Floor Director, Les Miller; Technical Director, Dave Michaud; Camera Operators, Rebecca Singer and John Seigendall; Audio, Ken Darby and Bob Flug; Video, Steve Ward; Electronic Graphics, Catherine Ann Adams. Moderator, Doris Workman; Guests, Dave Parker, Penny Marquat, Scott Lay.

Segment 2 credits: Victor Hortaleza (could not see credited role); Lighting, Ellen Hansen and Tony Cassera; Set Design, TVAP crew; Electronic Graphics, Linda Hawkins; Patchwork, Grant Remington. Funding provided in part by the National Endowment for the Arts.

Segment 1: Video begins with title card for the Dan Halvorson show, before cutting to color bars and blank screen. TVAP opening credits begin at (0:00:54), leading in to "Pioneer Courthouse Square Summer Events." Host Peter Lesueur and guest Bill Bulick, the Program Director of the Pioneer Courthouse Square, discuss new initiatives to use Pioneer Courthouse Square for cultural, public, and art events. Program ends and cuts to segment 2: "The Dan Halvorson Show: Nuclear Survival - Reality of Farce," (0:32:03) from February 4, 1983, a call-in satirical program on surviving nuclear blast. The Halvorson segment was likely taped-over for the Pioneer Courthouse Square segment.

Segment 1 credits: Host, Peter Lesueur; Guest, Bill Bulick; Produced and Directed by John Hills; Technical Director Stan Hintz; Camera Operators, Liz Lynch and Ray Larson; Floor Director, Pamela Elton; Audio, Jim Apilado; Electronic Graphics, Scott "Shah" Thompson. Special thanks to Tony Cassera for videotaping.

Segment 2 credits: Produced by Dan Halvorson; Co-Directors, Bob Flug and Bill Hartman; Technical Director, Dave Michaud; Camera, Derek Kinne and Brian Spiegel; Audio, Jim Apilado; Floor Director, Victor Hortaleza; Video, Ken Zeidman; Character Generator, Tom Cambell; Lights, Dan Halvorson; Guests, Chris Bowskill, Jaime Leopold, Molly Ingram, Jim Edgerton. Copyright 1982 by John French and Brenda French. "Generation Genocide," copyright 1981 by John French and James Calvossa. "Bellushi" Copyright 1982 by John Davis. American Beat Dancers, LaRue Bevens, Brynna Hurwitz, Kim Tilger, Pam Matsuda-Dunn.