This short film by Tim Smith and Matt Groening parodies anti-drug films (also known as "scare films") from the 1950s and 1960s. Voice-over narration describes the ill effects drugs have on individuals, and society. Cast includes Matt Groening (in ferns).

Credits: A film by Tim Smith and Matt Groening; Written by Matt Groening and Jim Angell; Photography by Tim Smith; Narrated by James K. Angell III; Directed and Edited by Tim Smith and Matt Groening; Starring Duncan Smith, Jeff Rankin, James K. Angell III, Ron Schwabe, Larry Shlim; Matt Groening, Scott Snedecor, Becky Fields, Jack Alhadeff, Tom Raimondi, Martha Butterfield, Olga Ridgeway, Molly Bunting, Tracy Smith, Julia Jacky, Julie New, and Chester the rat. Special thanks to David Englehart, Jeff Rankin, Sally Snedecor, and the King Film Lab. A Teens for Decency Presentation.

A musical score plays as a dancing couple, Don and Edwina, showcase several of Portland's landmarks and places of interest. Locations include the Vista Street Bridge, Jackson Tower, Washington Park, the Rose Garden (The International Rose Test Garden), the Oregon zoo train, The facades of the Orpheum and Paramount theaters are visible in the footage.

Credits: Directed by Tim Smith; Starring Elinor Markgaf and Duncan Smith. Special thanks to Dick Althoff and Dave Judd.

Conservation and digital capture made possible by a grant from Al Larvick Conservation Fund, in partnership with Pro 8mm.

Segment 1: "Out of Work," Part 1, "To Have and Have Not." First in a series that explores joblessness and homelessness in Portland. Most interviews on location. Segment 2: "Portland High Life." Guest and call-in show "about the world of entertainment in the Portland area." Produced in the studios of Portland Cable Access, 5345 SE Foster Road, Portland, OR 97206.

Segment 1 credits: Written, directed, produced and hosted by Frank Fayssoux; Executive Producer Cathy Adams; Associate Producer Ken Darby; Camera, Ken Darby; Additional Camera Work, John Seigendall and Peter Lesueur; Character Generator, Roy "Dusty" Nicholas; Edited by Frank Fayssoux with assistance from PCA staff. Equipment and Support, TVAP, Liz Lynch; Coordinator, PCA and Liberty Cable. Cast: Frank Fayssoux; Blackie, Hobo Tramp; John Stone, Oregon Employment Division; John Lee, Baloney Joe's; Teresa Brothers, Pacific Northwest Bell; Sr. Marjorie Ille, Rich Hotel Manager; Charles Hamilton, Rich Hotel Resident; Michael Stoops, Burnside Community Council; Cathy Adams, Burnside Bridge; Marvin Welt, Youth Job Developer, City of Portland.

Segment 2 credits: Host, Steve Brown; Guests, Sue Preece and James Brown, Jr.; Producer, Steve Brown; Director, Stan Hintz; Technical Director, John Hills; Floor Director, Frank Fayssoux; Video, Ken Darby; Audio, Ron Cummings; Camera Operators, Cecilia Goodnight and Dan Sackett; Lights and Set, Dan Sackett, John Hills and Ron Cummings; Electronic Graphics, Steve Ward. Music by Don Latarski.

Hour long program of Portland Music Television (PMTV). Interviews with musicians and footage from live performances. Identified bands include: Wild Dogs, The Glory Seekers, The Usual Suspects, Ed and the Boats, The Rats (musicians include Fred and Toody Cole of Dead Moon).

Credits: Performances by, Wild Dogs, The Glory Seekers, The Usual Suspects, Ed and the Boats, The Rats; Produced and Directed by Frank Fayssoux; Technical Director, Stan Hintz; Cameras, Tony Cassera, John Hills, Ray Walson; Floor Director, Frank Mahoney; Lights and Sets, everybody; Audio, John Gamon; Video, Dan Sackett; Electronic Graphics, Scott "Torch" Thompson.

First three minutes: Performance by musical group Special K in progress. Segment 1: "Attitudes towards the Handicapped," hosted by PSU instructor Doris Workman, who taught the course "Barriers: Communicating with the Disabled," with three guests Dave Parker, Penny Marquat, and Scott Lay, each of whom have a physical disability. The segment is a candid conversation about stereotypes and attitudes that society has about people who are disabled. Segment 2: (0:45:05) Musical group Ela, in-studio at Portland Cable Access studios at 5345 SE Foster Rd, originally taped 1983. with Alan J Nohlgren (saxophone, flute, piccolo), William Thomas (trap drums), Janice Scroggins (piano), Brian Davis (congas, percussion), Scott Wardinsky (congas), Nick Gefroh (timbales), Lester McFarland (bass). Rough-cut to credits, some of which are obscured by overlayed text. Final 1.5 minutes is a satirical promo for TVAP about television addiction.

Segment 1 credits: Producer, John Hills; Director, K. Major-McDowale; Floor Director, Les Miller; Technical Director, Dave Michaud; Camera Operators, Rebecca Singer and John Seigendall; Audio, Ken Darby and Bob Flug; Video, Steve Ward; Electronic Graphics, Catherine Ann Adams. Moderator, Doris Workman; Guests, Dave Parker, Penny Marquat, Scott Lay.

Segment 2 credits: Victor Hortaleza (could not see credited role); Lighting, Ellen Hansen and Tony Cassera; Set Design, TVAP crew; Electronic Graphics, Linda Hawkins; Patchwork, Grant Remington. Funding provided in part by the National Endowment for the Arts.

The Latest on Federal Cable Legislation with Connie Brand. Discussion between Dave Maier, attorney representing Portland Cable Access; Bob Flug, former director of TVAP, then board member of TVAP and Portland Cable Access; and hosted by Connie Brand, board member of TVAP. Topic is the H.R.4103, the Cable Franchise Policy and Communications Act of 1984, and specifically how some of the provisions within the bill might impact funding for public access channels under the Rogers Cable franchise in Portland. (0:22:06) Main segment is followed by a TVAP promotional video with clips from different TVAP programs and an original song by Portland band The Dots. Ends with a short announcement for an apprentice and training opportunity.

Segment 1 credits: Host, Connie Brand; Guests, Bob Flug and Dave Maier; Producer, Connie Brand; Director, Ellen Hansen; Switcher, Terry Soliz; Technical Director, Dave Michaud; Floor Director, Linda Lewis; Audio, Melody Fahey; Video, Ellery Nelson; Cameras, Kristy Major-McDowall, Ray Larson; Lighting and Set Design, Bubbles O'Toole, Virginia Bruce; C.G., Stan Hintz.

Segment 1: "Aguila," a Spanish-language program hosted by Roberto Ruiz. Guest Manuel Gonzalez, a producer of Spanish-language public access programs in Fresno, California, discusses cable access programming as educational tool. (0:20:35) Musical performance intermission, (0:25:12) followed by interview with Raymundo Marin discussing the Starlight Parade. (0:36:54) Interstitial Buttons and Bows. Segment 2: (0:39:08) In-studio performance by musical group, Ela.

Segment 1 credits: Host, Roberto Ruiz; Guests, Raymundo Marin and Manuel Gonzalez; Director, Manuel Gonzalez; Technical Director, Stan Hintz; Floor Director, Ed Ash; Cameras, Margaret Clark and Maria Alanis; Audio, Jim Apalado; Video, Ron Cummings and Liz Lynch; Character Generator, Carolyn Brucel.

Segment 2 credits: Ela group members: Alan J. Nohlgren, saxophone, flute and piccolo; William Thomas, trap drums; Janice Scroggins, piano; Brian Davis, congas, percussion; Scott Wardinsky, congas; Nick Gefron, timbales; Lester McFarland, bass; Thara Memory, guest artist. Studio Crew: Produced by Linda Lewis and Ellen Hansen; Director, Ellen Hansen; Technical Director, Linda Lewis; Floor Director, Stan Hintz; Audio, Peter Lesueur and Ed Spencer; Video Carolyn Bruce; Camera Operators, Diana Wyatt, Dan Halvorson and Victor Hortaleza; Lighting, Ellen Hansen and Tony Cassera; Set Design, TVAP crew; Electronic Graphics, Linda Hawkins; Patchwork, Grant Rimington.

Segment 1: "Cold that Kills," (title drawn from segment title card), hosted by James Wygant. Guests include Frank Heyl, a survival instructor/consultant, and Keith West, a mountain climber, who discuss survival skills during extreme weather conditions and when mountain climbing. Segment 2: (0:31:25) Episode of the series "Ahora Mismo" hosted by Roberto Ruiz. Introduction is in both Spanish and English, with the rest of the episode in English. Topic is the 1986 Cinco de Mayo festival in Portland that took place May 2,3, and 4. Guests Mike Lynch and Patty Laumand, members of the Portland Guadalajara Sister City Association, discuss the festival and other related events. Segment includes footage taken during festival. Music by Pa'Lante, Ritmo Tropical, Poly Chavez, Sus Coronados. Directed and edited by Theresa Soliz.

Segment 1 credits: Host, James Wygant; Guests, Frank Heyl and Keith West; Producer, Liz Lynch; Director, Ray Larson; Technical Director, Stan Hintz; Cameras, Terry Soliz, Barbara Affleck and Scott Thompson; Audio/Video, John Hills; Lights and Set, James Wygant; Electronic Titles, Liz Lynch.

Segment 2 credits: Host, Roberto Ruiz; Guests, Mike Lynch and Patty Laumand; Producer, Roberto Ruiz; Director/Editor, Theresa Soliz; Switcher, Dave Michaud; Audio, Stan Hintz; VTR Operator, John Hills; First Assistants, Joselito Romero and Peter Piazza; Cameras, Ray Larson, Scott Thompson, Theresa Soliz; Floor Director, Mitch Burgess; Electronic Graphics, Theresa Soliz; Studio Lights and Set, Maria Alanis and Theresa Soliz. Music by Pa'Lante, Ritmo Tropicale, Poly Chavez, and Sus Coronados.

Segment 1: "Conversations on Creativity" with host Frances Costikyan. She talks with Ann Sullivan, a long-time staff writer for the Oregonian, about her life, upbringing, and her work as a woman journalist. (0:30:10) Interstitial is a fundraising pledge request from TVAP Director Liz Lynch, (0:34:36) followed by a short video called "A Walk through the Forest with TVAP" by Stan Hintz, mainly shots of nature, trees, and streams. Segment 2: (0:36:42) "Kids-TV and Other Works by Young People" discussion with Kids-TV Producer, David Bryant, and Anne Bell, the Education Coordinator of the Northwest Film and Video Center / Northwest Film Study Center (now Northwest Film Center). Bell discusses several initiatives by the Center and shows clips from "Kids-TV," a program produced during the Artquake Festival downtown, and "The Columbia River Gorge: A Natural History," a stop-motion and live action film produced at Cleveland High School as part of a biology class through the Filmmakers in Schools program.

Segment 1 credits: Written, directed, produced and hosted by Frank Fayssoux; Executive Producer Cathy Adams; Associate Producer Ken Darby; Camera, Ken Darby; Additional Camera Work, John Seigendall and Peter Lesueur; Character Generator, Roy "Dusty" Nicholas; Edited by Frank Fayssoux with assistance from PCA staff. Equipment and Support, TVAP, Liz Lynch; Coordinator, PCA and Liberty Cable. Cast: Frank Fayssoux; Blackie, Hobo Tramp; John Stone, Oregon Employment Division; John Lee, Baloney Joe's; Teresa Brothers, Pacific Northwest Bell; Sr. Marjorie Ille, Rich Hotel Manager; Charles Hamilton, Rich Hotel Resident; Michael Stoops, Burnside Community Council; Cathy Adams, Burnside Bridge; Marvin Welt, Youth Job Developer, City of Portland.

Segment 2 credits: Host, Steve Brown; Guests, Sue Preece and James Brown, Jr.; Producer, Steve Brown; Director, Stan Hintz; Technical Director, John Hills; Floor Director, Frank Fayssoux; Video, Ken Darby; Audio, Ron Cummings; Camera Operators, Cecilia Goodnight and Dan Sackett; Lights and Set, Dan Sackett, John Hills and Ron Cummings; Electronic Graphics, Steve Ward. Music by Don Latarski.

Pasasaun identifies himself as Brule Sioux from South Dakota, giving classroom presentation describing the many facets of Indigenous cultures, beliefs and values systems. Talks about the Medicine Wheel (also called the Sacred Hoop), and the interactions between concepts of science, art, religion, and government.

All segments are part of "Women Alive!" program (title drawn from segment title card). "Four Men in Oregon." Four separate interviews with men of varying employment types and backgrounds, all taking place in Eugene, Oregon. Interviewees are Rick Myers, a folk singer from San Francisco; Jim Swan, a teacher at the University of Oregon; Mike McMullen, a businessman from Eugene; and Dave Burwell, forester and logger. Questions are asked off-camera, while interviewees respond to questions relating to themes of masculinity, men and women in the workforce, men's societal and familial roles, and emotional expectations. Segment 2: (0:14:58) Sylvia Porter, columnist and author, talks about evolving roles and equality of women in the workforce. Discusses familial and economic changes as more women are continually entering the workforce. Segment 3: (0:18:02) As program ends, the musical group Novella Nelson performs.

"Women Alive!" credits: Directed by Roger Englander; Produced by Joan Shigekawa; Coordinating Producer, Jacqueline Donnet; Associate Producer, Janet Klein; Art Direction, Marsha Louis Eck; Production Manager, Mona Kligman. "Four Men from Oregon" Produced by Vic Losick; Camera, Duke McDonough; Sound, Tom Cohen; Assistant Camera, Jim Fehrman; Film Editor, Howard Milkin; Assistant Editors, Peri Muldofsky and Bobby Brooks. "Women Alive!" staff: Production Assistant, Ann Sellew; Researchers, Susan Baskin and Barbara Grace; Production Secretary, Shelley Taylor Huis; Title Design by Irene Trivas; Music Supervision, John Adams; Engineering Supervisor, Andy Setos; Videotape Editor, Glenn Jordan; Associate Director Judi Elterman; Lighting Designer, Danny Franks; Audio, Vicki Weger; Technical Director, Robert Kafarski; Executive Producer, Ronnie M. Eldridge. Musicians for Novella Nelson; Bob Cunningham, Leopoldo Fleming and Linda Twine. Produced in collaboration with Ms. Magazine.

Segment 1: "My Ship Came In," by Johnny Cash and Earl Scrugs plays over video of the Oaks Park skating rink neon sign, followed by footage of rides and attractions at Oaks Park as carnival music plays. Segment ends at (0:10:33). Segment 2: (0:11:00) Recording of news program on television screen, talking about airstrikes during the Vietnam War. Cuts to footage of people casually socializing in a parking lot. Cuts to students preparing for an anti-war protest. Segment ends at (0:18:40). Segment 3: (0:19:05) Interviewer speaking with Sean Gold, a youth attending Lee's Taekwondo school for karate. Gold talks about the school and teachers, then demonstrates some techniques, and goes on to talk about Bruce Lee. Video ends abruptly.

Credits: A videotape by Tom Kennedy and Donna Ryan.

Segment 1: No sound. Abstract art film of images overlaying/reflected through glass with unnatural saturated color, and overexposed images. Balls rolling, shapes in motion, kinetic movement. Segment 2: (0:15:03) Narrated analysis of the social and cultural impact of television and marketing techniques utilized in commercials. Segment 3: (0:24:50) Organized group meeting to discuss nursing, pharmaceutical education, and legislation relating to health care. Segment 4: (0:30:27) Extraneous footage, testing out new camera lens.

Variety program by acting troupe The Family Circus, performing their musical comedy production of "Superman Meets the Plutonium Tycoons." Serving as political satirical commentary about the use of nuclear power and its hazardous impact on the environment. Superman and Lois Lane are featured characters. (0:51:13) Play ends, and next segment of performance continues, with actors from play now performing a cappella song, "Imperia." Next, performer plays autoharp to song about the Trojan nuclear power plant.

Variety program by acting troupe The Family Circus, performing their musical comedy production of "Garbage, an SOS to Outer Space," an interactive play presented to children. Extraterrestrial beings are sent to Portland, Oregon and discover pollution. They help humans defeat the Smog Monster, and teach them how to protect the earth and prevent pollution.

Tape 1: Part one of "Dennis Banks at PSU." Extraneous footage of "Neighborhood Conversation" program with guest Tom Taylor, at beginning of video, ends abruptly. Segment begins at (0:00:34), with speakers from the American Indian Movement, protesting extradition. Speakers include the founder of the American Indian Movement, Dennis Banks, along with Ron Williams and Jack Scott (Williams and Scott do not speak during presentation). Several groups sponsored the event, including: The Student Coalition Against Racism, The Black Cultural Affairs Board, The Chicano Student Union, United Indian Students in Higher Education, The Associated Students at Portland State University (PSU), The Young Socialist Alliance, and the Philosophy department at PSU, the School of Social Work, and the Black Studies program. The event was held at PSU. Dennis Banks discusses the court case of United States v. Dennis Banks and Russell Means, the occupation of Wounded Knee, Civil Rights for Indigenous peoples, governmental and judicial mistreatment of Indigenous peoples, and violence towards Indigenous peoples. Video ends abruptly.

Segment 1: Footage of man sleeping on the sidewalk, near southeast 10th and Washington in Portland. Man sleeping is presumably homeless. Segment 2: (0:03:11) Begins with footage of churches and churchgoers, recorded from moving vehicle. Hinson Memorial Baptist Church and Portland's First Assembly of God are shown, followed by more footage from moving vehicle. Next, the crew speaks with Sunday School attendent from Foursquare Gospel Church. Segment 3: Interview with Stuart (no last name given), who is opening a Social Center store, where people can purchase books, food, and have access to recycling services. Segment 4: (0:14:22) Audio, but no video image. Interview with Mrs. Fenneran who lives in Southeast Portland. Gives general information about the neighborhood and people in the neighborhood, and talks about her involvement in politics, and participating with Oddfellows. Ends abruptly. Segment 5: (0:20:41) Interview with Walter Fenneran about his experience living in Southeast Portland neighborhood, and reminisces over memories of growing up in Portland. Video ends abruptly.

Segment 1: Technical difficulties at beginning of video, mostly resolved by (0:01:38). Blues performance by man introduced as "John," with segment ending abruptly. Segment 2: More technical difficulties, with interview starting at (0:09:17). Interview with Mike, an Antioch priest who works with the group, IWW (Industrial Workers of the World, commonly referred to as "Wobblies"), who provide job and labor opportunities and enforce welfare and workers rights. Mike discusses the idea of "Unionism," and describes the term "Jackrollers." Later Mike talks about fasting in protest of county budget cuts and raising awareness about wealth disparities, and how county cutbacks are negatively impacting various social service resources. Segment ends abruptly. Segment 3: (0:24:17) Elaine Velazquez interviews man, a former Union Pacific worker and logger, who now receives a pension and lives at the Magnolia Apartments. Interview ends abruptly. Segment 4: (0:28:10) Elaine Velazquez interviews Robert Trout, who lives at the York Hotel at 5th and Burnside street in Portland. Trout talks about the new "drunk law;" an alternative to arresting individuals for intoxication, who are instead taken to detox centers with lessened jail time.

Tape 1: Part 1 of "Death of a Sideshow," (title drawn from segment title card). Begins with various footage of police responses to drunkeness, public intoxication and disturbances, intercut with footage of individuals socializing inside a bar. Host introduces the video, describing the journalistic approach utilized for capturing different perspectives of life on "skid row." Various footage and interviews with business owners, individuals on the street, farmers/landowners, unskilled laborers, and labor agency employees. Voice-over narration explains how new businesses and urban renewal of the downtown area displaces low-income residents. Footage of the planning, development and construction of the US Bank Plaza, including interviews with those organizing the project. Describes theft of pension checks, referred to as "Jackrolling," and life inside various shelters, resource centers, and detox centers.

Locations captured during filming: Sam's Grocery, Shoreline Hotel, Jazz Day Opus (formerly New Slavic Tavern), Old Town Plaza, Sinclair's Fine Arts, The Cuckoo's Nest, US Bank Plaza, Everett Street Drop-In Center, The Portland Rescue Mission.

Credits: Filmed and edited by Michael McLeod; Sound by Peter Maroney; Produced by Peter Maroney and Michael McLeod; Executive Producer Ed Godfrey. A KGW Television News Presentation.

Title card information: "February, 1975 - San Francisco; 121 artists are hired by the city using federal manpower funds through CETA (Comprehensive Employment and Training Act); Nearly 3,000 people apply; The project is initiated by the Neighborhood Arts Program of the San Francisco Art Commission with the... Alvarado School Art Workshop, De Young Museum Art School, and the Mayor's Manpower Office."

Title Card: "Art Works." Jim Nybakken, representative of the Mayor's Manpower Office; Elsa Camerson, De Young Museum Art School; John Kreidler, author of the CETA Arts proposal; and Felix Contreras, Federal Manpower Representative, Discuss the CETA program for employing artists. Visual and performance artists employed through the CETA program describe their involvement in CETA, and their methods of implementing artistic endeavors in communities. Video ends at (0:30:32), with blank screen.

Credits: Produced by, Optic Nerve, with a grant from the National Endowment for the Arts; Optic Nerve, Lynn Adler, Jules Bachus, Jim Mayer, Michael Nolan, Sherrie Rabinowitz, John Rogers, Mya Shone; Mini-Park, Patricia Rodriguez [?], Graciela Carillo; Art School, Michael Cookingham; Dance Rehearsal, Leni Sloan; Elementary School, Betty Wong and the Dragon Theater; Hospital, Swingmasters and Pickle Family Circus; Child Care Center, Larry Pisoni and Bill Irwin; Senior Housing, Talespinners, Sandy Archer, Joe Bellan, Mrs. Grace Berry; Public Housing, Make a Circus, Peter Frankham; Tenants Association, Joe Tapacio, Joyce E [?]; Garden, Ann Kyle and Neighborhood Youth Corps; Hotel, Al Robles and Geraldine Kutaka; Music by, Flowering Stream Ensemble; Mural by, Jim Dong and the Kearny Street Workshop; Main title by Arlene Goldbrand. Thanks to the San Francisco Art Commission, Neighborhood Arts Program, Mayor's Manpower Office, Housing Authority, Recreational Park Dept., Fine Arts Museums, Unified School District, and thanks to all the CETA artists.

Tape 2: Part two of "Laura Gardiner and Margaret Heyde Circt." Hosted by Elaine Velazquez, this interview is with Marjorie Heyde, a long-term resident of Northwest Portland. Heyde opposes commercial redevelopment in the neighborhood, and has concerns of being forced out of her home if development continues. Interview cuts, new segment begins at (0:19:34), with outdoor footage of the neighborhood.

Segment 1: "Guerilla Water Works," unidentified man demonstrates how to manually reposition a water meter valve to turn water back on once it has been shut off (due to non payment). If the meter has been reclaimed, he then instructs how to bypass the water meter by utilizing piping pieces to reconfigure the apparatus. Segment 2: (0:18:47) Interview with unidentified pirate radio group talking about their station in the Sunnyside neighborhood, explaining their activities at the station and how pirate radio transmission works.

Tsuboi family home movie, featuring footage of the Tsuboi family, the Rose Festival parade, a school event, and a family vacation to Vancouver B.C. Footage is in black-and-white.
00:00 - Members of the Tsuboi family exiting a Ford Model T
00:18 - Members of the Japanese American community in traditional clothing, preparing for a parade
01:31 - Japanese American children laugh and play. Boy plays with dog.
02:46 - Military troops march in a parade
03:12 - Scenes of a Japanese American league playing baseball
03:56 - Scenes of the Rose Festival parade in Downtown Portland
07:10 - Ceremony at Union Station in Downtown Portland
07:47 - Scenes of the Rose Festival parade in Downtown Portland, including footage of young Japanese American women in traditional clothing, on a Japan-themed float
09:25 - Japanese American girls perform and play at a school event
09:58 - Scenes from the Rose Festival parade
10:50 - Large crowds attend the opening of the St. Johns Bridge. Floats and automobiles from the Rose Festival parade cross the bridge.
12:37 - Scenes from Tsuboi family vacation. Family crosses the Capilano Suspension Bridge in Vancouver, British Columbia. Scenes from a boat, possibly in Puget Sound.
14:57 - Children perform and play games at a school event

Tsuboi family home movie, featuring footage of the Tsuboi family, the Oregon coast, ships, the grave of Isabelle Dunbar Beveridge, and winter scenes. Footage is in both black-and-white and color. Some footage is blurry.
00:00 - Scenes of young children
01:36 - Tsuboi family on the beach at Oceanside, Oregon
02:40 - Italian battleship passes under the Steel Bridge on the Willamette River
03:29 - A group at the grave of Isabelle Dunbar Beveridge. Includes brief footage of a man, possibly Japanese diplomat Yosuke Matsuoka.
03:52 - Scenes of the USS Constitution, also known as Old Ironsides, docked in a river. An airplane flying. Woman in a car smiles.
04:32 - Scenes of the Tsuboi family at the Oregon coast. Footage of Rockaway Beach, Oregon.
07:47 - Scenes of Tsuboi family, mostly young children
10:06 - Snowy winter city scenes
11:22 - Scenes of Tsuboi family, mostly young children. Little girl in traditional clothing.

No audio/video until (0:00:42). Program featuring interview with Nelly Bly Kennedy, a long-term Oregon resident. Kennedy is a nurse and aspiring writer, planning to write an autobiography. During interview, Kennedy shares stories about her life growing up in Condon, Oregon, and later shares about her experience living in Northwest Portland. Kennedy shows off her arts and crafts projects; including a decorative shirt she is sewing, several oil paintings by her, and later plays a song on the piano as credits roll. Video ends at (0:16:10) after credits. At (0:16:54), footage of Kennedy playing piano begins again, followed by choppy video and partial credits (same as before), and more footage of her playing. At (0:18:13) video ends, with blank screen with no audio/video for remainder of segment (approximately 13 minutes).

Credits: Thanks to Nelly Bly Kennedy and her neighbors at NW Towers. Produced by Mary Beth Onk at CIRCT.

"At the Dog Show," by Dave Turner and Anne Lawson (title and credits drawn from segment title card). Poor video quality and blank screen, resolving at (0:00:42). Behind-the-scenes look at the "61st Dog Show and Obedience Trial," held at the Multnomah County Exposition Center (now commonly known at the Expo Center). Lawson interviews several people involved in the show, including Cassandra Delarosa, dog owner and handler; Irene Butler, groomer; among several other unnamed participants involved in the dog show. Conversations involve topics like grooming, handling dogs during the show, traveling, owning dogs, and how dogs are graded during competition. Video ends at (0:29:53), with blank screen until end of video.

Credits: Camera, Dave Turner; Host, Anne Lawson.

"Ed Quigley - Western Artist," (title drawn from segment title card). Interview with with artist, Ed Quigley, a painter and sculptor, whose works include designs of the Pendleton Round-Up awards. Quigley describes being a former Ranchero rider in Santa Barbara, shows off his western-themed compositions, and describes the process of casting sculptures from clay models. Video ends at (0:32:04).

Interview with Mrs. Maltby, who describes growing up in Portland and answers questions about the Buckman neighborhood. Maltby lived in the Buckman neighborhood during The Great Depression; she talks about renting homes during that time, and the hardships many families experienced. During WWII, Maltby describes people moving to Portland to work in the shipyards. Maltby describes a Chinese cemetery at Southeast 20th and Morrison, and that bodies were disinterred and sent to China for reburial (this portion of the cemetery is located at the the Southwest end of Lone Fir Cemetery.) Maltby goes on to describe the changing demographics of the Buckman neighborhood, and the transition from more families and homeowners in the neighborhood, to more renters. Talks about a trolley that crossed the Burnside Bridge and travelled on Southeast Pine street, and mentions how there had been plans for a depot connecting passengers from Portland to Mt. Hood (this refers to plans for the Mt. Hood Freeway, which was cancelled in favor for light-rail system in Portland).