cartes-de-visite (card photographs)

Taxonomy

Code

Scope note(s)

  • Small-format photographs affixed to card stock, popular in the mid-19th century. They went out of fashion in the 1870s. The photographs were typically portraits and the image was a standard size of 3 1/4 x 2 1/4 inches; they were generally produced by a multiple-lens camera that created several images on a single full-sized negative plate. Full-size prints from the plate were cut into sections measuring 4 x 2 1/2 inches, and the pieces were often mounted on cards, which initially served as visitors' cards; it later became the custom to exchange them on birthdays and holidays, and to collect cartes-de-visite of friends, family members, and celebrities in albums. Examples are card photographs patented by the Parisian photographer André-Adolphe-Eugène Disdéri in 1854 and similar items produced by Mathew B. Brady and other photographers.

Display note(s)

Hierarchical terms

cartes-de-visite (card photographs)

Equivalent terms

cartes-de-visite (card photographs)

  • UF card photographs (cartes-de-visite)

Associated terms

cartes-de-visite (card photographs)

2030 Collections results for cartes-de-visite (card photographs)

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Cartes-de-Visite photographs

  • Org. Lot 500
  • Collection
  • 1855 - 1905

Cartes- de- visite are a form of card photograph popular from around 1860 to the early 1900s, typically used for portraiture. The common construction of these cards consists of a thin albumen print mounted on a thicker card backing measuring 2.5 x 4 inches. André Adolphe-Eugène Disdéri patented the process of creating these photo cards in Paris in 1854, streamlining the process of commercial portraiture. Cartes- de- visite were traded among friends and visitors and they were popularly displayed in albums. In the United States, cartes- de- visite were a staple of commercial photographers during the Civil War as a means of selling inexpensive portraits of soldiers and their loved ones. Photographs of celebrities, military, and political figures were also popular for collecting and trading. Cartes- de- visite were superseded by Cabinet cards, a similar, larger format of roughly 4.5 x 6.5 inches, in the 1870s, but they remained popular into the 20th century.

This artificial collection was accumulated from accessions containing cartes- de- visite photographs acquired prior to 2010 by the Oregon Historical Society Research Library. The cartes- de- visite were originally part of a topical photograph collection and were separated into their own collection to address preservation concerns. The numbering scheme for the collection reflects their original placement within the topical photograph collection. As a result, numbering in this collection is not sequential. The collection includes portraits taken from about 1855 through the early 1900s. Many of the portraits have attached biographical information. Portraits by many well-known Oregon photography studios are represented in this collection, including Joseph Buchtel, Andrew B. Paxton, Isaac G. Davidson, Peter Britt, and F. A. Smith. The collection also contains images of locomotives, ships, buildings, and landscapes in the Pacific Northwest.

Also included is the Photographer Study Collection, which contains sample work from several studios in Oregon, California, and Washington. The portraits in this series are unidentified with the exception of a small selection of portraits that were identified after the collection was assembled.

In addition to Oregon-related materials, the collection includes cartes- de- visite of notable military, political, and celebrity figures from the late 19th century. The most common subjects are American Civil War portraits, a series of illustrations of George and Martha Washington, European notables cards, and advertisements.

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