The Kiser Photo Co. photographs include images produced by the Kiser Brothers, the Lewis and Clark Centennial Exposition Official Photographic Co., the Kiser Photo Co., and the Winter Photo Co. from 1901-circa 1927. Other imprints include Fred H. Kiser Studios, Kiser Studios, and Scenic America Company. The collection contains both vintage black-and-white and hand-colored prints, including stereographs and panoramic photographs, as well as copy prints made from original Kiser negatives. The bulk of the images are examples of Kiser's landscape and mountain photography in Montana, Oregon, and along the Columbia River Gorge and Columbia River Highway, among other places, as well as of various places in Portland, Or. Other subjects include the Louisiana Purchase Exposition in St. Louis, Mo., 1904; the Lewis and Clark Centennial Exposition in Portland, Or., 1905; landscape photographs taken for various railroad companies, 1903-1916; photographs of ships and shipbuilding in the Portland, Or. area, taken for the Emergency Fleet Corporation, 1918-1919; and photos of Kiser studio buildings in Portland, 1909-1923.

The collection also contains contemporary photomechanical reproductions of Kiser photographs, dating from 1903-circa 1930. These include postcards, photomechanical prints both loose and in albums, and publications containing reproductions of Kiser work. There are also background materials that contain biographical notes Fred H. Kiser and the history of his work with photography that were gathered during collection processing and date from 1903-1999.

Many images in the collection were made by the Kiser Brothers or Kiser Photo Company and its photographers but were produced for sale to the public over a long period of time, first by the Kiser Photo Company and then the Winter Photo Company. After Kiser sold part of his business to Winter in 1915, it appears that Kiser continued to make prints from earlier images for which Winter held the negatives, possibly by making copy negatives from original prints. Photographer Benjamin Gifford also bought Kiser negatives and produced them for sale; many of the copy prints in this collection were made from Kiser negatives that are housed in the Gifford and Prentiss photograph collection, Org. Lot 982.

Note on dates and photographers’ negative numbers: Kiser and Winter often issued prints of the same images over a long period. Prints sometimes include copyright dates in the photographer’s imprint. The dates provided in this guide include: actual date of photograph if known, copyright date if known, or circa dates derived from photographers’ negative numbers and image content. Kiser Brothers did not use a negative numbering system as far as can be determined. Kiser Photo Co.’s earliest assigned numbers represent the firm’s output but also may be for images made by the Kiser Brothers but marketed later. They are low numbers preceded by an “x”. Kiser seems to have adopted a consecutive numbering system by about 1906. The numbers are handwritten in pencil on the verso of prints. After he purchased part of the business in 1915, Winter appears to have continued the consecutive numbering system from where Kiser Photo Company left off. After 1915, Kiser appears to have adopted a new numbering system, using a “C” prefix.

A series of oral history interviews conducted between 1992 and 1998 with Japanese Americans in Oregon. Loen Dozono of the Japanese American Citizen's League (JACL) collaborated with OHS on this project. The interviews were conducted by JACL and OHS staff and volunteers. They aimed to interview Issei (first generation Japanese Americans), and ultimately also interviewed several Nisei (second generation Japanese Americans).

The Fred Meyer Oral History Series discusses the business operations and the man behind the Fred Meyer stores, one of the first self-service grocery stores in the nation. They were innovators in the concept of one-stop shopping, paving the way for the modern superstore.

Negatives documenting company activities, including electrical infrastructure, employees, power generation and distribution throughout Portland, the Willamette Valley and the Oregon Cascade Range. Additional general images include streetcars and trains, street lighting, power line installation, Rose Festival floats, office buildings, car barns and bridges. Of particular note are dam building projects at Bull Run and along the Clackamas River (1910-1930), and early electric stations in Oregon City at Willamette Falls.

A series of interviews conducted in 1988 by OHS volunteer Robert Gassner with members of the Syrian and Lebanese community in Portland, Oregon.

A series of oral history interviews conducted by Curtis Johnson about the history of Drive-in restaurants in Portland, Oregon with a particular emphasis on Tik-Tok and Yaw's Top Notch.

The collection consists of correspondence, journals, ship logs, administrative records, and ink sketches relating to the ship Columbia Rediviva. A mix of original materials and reproductions are present. Among the originals are: the journal of John Hoskins, written during the Columbia's journey around the world in 1791-1792; the journal of George Barrell, 1806, written on board the brig Venus from Boston to Malaga, and on the schooner Louisiana from Malaga to New York; Barrell's account of stores on board the Columbia, 1792-1793; letters of Joseph Barrell to Samuel Webb, 1785-1801, and to John Hoskins, 1790; letters from Colburn Barrell and Robert Haswell, 1801; owner's accounts, 1787-1793; accounts of the Columbia and Lady Washington, 1787-1790; receipts; and four ink sketches by George Davidson depicting incidents in the voyages of the Columbia.

The reproductions held in this collection include the journals of Robert Haswell and Owen Smith, 1787-1789; and a file of receipts and other papers concerning outfitting of the Columbia, 1790 (on microfilm). Also included are publications of Robert Gray's wife Martha's petition to congress for a pension and memorial, 1848-1852.

This oral history interview with Monroe and Lil Sweetland was conducted by their daughter, Barbara Sweetland, on August 17, 1976. In this interview, the Sweetlands discusses their college experiences. Monroe Sweetland talks about attending Cornell University and Syracuse Law School in New York. Lil Sweetland discusses attending Smith College in Massachusetts. They both discuss meeting through their political activism while in New York; their reasons for being anti-war during the lead-up to World War II; and their involvement with the Socialist Party.

This oral history interview with Mercedes Deiz was conducted by Linda Dodds at the Multnomah County Courthouse in Portland, Oregon, from February 5-27, 1981. At the time of the interview, Linda Dodds' surname was Brody.

In this interview, Deiz discusses her family background and early life in New York, New York, including life in a large family, her experience during the Depression, and her education. She then talks about attending Hunter College in New York, and her marriage to, and later divorce from, Billy Owens. She discusses the reason she came to Oregon in 1949, and reflects on some of her civil rights activism in New York. She talks about her first impressions of Portland, including its social life and the racism she encountered. She discusses her civil rights activism in Oregon, and her work on public accommodation legislation. Deiz talks about working for the IRS, where she met Carl Deiz, as well as their subsequent marriage. She also often discusses the difficulty of finding affordable day care for her son. She talks about working at the law library at the Bonneville Power Administration, as a legal secretary for Graham Walker, and about attending the Northwestern College of Law. She then talks about failing to pass the bar on her first try. She describes some of the cases she tried and serving as a hearing officer in worker compensation cases. She then relates the story of being appointed to the U.S. District Court of Oregon by Governor Tom McCall. She discusses her campaign to hold that seat a few months later, as well as her campaign for a new position on the Oregon Circuit Court in 1972. She describes the kinds of cases she has heard on that bench, and press coverage. She closes the interview by discussing her involvement in various professional organizations.

The vast majority of this collection is made up of negatives created by Al Monner for the Oregon Journal. A small number of negatives were likely created by fellow Journal photographer Ralph Vincent, also for the Oregon Journal. While it's likely that almost all the negatives in this collection were created as part of Monner's work for the Journal, some images may also be his personal work. Most of the negatives are black and white, with a handful of color images taken in the 1950s and 1960s. A small selection of images from 1936 to 1938 were likely taken during Monner's time at the Oregonian newspaper. Large-format negatives from 1936 to 1959 have been processed and inventoried, while 35mm film from 1959 to 1974 remains unprocessed.

The photographs highlight over 30 years of current events in and around the Portland area, with a smaller number taken elsewhere in the state. Yearly events, such as the Portland Rose Festival and the Pendleton Round-Up, are featured prominently. A substantial number of images from the 1940s show Portland war efforts during World War II, featuring photographs of shipyards, soldiers, and rationing efforts at home. A small number of photographs also show early incarceration of Japanese Americans. Monner also frequently photographed dam-building efforts on the Columbia River at Celilo Village, The Dalles, and Bonneville.

Also included are photographs of accident scenes, fires, explosions, new building projects, sporting events, contest winners, and important national figures visiting the Portland area. Taken together, the collection displays the breadth of Monner's work as a photojournalist, covering the everyday to the exciting.

The collection consists of two copies of a poster entitled “Coronation of Womanhood” and a single copy of an identification key to the people depicted in the poster. The posters are printed from a photo crayon lithograph engraving. At the front center of the image, the goddess of Liberty is crowning a kneeling female figure representing womanhood. Below them is a banner reading, “Coronation of Womanhood.” Arranged in a half-circle above Liberty and Womanhood at the top of the poster are the portraits of Edward Dickinson Baker, George Washington, Abraham Lincoln, and James A. Garfield. Flanking either side of the image is a dais draped in bunting featuring the state crests of New York, California, Oregon, Nebraska, Wyoming, and the District of Columbia. Seated at the dais are 17 women of the suffrage movement: Martha C. Wright, Elizabeth Cady Stanton, Lucy Stone, Frances Wright, Lucretia Coffin Mott, Elizabeth Boynton Harbert, Susan B. Anthony, Abigail Scott Duniway, Dr. Clemence S. Lozier, Helen M. Gouger, Sarah L. Knox Goodrich, Mary Ashton Rice Livermore, Mary J. Collins, Julia Ward Howe, Lillie Devereux Black, Matilda Jocelyn Gage, and Ernestine L. Rose. Below the dais, there is an audience of 275 additional men recognized as supporters of women’s enfranchisement. The men depicted in the scene include Matthew Deady, Stephen F. Chadwick, Rockey Preston Earhart, Joseph N. Dolph, Melvin Clark George, Samuel Royal Thurston, and William S. Ladd. A full listing of the depicted individuals is accessible via the identification key. The inscription at the bottom of the poster reads, “Respectfully dedicated to the loyal subjects of liberty who paved the way to woman’s enfranchisement in the Pacific Northwest, United States of America, anno domini one thousand eight hundred eighty three.”

Source: The Idaho Semi-Weekly World. February 20, 1885.

Collection of materials assembled by the Oregon Historical Society relating to women in Oregon, ca. 1899-1950. Included in the collection are postcards with anti and pro-suffrage images, the correspondence and diary of Mrs. Sylvia Thompson, the correspondence of M.H. Wicoxon, scrapbook of the League of Women Voters, papers of various women's political groups (including anti-suffrage groups) and newspaper clippings regarding women's rights, legal status and prominent women.

Lantern slides depicting activities of the Spruce Production Division in Oregon and Washington State during World War I.

Papers of Delazon Smith, an early Oregon journalist and political figure in Linn County, Or., who served briefly as one of the first U.S. Senators from the state. Includes letters from Delazon Smith to his wife Mary, some of which detail Smith's journey to the east coast in 1858 and admission of Oregon to the Union in 1859. Also included are letters from Smith family members, including Delavan Smith, a soldier in the Civil War; legal documents and speeches; and transcripts of Delazon's Smith's letters to the Oregon Weekly Times describing conditions in the state and providing advice to overland travelers.

The collection includes correspondence, clippings, documents, and ephemera, most of which relate to Zimiri Parvin, James Nassau Brown, Mamie Parvin Brown, Vivian Z. Brown, and Verne Clawson Brown. There are also some materials on the Sutton, Taylor, and Price families, all related by marriage to the Parvins and Browns. Included are: musical compositions by Zimiri Parvin, letters from James Nassau Brown to his wife Mamie, a biographical article by Doris Huffman (1976), diplomas and certificates, high school yearbooks, a pocket diary of Josephine Taylor Sutton containing recipes, a program for a banquet honoring Susan B. Anthony in Salem in 1900, a Taylor family history document from the late 18th century, a group of baggage tags from hotels, and a collection of bank notes from the early 19th century. Among James Nassau Brown's letters is one of 1903 from Salem describing a typhoid epidemic.

Writer, pioneer, editor, and champion of women's suffrage, Abigail Scott Duniway was born in Groveland, Illinois, in 1834. One of her brothers, Harvey Scott, would become the editor of the Oregonian. The Scott family traveled overland to Oregon in 1852, a trip on which Abigail's mother and youngest brother died. The family came first to Oregon City, then settled in Lafayette. Abigail taught school at Eola, and in 1853 she married Benjamin C. Duniway, with whom she had four children. After her husband was incapacitated in an 1862 accident, Duniway supported her family through teaching and a millinery business in Albany, Oregon. After moving to Portland in 1871 she published and edited The new northwest and became Oregon's leading advocate of women's suffrage. She moved to Idaho in 1887 and helped to achieve women's voting rights there in 1896. After returning to Oregon she was instrumental in the passage of Oregon's own women's suffrage bill in 1912. Her writings include the autobiography Path Breaking (1914) and the novel Captain Gray's Company.

The collection, which represents only a small portion of Duniway's papers, includes: the records of the Oregon State Equal Suffrage Association, including minute book, membership and account books, constitutions, a small amount of correspondence, and a copy of a letter from Susan B. Anthony regarding the woman's suffrage movement; and records of the Duniway Publishing Company, consisting of cash, mailing and advertising ledgers (1880-1886) of the publication The new northwest. Also included in the collection is a copy of a typed transcript of Duniway's journal kept during her family's overland trek from Illinois (1852 April 2) to Oregon City, Oregon (1852 September 28), on which her mother and younger brother died. The transcript contains an introduction by Leslie M. Scott. A subscription list from the Oregon State Secular Union from 1891 can also be found in the collection.

The Oregon Labor Oral History Program, building upon the work begun in the 1980s of former Oregon AFL-CIO officer Nellie Fox Edwards, collects oral histories of individuals who have advocated for working people of Oregon, including public figures, union members, and workers. OLOHP accomplishes this work in affiliation with the Pacific Northwest Labor History Association and with the support of the Amalgamated Transit Union 757, volunteers and students.

The collection documents much of the work of Morris H. Whitehouse (1878-1944), Portland, Or.-based architect whose firms and successors operated for 77 years, making it the longest lived architectural firm in Oregon history. The collection consists of architectural drawings (circa 1905-1974), including details, elevations, perspectives, plans, sections, sketches, tracings, and blueprints that trace the design development of hundreds of residential, commercial and government projects. The collection also contains records (circa 1910-1969), including contracts, correspondence, estimates, invoices, notes, and specifications. Many records correspond with sets of architectural drawings and provide detailed historic overviews of an assortment of jobs, particularly residences. The majority of the drawings and records in the collection are connected with projects in Portland, Or. Some jobs are included from various cities and towns in Oregon and Washington state. The collection also includes a small amount of Whitehouse's early personal papers (circa 1905-1919).

The collection consists of two lithograph illustrations and two watercolor illustrations of buildings in Portland, Oregon, designed by architect Isaac Hodgson, Jr. The watercolors depict the entrance and the tower for the Chamber of Commerce building, one lithograph depicts the Chamber of Commerce building between SW 3rd Avenue and SW 4th Avenue, and one lithograph depicts the entrance to a proposed United Bank building. The United Bank lithograph is from a drawing by W. E. Donovan, while all other works were drawn or painted by J. Anderson. Both lithographs were printed by the Heliotype Printing Company of Boston, Massachusetts, and appeared in the September 26, 1891 and August 27, 1892 issues of "American Architect and Building News."

This oral history interview with Doug G. Houser was conducted by Kerry Tymchuk on July 26, 2021, as part of the Oregon Historical Society Research Library's oral history program. A transcript of the interview is available.

In this interview, Houser discusses his family background and early life in Oregon City, Oregon, particularly his relationship with his cousin, Phil Knight. He talks about his experience as a child with a speech impediment, about his early education, and about his decision to pursue a law career. He discusses his experience at Willamette University, including working as a page for the Oregon Legislature during his sophomore year, and having Mark Hatfield as an advisor. He then briefly talks about studying law at Stanford University. He speaks about his marriage to Lucy Anne Latham and describes their courtship. He also briefly talks about his service in the U.S. Army. He discusses his career with the Bullivant law firm in Portland. He describes cases he worked on, talks about lawyers he worked with, and discusses serving as a pro-tem judge for a summer in the 1960s. He speaks at length about his work as a lawyer, and later a board member, for Nike, Inc.

Collection consists of 6 plans on 4 sheets of the sternwheel steamer Hassalo. The drawings include a side view of the Hassalo; a plan of the freight deck; a lines plan, with cross sections, labeled as being taken from a model of the steamer made by John Gates; and a cross section. Three of the sheets are stamped: "Oregon Historical Society - Portland, Oregon / from collection of L. C. Hosford." It is unknown whether the plans are original drawings or later reproductions.

This oral history interview with Lynne E. Scott was conducted by an unidentified woman in May 1978. In this interview, Scott shares her memories of life in Brownsville, Oregon, from 1900 to 1909. She talks about her education and her recreational activities. She describes the houses her family lived in, and downtown Brownsville. She talks about her marriage to David Sterling and about their life in Cottage Grove. She also speaks about her family's journey from Nebraska to Oregon in 1898.

This oral history interview with Charles L. Hayward was conducted by Linda S. Dodds on December 5, 1979. A transcript of the interview is available. At the time of the interview, Dodds' name was Linda S. Brody.

In this interview, Hayward discusses his experiences as a balloon lookout during World War I. He talks about his Army training and learning how to operate balloons. He describes his deployment to Europe, including traveling across England and marching across France to reach the front lines. He speaks at length about the organization, equipment, and operations of the balloon corps. He also describes the experience of being in a balloon while under fire. He closes the interview by sharing his memories of Armistice Day, November 11, 1918, and of the return journey to the U.S.

Collection consists of 34 photographs of scenes in Portland, Oregon, and of Vancouver and Longview, Washington, taken or collected by Charles Oluf Olsen between 1924 and 1931. Olsen used many of the photographs in this collection to illustrate features he wrote for the Oregonian, Oregon Journal, and other publications. Subjects depicted in the collection include: photographs of an encampment of unhoused people under the north end of the Interstate Bridge in Vancouver, Washington, circa 1930; Lone Fir cemetery in Portland, Oregon, circa 1927; the William Sargent Ladd residence; the 1930 Longview, Washington, Rolleo log rolling competition; and Burnside street, circa 1924, showing the Volunteers of America Mission, Oregon Labor Industry offices, Ericson’s Saloon, and the House of All Nations Saloon.

This oral history interview with Jesalee Fosterling was conducted by Roberta Watts in Portland, Oregon, on April 11, 1978, as part of the Oregon Historical Society Research Library's oral history program.

In this interview, Fosterling discusses her early involvement with the Portland chapter of Planned Parenthood. She talks about funding the clinic, discusses Oregon's birth control laws, and describes opposition to the work of Planned Parenthood. She talks about the daily operations of Planned Parenthood, about the types of birth control and other services the organization provides, and about its staff. She closes the interview by discussing the future of birth control.

This oral history interview with Gene L. Brendler was conducted by Kathleen D. Walsh at KPTV Studios in Portland, Oregon on February 26, 1982, as part of the Oregon Historical Society Research Library's oral history program.

In this interview, Brendler briefly discusses his early life and career before he moved to Portland in 1947. He talks about the history of KPTV, and speaks at length about his broadcasting career with that station, including his role as emcee for the musical variety program "See Here," hosting a localized version of "American Bandstand" called "High Time," and working as public affairs director. He discusses how broadcasting changed during his career, talks about how cable TV has affected local programming, and shares his opinion regarding increased diversity in television broadcasting. He closes the interview by talking about people he worked with, and by describing some of his photographs.

This oral history interview with Howard Newton Magness was conducted by Charles Digregorio at the Magness Farm in Wilsonville, Oregon, on December 21, 1977, as part of the Oregon Historical Society Research Library's oral history program. Edmund Hayes, Dr. Arch W. Diack, John L. Blackwell, Sir James McDonald, Peter McDonald, and Panzy Magness were also present, and often contributed to the interview.

In this interview, Magness discusses the 1977 donation of his 63-acre farm to the Western Forestry Center, now known as the World Forestry Center, for the purposes of an experimental tree farm and education with public access. He talks about his original purchase of the land in 1955, and his reasons for donating it. The group talks about the donation process, and about the Western Forestry Center's plans for the land.