Ships moored at a dock in Portland, next to a building at Pier No. 2. “Feltre” is painted on the larger ship, which is next to a smaller tug boat. Wooded hills can be seen in the background, behind the building (negative 8 of 10).

Photograph taken from above, showing people walking in a parade. Wearing suits and hats, the men walk in rows down a paved street. People are lined up and watching behind a rope fence (negative 5 of 17).

Photograph taken from above, showing cars in a parade. At the bottom of the frame, a car is flanked on two sides by police motorcycles. Next to the street is a “Shell” station, with people standing on the sidewalk (negative 9 of 17).

A man facing towards the camera while wearing artificial legs, fitted with shoes. A series of straps connects the limbs to a waste belt. He is wearing shorts and a tank top (negative 6 of 13).

A man leans downward and holds an artificial leg next to his body. A workshop can be seen in the background, with another man seated at a Singer sewing machine (negative 10 of 13).

A seated man uses a tool to carve out a wooden foot piece for an artificial limb. Other wooden limb pieces can be seen on the table, with additional tools. Another man can be seen in the background (negative 2 of 13).

A man looks downward while demonstrating the use and fit of an artificial arm. He is pointing towards the arm, and another hand can be seen holding the limb from behind. In the background, another man looks downward at a table (negative 4 of 13).

Men work on a ship while docked in Portland. A crane is lifting a platform packed with bagged goods, while several men look downward into the hold. A river and other docks can be seen in the background (negative 7 of 10).

Three women wearing sashes and ribbons stand with flags in front of a window. Two of the women are wearing flowers pinned to their dresses. The two outer women wear sashes with “National Presidents’ [Pageant?]” written on them, and also “New York” and “New Jersey” ribbons (negative 3 of 17).

Photograph taken from above, showing people walking in a parade. Men and women walk in lines down a paved street, with spectators watching from the sidewalks. On the right side of the frame is a “Shell” gas station. The “Parker” theater is visible in the distance (negative 6 of 17).

A man uses a metal tool to carve out a piece of wood. He is working at a shop bench with a vice grip, and round discs can be seen in the background (negative 1 of 13).

A man holds an artificial arm while pulling a string. The fingers of the artificial arm are made of coiled wire, and several leather straps can be seen. A work table is in the background (negative 8 of 13).

A display of different artificial legs of varying sizes, photographed in front of a curtain. One of the legs is made of metal, while another displays a leather harness attachment (negative 11 of 13).

A man sits at a desk wearing an artificial arm holding a pen. An open book, a pen, and pieces of paper sit on top of the desk. Attached to the arm are several leather straps (negative 12 of 13)

A man with an artificial arm faces to the side while holding a leather bag. Several leather straps hold the arm to his body, and he is wearing suspenders (negative 13 of 13).

The Italian ship Feltre at a dock in Portland, with people and a crane visible on the dock. The crane is on a rail system built into the dock. In the distance, docks, buildings, and water tower can be seen (negative 1 of 10).

A group of adolescents kneel in rows while tying their hachimaki headwraps. Several are wearing Kendo armor and bamboo swords can be seen on the ground (negative 11 of 18). Original sleeve title: “Japanese training classes”

A group of Japanese adolescents kneel around the perimeter of a mat (negative 12 of 18). Original sleeve title: “Japanese training classes”

Two lines of people hold crossed swords towards one another, while wearing Kendo armor and masks (negative 18 of 18). Original sleeve title: “Japanese training classes”

A group of Japanese women holding fans and cloth banners stand in two rows. The women in the back hold open fans over their heads, while younger children stand in front with banners showing Japanese writing. An older woman kneels in the front (negative 5 of 18). Original sleeve title: “Japanese training classes”

Children stand in a line holding bamboo shinai swords. They are each wearing a hachimaki headwrap and long robes (negative 7 of 18). Original sleeve title: “Japanese training classes”

Two men spar on a mat, with one upside down and being held by the other. Japanese writing, a Japanese flag, and an American flag can be seen in the background (negative 13 of 18). Original sleeve title: “Japanese training classes”

Groups of men hand-to-hand fight on a mat. In the front, one man falls to the ground while holding the robe of his partner. Adolescents sit around the perimeter of the mat (negative 15 of 18). Original sleeve title: “Japanese training classes”

Groups of people wearing Kendo armor and using shinai bamboo swords spar in a class. Seated people can be seen in the background (negative 16 of 18). Original sleeve title: “Japanese training classes”

A group of Japanese women are seated while holding fans or instruments. Most appear to be children, while an older women holds an open fan (negative 4 of 18). Original sleeve title: “Japanese training classes”

Two adolescents wear kendo armor and masks, while holding shinai bamboo swords. They are wearing long robes under the armor (negative 6 of 18). Original sleeve title: “Japanese training classes”

Two men wearing hats and long coats look downward at an engraved decorative stone, which is leaning against a stone wall. Three decorative metal cups and a trowel sit in front of the engraved stone. The names “Henry Morgenthau Jr.,” James Farley,” “Louis A. Simon,” “Neal A. Melisk,” and “[Gil]bert Stanley Underwood” are written on the stone, with the year 1936 (negative 1 of 11).

Photograph showing the opening of the new United States Post Office building, at “East Portland Station - Portland Oregon,” located at the corner of S.E. Yamhill St. and S.E. 7th Avenue. A crowd of people stand in front of the building, looking towards a podium in front of the doors (negative 8 of 11).